Whittaker Wright (41 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Jacket photo by Bill Wright (illustrator). 1st Edition. First published in 1995 by Gollancz, this is a first revised edition thus, first impression. Some minuscule edge wear to top and bottom of jacket and spine, not price clipped (£14.99), no inscriptions, internally clean tight and square, overall a vg++ copy. 294pp. Nicholas Whittakerżs much loved classic recollects the long sunny days of his childhood when, notepad in hand, jam sandwiches in the duffel bag, he happily spent his time jotting down train numbers during the Indian summer of steam and the heyday of diesel. Whittaker returns to his roots in this updated edition, casting a sceptical eye over recent developments, catching up with old acquaintances and considering the toll that half a century of ridicule and a couple of decades of privatisation have wrought upon his beloved pastime. As Andrew Martin notes in his Foreword, this is 'one of the best books ever written about rail enthusiasm'. Equally it is a poetically written memoir of growing up in a more innocent age, a hymn to British eccentricity and to the virtues of observing the world around you 'Spotters, of trains, planes, buses or birds, are a last redoubt for something rapidly vanishing from our lives, looking outward, seeing, observing. People notice things less and less these days, while watching things more and more'.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780190261139.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780190261139.

Condition: New.

Paperback. Condition: New. Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

PF. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film. Editor(s): Whittaker, Tom; Wright, Sarah. Num Pages: 336 pages, 35 images. BIC Classification: APFA; APFX; KNTC. Category: (G) General (US: Trade). Dimension: 158 x 234 x 29. Weight in Grams: 468. . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New. This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film. Editor(s): Whittaker, Tom; Wright, Sarah. Num Pages: 336 pages, 35 images. BIC Classification: APFA; APFX; KNTC. Category: (G) General (US: Trade). Dimension: 158 x 234 x 29. Weight in Grams: 468. . 2016. 1st Edition. Paperback. . . . .

Paperback. Condition: New. Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context.

Condition: New.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Single Issue Magazine. Condition: Fair. Somerfield, T.; Hodgson, E.S.; Sheldon, C.M.; De Walton, John; Sutcliffe, J.E.; Whittaker, W.G.; "Robin"; Elcock, Howard; Small, A.G.; Wright, Frank; Wood, Stanley L.; Prater, Ernest; Paxton, R.B.M.; Morrow, Albert (illustrator). First Edition. Pages 90-176 plus 24 pages of nice ads. Features: My Rest-Cure - experience on a house-boat in Kashmir; The Saving of the "Cardium" - what happened with this oil ship caught fire with 12,000 tons of benzene aboard; The Hinton Murder Case, and George W. Pendleton; "Little Woman of Flame" - what happened with two solitary white women took up farming in East Africa; Photo of steeplejack Jack Hassler climbing a building in Philadelphia; "My Strangest Experience"; The Lifted Veil, part 6 of a strange story of two British officer POWs in Turkey; The Temple of the Tapirs - an exciting trip into the wilds of Mexico; "Draw Poker" - a detective recounts a New York story; Among the Bolshevists - an R.A.F. officers interesting sidelights on the operations against the Bolshevists in North Russia - with great photos; Into the Unknown - part 2 - chasing mountain outlaws in New Guinea; A Cowboy Adrift; A Kedah Buffalo-Fight - photo-illustrated story of this little-known Malay (Malaysian) sport; Photo of huge (dead) gorilla in the Cameroons; Anthropop-Apology; The Long Arm of the Law - murderers who were detected years after their crimes; The Battle of Ludlow - strikers battle state militiamen in the Colorado coalfields. Covers detached but present. Somewhat above-average external wear. A worthy vintage copy.

Condition: new. Questo è un articolo print on demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 336.

Condition: New. Print on Demand pp. 336.

Condition: New. PRINT ON DEMAND pp. 336.

Paperback. Condition: new. Paperback. Where is the place of the voice in film? Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volumeillustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and "playback singing" in some countries, for instance, provide an alternativemeans of understanding the location of the voice in the soundtrack. Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network ofglobal flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have beenlong been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance. In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context. This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condition: Neu. Locating the Voice in Film | Critical Approaches and Global Practices | Tom Whittaker (u. a.) | Taschenbuch | Buch | Englisch | 2016 | Oxford University Press | EAN 9780190261139 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Where is the place of the voice in film Where others have focused on Hollywood film, this volume aims to extend the field to other cinemas from around the world, encompassing Latin America, Asia and Africa amongst others. Traditional theoretical accounts, based on classical narrative cinema, examine the importance of the voice in terms of a desired perfect match between visuals and sonic effects. But, as the chapters of this volume illustrate, what is normative in one film industry may not apply in another. The widespread practices of dubbing, postsynch sound and 'playback singing' in some countries, for instance, provide an alternative means of understanding the location of the voice in the soundtrack.Through seventeen original chapters, this volume situates the voice in film across a range of diverse national, transnational and cultural contexts, presenting readings which challenge traditional readings of the voice in film in exciting new ways. By taking a comparative view, this volume posits that the voice may be best understood as a mobile object, one whose trajectory follows a broader network of global flows. The various chapters explore the cultural transformations the voice undergoes as it moves from one industry to another. In doing so, the volume addresses sound practices which have been long been neglected, such as dubbing and non-synch sound, as well the ways in which sound technologies have shaped nationally specific styles of vocal performance.In addressing the place of the voice in film, the book intends to nuance existing theoretical writing on the voice while applying these critical insights in a global context.