Wilcox Timothy (230 results)

paperback. Condition: Very Good.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. May contain highlighting or markings from previous use. Has stickers on the cover. Access codes and supplements are not guaranteed to be included with used books. Ships same or next day. Expedited shipping: 3-5 business days, Standard shipping: 4-14 business days.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Samuel Palmer (1805-1881) is one of the best loved, but least understood, figures in British art. The bulk of his most original work was produced before he reached the age of thirty, but he continued to paint until his death in 1881. A romantic at heart, he lived on through most of the Victorian age, increasingly at odds with the world around him, yet sustained by the belief and the abiding values of beauty, of poetry and of landscape. This book is the first to examine critically Palmer's career, and to present his work within the artistic and cultural context of his times. It explores the visual and literary sources of his early pastoral drawings, and examines the tensions which lay behnd the apparently idlyllic representations of the Kent village of Shoreham, where he lived from 1828 to 1835. The later part of Palmer's career is discussed against the background of his struggle for recognition. It reveals the role played by critics in shaping the reception of his work, and the importance of the various societies he joined in giving his individual vision credibility and support. Sometimes seen as bland and conventional, Palmer's later works engage with many of the most burning cont.…

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Samuel Palmer (1805-1881) is one of the best loved, but least understood, figures in British art. The bulk of his most original work was produced before he reached the age of thirty, but he continued to paint until his death in 1881. A romantic at heart, he lived on through most of the Victorian age, increasingly at odds with the world around him, yet sustained by the belief and the abiding values of beauty, of poetry and of landscape. This book is the first to examine critically Palmer's career, and to present his work within the artistic and cultural context of his times. It explores the visual and literary sources of his early pastoral drawings, and examines the tensions which lay behnd the apparently idlyllic representations of the Kent village of Shoreham, where he lived from 1828 to 1835. The later part of Palmer's career is discussed against the background of his struggle for recognition. It reveals the role played by critics in shaping the reception of his work, and the importance of the various societies he joined in giving his individual vision credibility and support. Sometimes seen as bland and conventional, Palmer's later works engage with many of the most burning cont.…

Condition: Very Good. Dust Jacket Condition: 19086129. 1781084493. 6/10/2026 9:41:33 AM.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Cloth. Condition: Near Fine. Near Fine. Quarto. 111 pp. Color and black and white illustrations throughout. A study of a branch of British art of the 1930s, focusing on painters bridging the gap between Modernist styles and Edwardian tendencies, in an effort to reach a broader public audience. This includes artists such as Stanley Spencer, William Roberts, Laura Knight and others. NEAR FINE condition. Light edgewear. Owner's initials on the title page.…

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781854372147. …

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 80 pages : illustrations (chiefly in color), portraits (chiefly in color) ; 25 cm. Subjects; Palmer, Samuel 1805-1881 Criticism and interpretation. Tate Gallery. 1800-1899. Art, English 19th century.Landscape painting, English. Oil Paintings England. Norwich School Painting England. Series: British artists. 1 Kg. …