Weiting Fan (29 results)

- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 36.81
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

- Softcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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US$ 35.30
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Condition: new.

- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
US$ 44.18
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Paperback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Softcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
Contact seller5-star sellerCondition: New
US$ 46.55
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Paperback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
US$ 47.54
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Paperback. Condition: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
Contact seller4-star sellerCondition: New
US$ 40.62
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Condition: New.

Cinema Of Ann Hui: Aesthetics, Gender, And Displacement
Zhaoyu Zhu (Editor)/ Xueyan Cheng (Editor)/ Weiting Fan (Editor)
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 41.69
US$ 16.92 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. 328 pages. 6.14x0.85x9.21 inches. In Stock.

- Softcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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US$ 53.02
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Condition: New.

- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
US$ 45.99
US$ 21.67 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Cinema Of Ann Hui: Aesthetics, Gender, And Displacement
Zhaoyu Zhu (Editor)/ Xueyan Cheng (Editor)/ Weiting Fan (Editor)
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 67.01
US$ 16.92 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. 328 pages. 6.14x0.85x9.21 inches. In Stock.

- Softcover
Seller: Speedyhen, Hertfordshire, United KingdomSpeedyhen
Contact seller5-star sellerCondition: New
US$ 32.87
US$ 55.49 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Condition: NEW.

- Softcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
US$ 41.10
US$ 50.08 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

- Hardcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
Contact seller5-star sellerCondition: New
US$ 90.98
US$ 9.27 shippingShips from Italy to U.S.A.Quantity: 5 available
Condition: new.

- Softcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 50.06
US$ 50.00 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 37.27
US$ 71.87 shippingShips from Germany to U.S.A.Quantity: 1 available
Taschenbuch. Condition: Neu. Neuware - A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attenti…on to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
US$ 78.42
US$ 37.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 108.53
US$ 12.67 shippingShips from United Kingdom to U.S.A.Quantity: 10 available
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
US$ 119.78
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
Contact seller4-star sellerCondition: New
US$ 112.29
US$ 8.80 shippingShips from United Kingdom to U.S.A.Quantity: 3 available
Condition: New.

- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
US$ 122.96
Free ShippingShips from United Kingdom to U.S.A.Quantity: 5 available
Hardback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender…representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 43.86
US$ 87.97 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 123.99
US$ 16.92 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: Brand New. In Stock.

- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
US$ 122.89
US$ 21.67 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

- Hardcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
Contact seller4-star sellerCondition: New
US$ 137.45
US$ 11.52 shippingShips from Germany to U.S.A.Quantity: 3 available
Condition: New.

- Hardcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
US$ 115.69
US$ 50.08 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contact seller5-star sellerCondition: New
US$ 165.24
US$ 10.50 shippingShips within U.S.A.Quantity: 10 available
Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 123.97
US$ 87.97 shippingShips from United Kingdom to U.S.A.Quantity: 5 available
Hardback. Condition: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender…representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
Contact seller5-star sellerCondition: New
US$ 202.43
US$ 11.00 shippingShips from Ireland to U.S.A.Quantity: 10 available
Condition: New. 2026. hardcover. . . . . .

- Hardcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
US$ 188.45
US$ 37.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.