Weinstein Don (16 results)

1 Very good. ex museum stamp on blank flyleaf is only flaw.

Soft cover. Condition: Fine. 1st Edition. Booklet, stiff illus. wraps. Slightly tanned but otherwise as issued. 40 pp. This issue contains articles about Clark Ashton Smith/De Lysle F. Cass, Donald Wandrei, Charlotte Perkins Gilman, Ambrose Bierce, and E. Hoffmann Price. Size: 8vo - over 7¾" - 9¾" tall. Book.

Soft Cover. Condition: Fine. First Edition; First Printing. 12 full page reproductions. Introduction by Jack Shear. ; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. ; Square 8vo.

Cloth. Condition: Fine. No Jacket. Robert Weinstein (illustrator). This work is a history of San Diego, California, and is about the everyday life of a rather unkempt, parched, thirsty and poverty-ridden little jumping-off place which would, one day, become a metropolis. The book contains photographs, illustrations, a map, and an index. This copy is clean and solid. In slipcase.

Softcover staple-bound; 16 pages; as new condition; clean and crisp; signed by Don Weinstein on title page; no other internal marks.

Paperback. Condition: new. Paperback. Nationalism in the New World brings together work by scholars from the United States, Canada, Latin America, and Europe to discuss the common problem of how the nations of the Americas grappled with the basic questions of nationalism: Who are we? How do we imagine ourselves as a nation? Debates over the origins and meanings of nationalism have emerged at the forefront of the humanities and social sciences over the past two decades. However, these discussions have been mostly about nations in Europe, the Middle East, Asia, or Africa. In addition, their focus is usually on the violence spawned by ethnic and religious strains of nationalism, which have been largely absent in the Americas. The contributors to this volume "Americanize" the conversation on nationalism. They ask how the countries of the Americas fit into the larger world of nations and in what ways they present distinctive forms of nationhood. Such questions are particularly important because, as the editors write, "the American nations that came into being in the wake of revolutions that shook the Atlantic world beginning in 1776 provided models of what the modern world might become."American nations were among the first nation-states to emerge on the world stage. As former colonies with multiethnic populations, American nations could not logically rest their claim to nationhood on ancient bonds of blood and history. Out of a world of empires and colonies the independent states of the Americas forged new nations based on a varied mix of modern civic ideals instead of primordial myths, on ethnic and religious diversity instead of common descent, and on future hopes rather than ancient roots. The contributors to this volume "Americanize" the conversation on nationalism. They ask how the countries of the Americas fit into the larger world of nations and in what ways they present distinctive forms of nationhood. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Soft cover. Condition: Fine. 1st Edition. 1st Printing. Signed. 16 pages. Published in 1990. Exhibition Catalog. Retrospective collection of photographs. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Catalog is now rare. Published on the occasion of "The Hollywood Poster" exhibition held at the Rena Branstein Gallery San Francisco in 1990. Presents a sampling of Don Weinstein's photograph-collages of discarded Hollywood posters, which he re-combines with other images as well as straightforward portraits of Hollywood figures. "Brings a sense of discovery, experimentation, and play. The range of photographic history is at his command" (Jack Shear). An absolute "must-have" title for Don Weinstein collectors. This copy is very boldly and beautifully signed in black ink-pen on the title page by Don Weinstein. It comes with a pristine copy of the Gallery Opening Reception Invitation, which is beautifully produced. This title is a contemporary art photography classic. As far as we know, this is one of only two copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 13 plates. One of the most brilliant American photographers of our time. A fine copy. Signed by Author.

Condition: New.

Soft cover. Condition: Very Good. No Jacket. 262 pages : illustrations ; 24 cm ; ISBN: 0312024770 (pbk.); 9780312024772 (pbk.); National Library: 91013006X LCCN: 88-33722 ; LC: E169.12; Dewey: 306.4/0973; NLC: CB430; OCLC: 18874474 ; color photographic paper wrappers ; store stamp on inside front cover ; clipped corner of front endpaper ; Contents: (The word panic is in front of each chapter title) Alphabet -- Art -- Astronomy and torture -- Art in ruins -- America the Beautiful -- Viral advertising -- Ads -- Babies (Ollie and Gorby too) -- Beaches -- Chromatic bureaucracy -- Crash -- Canada -- Computer capitalism -- Chip technology -- Commies -- Cyberspace -- Cowboy -- Doughnuts -- Drugs in America -- de Tocqueville -- Dread -- Desert -- Elvis -- Fashion -- Finance -- Feminism -- Florida sunstrokes -- God -- Hollywood -- History -- Hamburgers - Ideology -- Pleasures of invention -- Jeans -- Killing -- Lips -- Lovers -- Magnets -- Money -- Mythology -- Masterpieces -- Manhattan -- Music -- Martians -- Nietzsche's cat on panic particle physics -- Obscenities -- Ovaries -- Olympics -- Ozone -- Pigeons -- Virtual pilots -- Penis -- Plague -- Perfect faces -- Psychoanalysis -- Politics -- Quiet -- Reno romance -- Racing -- Sex -- Superscience -- Shopping malls -- Suburbs -- Surrealism -- Seagulls -- TV -- Toys -- USA -- Urine -- Viral computers -- Viral theory -- Vanities -- Vice Versa -- Worms -- Waiting -- Xanax -- Yuppies (east and west) -- Zombies ; several photographs of late 1989's art and art installations ; VG. Book.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Brand New. 410 pages. 9.50x6.50x1.25 inches. In Stock.

Hardcover. Condition: Brand New. 12.50x11.00x14.88 inches. In Stock.

Condition: New.