Weizman Eyal (273 results)

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Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

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Paperback. Condition: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

Paperback. Condition: new. Paperback. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Pages clean; binding tight; very minor wear to covers. 259 pages. Size: 5 1/2" x 8 1/2".

Paperback. Condition: Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery.; Art and Culture; 9.76 X 7.72 X 0.47 inches; 112 pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Today, artists are engaged in investigation. They probe corruption, state violence, environmental destruction and repressive technologies. At the same time, fields not usually associated with aesthetics make powerful use of it. Journalists and legal professionals pore over open source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call "investigative aesthetics": mobilising sensibilities often associated with art, architecture and other such practices to find new ways of speaking truth to power.This book draws on theories of knowledge, ecology and technology, evaluates the methods of citizen counter-forensics, micro-history and art, and examines radical practices such as those of Wikileaks, Bellingcat, and Forensic Architecture. Investigative Aesthetics takes place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as it strives towards the construction of a new 'common sensing'.The book is an inspiring introduction to a new field that brings together investigation and aesthetics to change how we understand and confront power today.To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.

Paperback. Condition: New. Today, artists are engaged in investigation. They probe corruption, state violence, environmental destruction and repressive technologies. At the same time, fields not usually associated with aesthetics make powerful use of it. Journalists and legal professionals pore over open source videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call "investigative aesthetics": mobilising sensibilities often associated with art, architecture and other such practices to find new ways of speaking truth to power.This book draws on theories of knowledge, ecology and technology, evaluates the methods of citizen counter-forensics, micro-history and art, and examines radical practices such as those of Wikileaks, Bellingcat, and Forensic Architecture. Investigative Aesthetics takes place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as it strives towards the construction of a new 'common sensing'.The book is an inspiring introduction to a new field that brings together investigation and aesthetics to change how we understand and confront power today.To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.

Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Soft cover. Condition: Very Good. No Jacket. Francis Alys: A Story of Deception. Francis Alys; Mark Godfrey and Klaus Biesenbach and Kerryn Greenberg (eds.) Museum of Modern Art, New York/Tate 2010. 197p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked, very good condition978087070790217.00.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. How does Israel extend its control over Palestinian lands? From the tunnels of Gaza to the militarized airspace of the Occupied Territories, Eyal Weizman unravels the mechanisms of control and how they have transformed Gaza and the West Bank into a war zone. This is essential reading for understanding how architecture and infrastructure are used as lethal weapons in the formation of Israel.In this new edition, Weizman explains how the events following the invasion of Gaza in October 2023 bear witness to the continuing policies of oppression. He details how this book became a foundational text for Forensic Architecture. THE HIDDEN INFRASTRUCTURE OF ISRAELS OCCUPATION OF PALESTINE, FROM THE FOUNDING DIRECTOR OF FORENSIC ARCHITECTURE Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

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