West Raphael (15 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Perfect Paperback. Condition: Very Good. Cover By Simon Fenton (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

perfect. Condition: Very Good. Cover By Simon Fenton (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Perfect Paperback. Condition: Very Good. Cover By Simon Fenton (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Unknown. Condition: Good. No Jacket. Cover By Simon Fenton (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good to Very Good. No Jacket. West, Benjamin and Raphael (illustrator). This large paperback is in very good condition. Its front and back endpapers are decorated with a marble pattern. There are reproductions of Benjamin and Raphael West's artwork in black and white throughout the book. There is a small green sticker on the spine and some overall edgewear. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Fine. Benjamin West (illustrator). Large quarto in green boards; dark green spine; xiv, 104 p.: ill.; 30 cm. Includes bibliographical references. West, Benjamin, 1738-1820; West, Raphael Lamar, 1769-1850; American artists -- 19th century. Fine in near fine crisp, bright DJ with a few scratches, dings and blemishes.

Paperback. Condition: Very Good. 1974 Vintage paperback - different cover - inscribed by author to the Beat biographer Ann Charters and her husband Sam - crease on binding - some tanning to page edge - otherwise binding strong contents clean - enjoy.

Soft cover. Condition: Fine. 27 Plates (illustrator). 1st Edition. (32) Pp. Booklet, Staple-Bound, Illustrated, In Card Covers. 27 Loose Plates. In Portfolio With $7.50 Price. Booklet And Plates Fine, Portfolio Dusty And With Many Small Chips Right Along Fore Edge And Upper Folds. The American Social Artist William Gropper's Copy Although Not Marked As Such; He Furnished One Of The Tributes In The Booklet.

Condition: Good. Cover By Simon Fenton (illustrator).

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. Satisfaction Guaranteed or your money back.

Letter. Condition: Very good. Letter/document. Approx. 7" x 8" single sheet of paper. 1 page content. Letter addressed 91 9th Street and dated December 4th, 1862. Document reads "This Certifies that George Montgomery West has for some near past been afflicted with a species of Insanity. That last spring, he was for two months in the Bloomingdale Lunatic Asylum. He is liable at any time to paroxysms (a sudden attack or violent expression of a particular emotion or activity) of this infirmity. [Signed] R G Raphael MD. Professor of Surgery N.Y. Med College.".

Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). Light scattered foxing to lower margin, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

Condition: Good. Engraving. 17 x 23 inches. Engraved by W.C. Wilson.