Warren Beth Gates (84 results)

Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. B/w Illustrations . (illustrator). First Edition. 4to - over 9¾" - 12" Tall. In pictorial jacket, 4to, 152pp. Illustrated profusely.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. Price label residue; 10.30 X 8.70 X 0.70 inches; 160 pages.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. 1st Edition. Used - Very Good.

Hardcover. Condition: Very Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. A NF+ book in a VG dust jacket. First Edition (stated)/ First Printing (1 2 3 4 5 6 7 8 9 0). Book has light wear to edge of base/head of spine else clean, unmarked, tight and square and full of beautiful images. Jacket has normal shelf/ surface wear and rubbing else fully intact, bright and clean with no markings or tears. A solid copy over all.

First edition. Hardcover. First printing. 153 pages. Introduction by Karen Sinsheimer. Includes 30 small black and white figures along with 80 full page black and white plates. A fine copy in a fine dust jacket.

Hardcover. Condition: Near Fine. Quarto in glossy DJ illus in sepia; 153 p.: ill.; 27 cm; bibliographical references (p. 139-145) and index. Women photographers -- United States -- Biography. Photographers -- United States -- Biography. Femmes photographes -- ?tats-Unis -- Biographies. Photographes -- ?tats-Unis -- Biographies. Mather, Margrethe -- Relations with men. Weston, Edward, 1886-1958. Mather, Margrethe -- Et les hommes. Weston, Edward, 1886-1958. Near Fine+ in Near Fine+ DJ. Very light signs of edge-wear. First edition, first printing (full number line).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 153 pages, illustrations; 27 cm. Firm binding, clean inside copy. Stated First Edition. Dust jacket protected in a mylar cover. *** "Margrethe Mather has been remembered mostly through the commentary of fellow photographer Edward Weston, who referred to her as 'the first important person' in his life. In fact, Mather was probably the greatest influence on the development of Weston's early career. Although Mather's little-known body of work has always held its own in the company of great photographs, her biography and influence have never been thoroughly investigated, in no small part due to her own reluctance to reveal the details of her colorful, sometimes sordid, life. This book illuminates the professional and personal relationship of Mather and Weston, adding an unforgettable chapter to the history of twentieth-century photography. Mather and Weston first met in Los Angeles in 1913. They soon developed a close relationship, eventually working together as full-fledged artistic partners and even co-signing the photographs they produced. Weston was also madly in love with Mather, and the two engaged in an affair during his first marriage, even though Mather was more interested in women. This book, which features work by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past have been overshadowed by the massive reputation of Edward Weston and his subsequent association with Tina Modotti." - Publisher. Size: 4to. Collectible.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Square quarto. Illustrated with toned photographs. As new in as new DJ. 153 pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. New York: Santa Barbara Museum of Art / W.W. Norton, 2001. 154 pages; 89 duotone plates. The 12-year relationship, Mather after the relationship ended, photographs by each. Clean throughout, as new; the laminate on the dustjacket has curled away at one corner. First Edition. Cloth. Fine/Very Good. 4to. Exhibition Catalogue. Language: ENG.

Hardcover with dustjacket; 154 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hard Cover. Condition: Very Good. No Jacket. A clean, unmarked book with a tight binding. 153 pages. 8 5/8"w x 10 1/4"h.

Hardcover. Condition: Very Good. Dust Jacket Condition: good. A very good hardcover in a good+ dust jacket. Small closed tear to front of dust jacket. No markings.

Hardcover. First edition, first printing. Near fine with light bumps to two tips in a Near Fine dust jacket with wear at one corner, protected by a mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 160 pages; 94 duo-toned b&w photographs; 9 x 10.5 inches. Mather was probably the greatest influence on the development of Weston's early career. They first met in 1913 and eventually worked together as full-fledged artistic partners, even co-signing the photographs they produced. This book, which features work by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past were overshadowed by the massive reputation of Edward Weston.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. 80 full page plates plus text illustrations. ; Tight, clean and crisp. A gently read book in excellent condition, now protected in a new Mylar cover. No inscriptions. No remainder mark. Not price clipped. Not ex-library. ; Small 4to 9" - 11" tall; 160 pages.

Hardcover. A very good copy in a very good dust jacket. This captivating biography reveals the previously untold love story of Edward Weston and Margrethe Mather. Both were photographic artists at the center of the bohemian cultural scene in Los Angeles during the 1910s and 1920s, yet Weston would become a major Modernist photographer while Mather, who Weston ultimately expunged from his journals, would fall into obscurity. The book reveals how they and their entourage sought out the limelight as the Hollywood film industry came of age. Based on ten years of research and illustrated with extraordinary images, some never published, this history has a captivating range of characters, including Charlie Chaplin, Imogen Cunningham, Max Eastman, Emma Goldman, Tina Modotti, Vaslav Nijinsky, and Carl Sandburg. The lively text brings to life the ambiance of this exciting time in Los Angeles history as well as its darker side. Artful Lives exceeds any previously published account of this key period in Weston's development and reveals Mather's important contribution to it, making it an essential reference in Weston studies.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light handling wear. Contents: Danto, Cabinet of wonders. Paper trail. Scallen, Rembrandt's nocturne prints. Gardner, Richard Tuttle's paper liberation. Schwabsky, The end of objectivity: Thomas Ruff, from Portraits to Other Portraits. Calvesi, Pedro Cano. Scimé, Notes on Italian photography, part I. Warren, Pierre Apraxine interviewed. Working proof: reviews of prints, photographs, and multiples. Princenthal, Artist's book beat. Regular features. ; 11.0" tall; 64 pages.

Cloth. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A crisp, clean Fine copy in like dust jacket protected by a mylar cover. Margrethe Mather has been remembered mostly through the commentary of fellow photographer Edward Weston, who referred to her as "the first important person" in his life. In fact, Mather was probably the greatest influence on the development of Weston's early career. Although Mather's little-known body of work has always held its own in the company of great photographs, her biography and influence have never been thoroughly investigated, in no small part due to her own reluctance to reveal the details of her colorful, sometimes sordid life. This book illuminates the professional and personal relationship of Mather and Weston, adding an unforgettable chapter to the history of twentieth-century photography. Mather and Weston first met in Los Angeles in 1913. They soon developed a close relationship, eventually working together as full-fledged artistic partners and even co-signing the photographs they produced. Weston was also madly in love with Mather, and the two engaged in a brief affair during his first marriage, although Mather was more interested in women. This book, which features work by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past were overshadowed by the massive reputation of Edward Weston and his subsequent association with Tina Modotti.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fine in fine dust jacket.

Paperback. Condition: Very Good. Lot of 8 "On Paper: The Journal of Prints, Drawings, and Photography". Very good matted illustrated wraps (11" x 8.5"); edges smooth. Binding tight and square; contents clean and unmarked; no mailing labels. B/w illustrations throughout. Vol 1 no 2, Vol 1 No 3, Vol 1 No 4, Vol 1 No 5, Vol 2 No 2, Vol 2 No 3, Vol 12 No 6, Vol 13 No 1, Vol 13 No 2. Dates from 1997, 1998 and 2008.

Condition: New. Brand New.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. A clean, unmarked copy with a tight binding. 153 pages. 8 5/8"w x 10 1/4"h. Exhibition catalog documenting the twelve-year artistic partnership between photographers Margrethe Mather and Edward Weston from 1913 to 1925, featuring 80 photographs from their Los Angeles collaboration and illuminating Mather's significant but previously overshadowed role in early twentieth-century American photography. Keywords: Santa Barbara Art, Norton Company, Pictorialism, Modernist Photo, Camera Pictorialists, Los Angeles Bohemian, Beth Gates Warren, Exhibition Catalog, Tropico Studio, Joint Portraits, Female Photographer, Group F64 2.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Margrethe Mather has been remembered mostly through the commentary of fellow photographer Edward Weston, who referred to her as "the first important person" in his life. In fact, Mather was probably the greatest influence on the development of Weston's early career. Although Mather's little-known body of work has always held its own in the company of great photographs, her biography and influence have never been thoroughly investigated, in no small part due to her own reluctance to reveal the details of her colorful, sometimes sordid life. This book illuminates the professional and personal relationship of Mather and Weston, adding an unforgettable chapter to the history of twentieth-century photography. Mather and Weston first met in Los Angeles in 1913. They soon developed a close relationship, eventually working together as full-fledged artistic partners and even co-signing the photographs they produced. Weston was also madly in love with Mather, and the two engaged in a brief affair during his first marriage, although Mather was more interested in women. This book, which features work by both artists, chronicles their twelve-year association and sheds light on Mather, whose artistry, sexual identity, and mysterious past were overshadowed by the massive reputation of Edward Weston and his subsequent association with Tina Modotti.