Weil Susan, Signed (15 results)

Illustrated Cloth. Condition: Very Good +. Dust Jacket Condition: Very Good +. Jochim, Jay (illustrator). First Edition, First Printing. Original price of $19.95 printed on front flap. Jacket has small moisture mark on back lower corner, now protected in paper backed polyester film. Inscribed "To Jessie, best wishes, Jay Jochim" on half title page. Light rubs to corners/spine ends with no other writing, marking or remainder mark. Inscribed by Illustrator(s).

Wrappers. Condition: Very Good. (1997). 4to. INSCRIBED by Weil. Text in Swedish and English. Faint soiling and toning to textblock edges. Bumping to spine of gently rubbed, soiled, and faintly marked wrappers resulted in creasing to spine and extend into front wrapper. VG in wrappers. INSCRIBED.

Soft cover. Condition: Fine. 1st Edition. A Fine Copy, this one Signed and Inscribed by Susan Weil. Inscribed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine copy, this one Signed and Inscribed by the artist Susan Weil. She has also made an original drawing. Inscribed by Illustrator(s).

Åhus; Kalejdoskop, 1980. First edition. 24x16,5 cm. (78) pp. Illustrated. Original printed wrappers. Design and layout by Susan Weil and Sune Nordgren. A fine copy. The book contains photographs and texts on the subject of domesticated and wild birds. Signed by Weil on the title page.

35x27,5 cm. (120) pp. Richly illustrated. Soft cover. A very good copy. Signed by Susan Weil. An artist's book by the painter and photographer Weil and the dancer Withman. It can be read from both sides with a black and a white front cover and they share a black and white spine.

FitzGerald & Co., Vincent (illustrator). 9 x 12 inches. Japanese style binding in purple and green Japanese cloth, matching fold-over case. 40 pages. Interpreted by Susan Weil and Marjorie Van Dyke. Privately printed by Vincent FitzGerald in an edition of 65 copies signed by Susan Weil and Marjorie Van Dyke, of which this is one of 50 copies available for sale. A fine copy in fine clamshell box. Text and titling printed by Daniel Keleher and Bruce Chandler at Wild Carrot Letterpress in typefaces created by Dan Carr & Julia Ferrarie at the Golgonooza Letter Foundry and printed on Moulin du Gue Japanese papers. Calligraphy by Jerry Kelly. With 62 etchings by Marjorie Van Dyke (assisted by Maria Luisa Rojo at The Printmaking Workshop), employing over 150 plates, original watercolors, collage and hand cutting printed on Moulin de Gue paper and Japanese papers. The texts of the forty epiphanies are printed in full, and those selected for interpretation are assigned thematic divisions: "Planes," "Death," "Dreams," and "Games," with Weil undertaking the first two sections, and Van Dyke the latter two. The thematic sectional titles to the divisions of the illustrative matter are keyed numerically to the relevant epiphanies in the text. Lithography by Rhae Burden and Collage creation by Zahra Partovi. Bound loose in hand-made box by David Bourbeau at his Thistle Bindery covered with Japanese hand-made silk with an incised line of Japanese tea paper showing a profile of Joyce. This book, covering death, word games / puns, how a person dreams while sleeping, and planes, is considered a high-spot of Vincent FitzGerald & Company. Japanese style binding in purple and green Japanese cloth, matching fold-over case.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Illustrated edition. Folio. With numerous multimedia & paper cutout illustrations by noted artist Susan Weil, who studied at Black Mountain College with Robert Motherwell, and Ben Shahn and was married to fellow student Robert Rauschenberg for a time. One of 50 numbered copies Signed by the artist and bound in gray silk. A superb livre d'artistes with striking cutout and overlay collages that imaginatively interpret and complement the Joyce text. Fine condition. Signed by Illustrator(s).

Hardcover. Condition: As New. 1st Edition. VFG Edition copyright 1992 Vincent Fitz Gerald & Co. Signed, limited edition; # 3 of 40 copies., 1992. [Colophon]: Printing Wild Carrot Letterpress Typography Michael & Winifred Bixler Etching Marjorie Van Dyke Vincent Fitz Gerald The Printmaking Workshop Silkscreen Colorgirls Paper Paul Wong Dieu Donne Papermill Collage Zahra Partovi Box BookLab [signed] Lee Breuer Susan Weil 3/40. Size of cloth-covered clamshell box: 10 ½ in. x 10 ½ in.Page size: 10 x 10", handmade paper wrappers; contains various, unpaginated, unbound sheets of handmade papers (some colored), some with printed text, etchings, collages. Set in Bembo type by Dan Keleher of Wild Carrot Letterpress, calligraphy by Jerry Kelly. Collages feature a number of types of materials & designs. In a gray, textured cloth-covered clamshell box with mounted green paper, leaf-shaped label with title in gold letters, on front cover of box. As new. One of the innovative Vincent FitzGerald books featured in the September/October, 1993 exhibition/performance held at Franklin Furnace Gallery. Signed by Author(s).

4°. 49 Seiten. Orig.Broschur. Mit einer orignaler Zeichnung der Künstlerin auf der Titelseite an den Münchner Unternehmer und Kunstförderer Jens Peter Haeusgen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550.

New York; Judith Christian Gallery, 1981. 21,5x27 cm. 14, (2) pp. Illustrated. Original printed wrappers, stapled, with a mounted colour plate on front wrapper. Minor scrape mark in front wrapper's inner margin. A fine copy. Contains a poem by Weil, detailed descriptions of the 11 exhibited lithographs and silkscreens, and list of exhibitions. Signed by Weil in pencil on front wrapper and the title page, where she has added "HAND" before the printed "PRINTS", and "AND PRINTS / AND OVER / AND OVER / K'S". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Number 13 of 25 copies. A very interesting artist's book from Portland area writer and visual artist, and daughter of Susan Weil, Sara Kirschenbaum (b. 1959). Consists of short pieces, both poem and prose, accompanied by photographs of the American Museum of Natural History in New York. The verso of the title sheet credits help from artists, Christopher Rauschenberg (Kirschenbaum's half brother), JanHåfström, and her mother, Susan Weil. The surreal and at times grotesque historical photographs detail the building of exhibits of mammoths, elephants, and other large creatures. Kirschenbaum has been published in literary journals such asTin House,and has had art exhibitions in Portland and Lucerne, Switzerland. She has collaborated with Weil on at least one other artist's book, Cycles of Poems,which is held by only the National Museum of Women in the Arts, according to OCLC. As far as we can see, this project is not held, and we find little mention of it elsewhere. 10x8" loose sheets, [1], 24pp., housed in black paper box, signed and numbered by Kirchenbaum. 14 mounted or full page photographs of the American Museum of Natural History. Pages curled, some scattered foxing. Very good.

No place, 1983. 22x16 cm. (56) pp. Leporello in linen boards with a mounted drawing on front cover by Susan and Grace Weil. One leaf is slightly chipped and has a pair of small holes in lower margin. A fine copy. This is no. 20/56, with the title drawn from the writings of Gertrude Stein. Signed by Susan Weil and Sara Kirschenbaum in pencil on the title page. One of 56 jointly handmade books, all of them with different collages, original photos, watercolour, and title. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on rear inner board.

New York; Vincent FitzGerald & Co., 1989. 24,5x17 cm. (20) pp. Leporello binding by Zahra Partovi, with grey Dieu Donné paper on boards and a paper-label on front board, housed in matching card portfolio with silk tie closure. A very fine copy. The text was printed by Kelly Winterton at the Wild Carrot Letterpress on J. B. Green paper, and the etchings by Shigemitsu Tsukaguchi. Illustrated with Line etchings and mezzotints by Susan Weil. The original Persian text is printed on the verso. Issued in 50 copies, all of them signed by Weil and Partovi. This in no. 11.

Lund; Anders Tornberg Gallery, 1985. 26x26,5 cm. A portfolio of 10 etchings, with tissue-guards and loosely placed in printed wrappers. Housed in the original grey Solander box, made by Gerhard Larsson, Malmö. Very fine. The etchings were printed by Marjorie van Dyke, assisted by Julie D'Amario, at the Printmaking Workshop in New York. The portfolio was issued in 50 copies, plus 10 artist's proofs. This copy is "A. P." but not numbered, and signed by Susan Weil on the colophon. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on rear inner board of the box.