hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Norwalk: Technology Marketing Corporation, 1981
ISBN 10: 0936840005 ISBN 13: 9780936840000
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Good. *Price HAS BEEN REDUCED by 10% until Monday, Feb. 23 (weekend SALE item)* 300 pp., hardcover, ex library, else text and binding clean and tight (lacks dust jacket). - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Language: English
Published by Dance Horizons, New York, 1981
ISBN 10: 0871271257 ISBN 13: 9780871271259
Seller: James & Mary Laurie, Booksellers A.B.A.A, Minneapolis, MN, U.S.A.
First Edition
Hardcover. 1st. Fine condition / Fine condition dust jacket.
Published by Dance Horizons 1981., 1981
Seller: The Bookstall, Richmond, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Black cloth, 8 1/4 inches square, 77 pages. The ballet told in black and white photos by Steven Caras featuring dancers Mikhail Baryshnikov, Elise Flagg, Judith Fugate, Sandor Nemethy, Helgi Tomasson, Patricia McBride. Fine in slightly chipped, but un-clipped jacket.
Language: English
Published by Norwalk, Connecticut, U.S.A.: Technology Marketing Corp, 1981
ISBN 10: 0936840005 ISBN 13: 9780936840000
Seller: Bingo Books 2, Vancouver, WA, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. hardback book in near fine condition,dust jacket is very good.
Language: English
Published by Donald I. Fine, Inc, New York, 1987
ISBN 10: 1556110510 ISBN 13: 9781556110511
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.
First Edition Signed
Hardcover. Condition: Very good. Dust Jacket Condition: Good. Steven Caras (front jacket photograph) (illustrator). First Printing [Stated]. ix, [1], 278, [2] pages. Illustrations. Index. Inscribed by the author inside the front cover. Inscription reads To Hortensia all my love Robert. DJ has some wear and soiling. This autobiography of one of ballet's most talented stars tells Robert La Fosse's story from his beginning as a corps dancer in 1977, through his eight-year rise as Mikhail Baryshnikov's protege, to his present position with the New York City Ballet. He studied at the Marsha Woody Academy and at Harkness House, joining American Ballet Theatre in 1977, and becoming principal in 1983. In 1985 he danced Romeo in MacMillan's staging of Romeo and Juliet for ABT, and in 1986 moved to New York City Ballet, creating roles in Robbins's Quiet Lady and West Side Story Suite, Tharp's Octet and Septet, and Martins's A Fool for You and Tea Rose, among others. He also appeared for three months in the musical Jerome Robbins' Broadway. He guested with Twyla Tharp during 1992 and directed the touring company, Stars of American Ballet, through many seasons. He choreographed his first ballet, a pas de deux Rappacini's Daughter, for Baryshnikov's temporary company in 1985 and developed a parallel career as a choreographer. He has additionally choreographed for opera. In 2002 he retired from NYCB but continued to make work for the company, including Land of Nod, as well as to teach and choreograph. He published his autobiography Nothing to Hide in 1987 and has made numerous appearances on television. As a principal dancer with the New York city Ballet, Robert La Fosse has mesmerized audiences and critics as one of ballet's most talented stars. Nothing to Hide is a searing and candid autobiography about an extraordinary life, that until now, has never been publicly revealed. Derived from a Library Journal review: La Fosse presents us with a ballet-world expose. Catapulted to an early success with American Ballet Theatre (ABT) as a protege of Baryshnikov, La Fosse is frank about both his early drug use and his lifestyle. In 1985, personal doubts caused him to resign from ABT to "find himself" and do choreography, but he shortly joined the New York City Ballet. La Fosse shows the most insight when he discusses his fellow dancers, the differences between the two companies, and the difficulties of partnering various ballerinas.