Webb Laura, First Edition (13 results)

hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. First Edition. DJ with mild edgewear or bumping. Mild general wear. Pages clean. Binding sound. Mild shelf wear. Sticker on spine.

Hardcover. Condition: Almost Like New. Dust Jacket Condition: Very Good +. First Edition. (First Edition) Book is a clean tight unmarked copy.

Soft cover. Condition: Very Good. 1st Edition. No marks in text. Not a library book. Ships today in a cardboard enclosure, from Tim's Used Books, Provincetown USA, buying and selling good books on the same spot since 1991. Shelf LL.

hardcover. Condition: Good. First Edition. First edition. Minor shelf wear on cover. Pages are clean.

Softcover. Condition: Near Fine. First Edition. Near Fine unread paperback with a minor crease to the lower corner of the front cover. Pages 132-271, unmarked. Frances Webb, Gordon Lish, Franz Wright, Maria Flook, Olga Carlisle, Dennis Brutus, Sharon L Pywell, Leah Watkins, Laura Kelsey, et al ; UO15 C2C; 8vo 8" - 9" tall.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Second printing. Boards are square, rigid with stiff spine, pointed tips, clean and free of internal markings, slight shelf wear/stains to board ends and text block edges. Jacket NOT price clipped but slight wear. Looks great in an acid free clear mylar removable cover. From the library of Tracy Wood, first woman war correspondent in Vietnam, part of the L.A. Times team that won the Pulitzer Prize with their coverage of the L. A. riots and a senior editor with the Orange County Weekly. Not Signed.

Hardcover. Condition: Poor. First Edition. 72p octavo, illustrated. A poor copy lacking the map but with the facsimile letter from Wm C Bryant, and with a facsimile of the map laid in. Front fly leaf detached, name stamped on the first few preliminary pages. Original maroon cloth binding, wearing at the crown and base. Scarce.

Hardcover. Condition: Very Good. 1st Edition. N.D. (1880) Original cloth, gilt lettering, 72 pages, all edges gilt, illustrations, fold-out map of the 1876 campaign, bookplate and owner signature, short tear to the bottom of the title page, slight wear. Dustin 545, Dowd 3069, Luther mention, O'Keefe 2494, "Contains biographies of Custer and Sitting Bull. Contains a biographical sketch of Custer, a pictographic autobiography of Sitting Bull, and some material on Mark Kellogg.".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Binding is tight and pages are clean and unmarked. Stated First Printing. Dust jacket is clean except for one corner of rear cover and is in mylar cover.

Hardcover. Condition: Very Good. 1st Edition. NICE as pictured First Edition a very good condition hardcover, no scuffs, fading or wear 64 pages.

Hardcover. Condition: Very Good. First Edition. Hardback. Dust Jacket. 8vo.pp. 255. Romantic fiction set against the backdrop of a small English seaside village. Original publisherĠs binding in blue, lettered gilt at spine. Illustrated dust jacket featuring the outline of a woman overlooking the small Harbour of a fishing village. Very good indeed in very good dust jacket. Bright, clean dust jacket, slightly nicked with a small amount of loss.

Hardcover. Condition: Fine. First Edition, First Printing. Quarto. 10.75 x 12.75 in. [64 pp.] Illustrated with 9 tipped-in photographs that are signed on the verso. Fine in original paper-covered boards. Contributors include Yamamoto Masao, Ariwara No Narihira, Alec Soth, Teju Cole, Uta Barth, Christie Davis, Laura Letinsky, Susan Sontag, Paul Mpagi Sepuya, Matthew Leifheit, Kathy Ryan, Darius Himes, Alex Webb, Geoff Dyer, Viviane Sassen, Nathalie Herschdorfer, Ann Hamilton, Natalie Shapero. From a limited edition of 200 copies, of which this is number 136. Signed.

Hardcover. First edition, first printing. This compelling first edition is signed by each of the nine co-authors on their photograph pages, which precede their respective chapters. Condition is fine in a fine dust jacket. The binding and contents are pristine with no reportable wear or flaws. "First Edition" is printed on the copyright page. The dust jacket is clean and complete, preserved beneath a clear, removable, archival cover. Spanning over a decade, these stories recall the experience of nine extraordinary women who reported on the Vietnam War: Tad Bartimus, Denby Fawcett, Jurate Kazickas, Edith Lederer, Ann Bryan Mariano, Anne Morrissy Merick, Laura Palmer, Kate Webb, and Tracy Wood. Denby Fawcett, who is currently a Hawaii television and newspaper journalist, recalls at the beginning of her story soldiers saying, "They must have paid you a fortune to come here." 'They' didn't. In fact, Fawcett made next to nothing initially, and had to stretch meager finances to cover basic necessities. But, like Fawcett, all the writers were drawn there, some on assignment, one following her husband, others on their own dime, one stuffing her suitcase with sundresses and swimsuits"how do you pack for war?" she asksothers arriving jungle-ready, all inexorably drawn to a profoundly fraught, dismal, politically and ethically complex conflict.To encapsulate this book merely as women reporters struggling in the midst of phallocentric conflict would be both reductive and an invitation to allow the sex of these reporters to eclipse their contributions. But being a non-combatant female in a war zone has its obvious disadvantages, the confrontation of which is a noteworthy feat, particularly half a century ago. Of course, the military regularly attempted to curtail their exposure to combat, but the challenges they faced were more than merely institutional; Webb was captured by the Viet Cong and Kazickas was hit in the spine by shrapnel. Both survived to tell their tales here in this book.At times, the theme and tension of gender punches through the war horror in surprising moments of tenderness and longing, such as when Kazickas writes, "I tried to keep a professional distance, but I could not help being attracted to many of these men, and on nearly every patrol, there would be a soldier with whom I would connect in a special way. Sometimes in the dark we would lie down and watch the distant flashes of artillery, red-and-orange streaks playing havoc with the stars. We'd sneak some cigarettes and sip smuggled Scotch as we whispered stories of our lives through the long night. The sexual tension was intense, delicious, heartbreaking. Yet I was so careful of my reputation, I did not dare allow even our fingers to touch."War Torn distills and amalgamates the hard-earned perspective of remarkably intrepid women who chose to inhabit a time and place that, for them, presented norms even more hostile than those of mere war. War Torn is charged with stark realities, complicities, courage, and loneliness. While each of these reporters had their own odyssey and story, an unusual bond is also evident and brought them together between these covers. Perhaps the camaraderie of this collection ameliorated the pain and alienation Kazickas describes in her section: "I had no one I could turn to and talk to about my fear and confusion. I could not make sense of this war, nor did I know why I still wanted to stay.".