Willbern David (27 results)

hardcover. Condition: Used-Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound in dust jacket.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean, off-white. Wrappers have light shelf wear. ; Contents: Schwartz, D. H. Lawrence and psychoanalyis: an introduction. Willbern, Malice in paradise: isolation and projection in "The Man Who Loved Islands." Wheeler, "Cunnin in his overthrow": Lawrence's art in "Tickets, Please." Ruderman, The Fox and the "Devouring Mother." Hirsch, The Laurentian double: images of D. H. Lawrence in the stories. Blanchard, Portrait of a genius and. De Filippis, A checklist of D. H. Lawrence criticism and scholarship in Italy, 1924-1976. Jackson, Doctoral dissertations and masters theses on D. H. Lawrence: bibliographical addenda. Laurentiana. Index to volume X. Cushman (ed.), The D. H. Lawrence newsletter. ; 9.0" tall; 111 pages.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition, First Printing. Book is a clean tight unmarked unread copy.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Shakespeare 1st. ed.not read or opened. new. d.j. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park--this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science. Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.

Soft cover. Condition: Near Fine. Dust Jacket Condition: Very Good Plus. Facsimile Edition. 1973. Unpaginated facsimile reprint of the 1613 first edition of Chapman's play along with a seven page introduction. Book in excellent condition with no inscriptions. Price clipped jacket is very good.

Softcover. Condition: Good. vii, 256 p. 26 cm. Covers a little bent. Stains on text block edge, affecting margins of front pages. Discussion of: I, The Jury; The Catcher in the Rye; Peyton Place; To Kill a Mockingbird; The Godfather; Fear of Flying; Looking for Mr. Goodbar; Jaws; Interview with the Vampire; The World According to Garp; The Bonfire of the Vanities; Misery; Presumed Innocent; The Silence of the Lambs; The Firm; The Bridges of Madison County; Jurassic Park, etc. Chapter notes, bibliography, index.

Condition: New. In.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Brand New.

Condition: New.

Condition: New.

Hardback. Condition: New. The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will-his sexual desire, conscious and unconscious volition, and posthumous legacy-within the linguistic matrix that enfolds his characters and readers. Using a combination of psychoanalytic approaches, Willbern rescues Shakespeare from the limitations and distortions of dramatic performance by showing that his language, scenes, and characters are propelled by the genius of this will and need to be understood primarily as written narrative. In these provocative essays, Willbern examines the deep analogy between poetic creativity and sexual procreation as he explores the parallels between Shakespearean and Freudian representations of fantasy, thus offering readers a heightened awareness of the sexual and bodily substrate of Shakespeare's language. Engaging current debars between psychological and social approaches, he develops new strategies of reading in a search for the limits of Shakespeare's language and our responses to it. He then applies these strategies to all of Shakespeare's genres via detailed analysis of a comedy (Twelfth Night) a history (Henry IV, Part One) a tragedy (MacBeth) and a poem (Lucrece). Additional essays provide an overview of Shakespeare both as a creative agent and as a body of work. Questions of identity, authenticity, and representation­-especially as posed in Hamlet-are a recurrent concern throughout the book. Poetic Will frees the play of language in Shakespeare from its illusory anchors in characters and resituates the experience of reading his work within individual response and reconstruction. Offering practical criticism with a bold, American slant, it emphasizes the rich potential of Shakespeare's poetic language while exploring the interpretive and rhetorical limits of psychoanalytic literary criticism.

Paperback. Condition: Brand New. 264 pages. 10.00x6.90x0.80 inches. In Stock.

Condition: New. KlappentextThrough the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the La.

Paperback. Condition: New. Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park--this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science. Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.

Hardcover. Condition: Brand New. 237 pages. 9.25x6.25x1.00 inches. In Stock.

Hardback. Condition: New. The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will-his sexual desire, conscious and unconscious volition, and posthumous legacy-within the linguistic matrix that enfolds his characters and readers. Using a combination of psychoanalytic approaches, Willbern rescues Shakespeare from the limitations and distortions of dramatic performance by showing that his language, scenes, and characters are propelled by the genius of this will and need to be understood primarily as written narrative. In these provocative essays, Willbern examines the deep analogy between poetic creativity and sexual procreation as he explores the parallels between Shakespearean and Freudian representations of fantasy, thus offering readers a heightened awareness of the sexual and bodily substrate of Shakespeare's language. Engaging current debars between psychological and social approaches, he develops new strategies of reading in a search for the limits of Shakespeare's language and our responses to it. He then applies these strategies to all of Shakespeare's genres via detailed analysis of a comedy (Twelfth Night) a history (Henry IV, Part One) a tragedy (MacBeth) and a poem (Lucrece). Additional essays provide an overview of Shakespeare both as a creative agent and as a body of work. Questions of identity, authenticity, and representation­-especially as posed in Hamlet-are a recurrent concern throughout the book. Poetic Will frees the play of language in Shakespeare from its illusory anchors in characters and resituates the experience of reading his work within individual response and reconstruction. Offering practical criticism with a bold, American slant, it emphasizes the rich potential of Shakespeare's poetic language while exploring the interpretive and rhetorical limits of psychoanalytic literary criticism.

Gebunden. Condition: New. No detailed description available for Poetic Will . Poetic Will brings together Willbern s wonderful sensitivity to poetic language, his supple and extensive grasp of psychoanalytic thought, and his deep knowledge of Shakespearean texts. The .

Condition: New. pp. xix + 237.

Condition: New. pp. xix + 237 Illus.

Buch. Condition: Neu. Neuware - The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will--his sexual desire, conscious and unconscious volition, and posthumous legacy--within the linguistic matrix that enfolds his characters and readers. Using a combination of psychoanalytic approaches, Willbern rescues Shakespeare from the limitations and distortions of dramatic performance by showing that his language, scenes, and characters are propelled by the genius of this will and need to be understood primarily as written narrative.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through the perspectives of selected best-selling novels from the end of World War II to the end of the 20th century--including The Catcher in the Rye, To Kill a Mockingbird, The Godfather, Jaws, Beloved, The Silence of the Lambs, and Jurassic Park--this book examines the crucial issues the U.S. was experiencing during those decades. These novels represent the voices of popular conversations, as Americans considered issues of family, class, racism and sexism, feminism, economic ambition, sexual violence, war, law, religion and science.Through the windows of fiction, the book surveys the Cold War and anti-communism, the prefeminist era of the 1950s and the sexual revolution of the 1970s, forms of corporate power in the 1960s and 1980s, the traumatic legacies of slavery and Vietnam, the American fascination with lawyers, cops and criminals, alternate styles of romance in the era of late capitalism, our abiding distrust of science, and our steadfast wonder about the Great Mysteries.

Taschenbuch. Condition: Neu. The American Popular Novel After World War II | A Study of 25 Best Sellers, 1947-2000 | David Willbern | Taschenbuch | Kartoniert / Broschiert | Englisch | 2013 | McFarland | EAN 9780786474509 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.