Ward Steinman David (16 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: New. In shrink wrap.

Condition: Used - Like New. Used - Like New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. 212 pages with some illustrations, well bound, clean, a little foxing to the outer page edge.

Spiral Bound. Condition: Good. Volumes 1 and 2. ; Ex-Library; 4to - over 9¾" - 12" tall.

Soft Cover. Condition: Very Good. First Edition. Green wrappers with picture of the author on front cover. PRESENTATIOIN COPY inscribed by the author in green ink on the half title page: "For -- in fond remembrance of our many collaborations in the past--David Ward-Steinman 2/23/91. (#55/500)" Light crease to last few pages and corner of rear cover otherwise clean and very good. Signed.

Paperback. Condition: Good. Good condition with wear and marking.

Paperback. Condition: New. Print on Demand. This book delves into the fascinating evolution of Igor Stravinsky's musical style, particularly his surprising embrace of serial compositional techniques in the latter part of his career. The author meticulously examines key works from this period, including the Cantata, the Septet, and the Three Shakespeare Songs, to demonstrate how Stravinsky adapted and transformed serialism to retain his unique musical identity. By exploring Stravinsky's innovative approach to twelve-tone composition, the author challenges the traditional perception of a stark divide between the chromaticism of the Viennese School and Stravinsky's earlier neoclassical style. This book reveals how Stravinsky's serial works, while employing techniques associated with Schoenberg and Webern, remain firmly rooted in tonality and exhibit the rhythmic vitality and structural clarity characteristic of his earlier compositions. Through detailed analysis of Stravinsky's scores, the author sheds light on the composer's ingenious methods of manipulating serial rows, his use of traditional forms like canons and fugues, and his masterful handling of harmony and rhythm. Ultimately, this book offers a fresh perspective on Stravinsky's late works, demonstrating his ability to transcend stylistic boundaries and solidify his position as one of the most influential and innovative composers of the twentieth century. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

15, 4 S. OU. (Music by American composers). 0 Gewicht in Gramm: 800.

Large 4to. pp 24. Signed by the composer on front end paper:" for Lou & Bill with greetings and warmest best wishes- fondly, David. 4.30.96. San Diego."Lou = Lou Harrison the American composer, who was composer in residence at San Diego State University. Bill= Harrisons' partner Bill Colvig. Ring bound with plastic spine. Original cream printed wraps. First Edition. Wraps.

Spiral-bound. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1963 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 516 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 516.