Language: English
Published by Duke University Press 3/27/2013, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
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Paperback or Softback. Condition: New. Money, Trains, and Guillotines: Art and Revolution in 1960s Japan. Book.
Language: English
Published by Duke University Press Books, 2013
ISBN 10: 0822349655 ISBN 13: 9780822349655
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Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Language: English
Published by MD - Duke University Press, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
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Language: English
Published by Duke University Press, US, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
Language: English
Published by Duke University Press, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2013. Paperback. Expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan Series: Asia-Pacific: Culture, Politics, and Society. Num Pages: 464 pages, 125 illustrations, including 19 in colour. BIC Classification: 1FPJ; ACBP; HBG; HBLW. Category: (P) Professional & Vocational. Dimension: 236 x 166 x 28. Weight in Grams: 874. . . . . .
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Language: English
Published by Taylor and Francis Ltd, GB, 2024
ISBN 10: 0367710684 ISBN 13: 9780367710682
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Anarchic street performances in late-1950s Japan; inauguration of the first Happenings in Antwerp and charging of the "magic circle" in Amsterdam; Bauhaus Situationiste and anti-national art exchanges, networks and communes. As "Happener" and "Art Missionary," Yoshio Nakajima's storied career traverses an astounding range of locations, scenes, movements, media, and performance modes in the global 1960s and 1970s in ways that challenge our notions of the possibilities of art. Nakajima repeatedly plays a role in jump-starting spaces of possibility, from Tokyo to Ubbeboda, from Spui Square and the Dutch Provos to Antwerp and Sweden. Despite this, Nakajima's work has paradoxically been largely excluded from accounts where it might have justifiably featured. The present volume represents an international collaboration of researchers working to remedy this oversight. Nakajima's work demands a reconceptualization of narratives of this art and politics and their specific interrelation to consider his exemplary nonconformity-and its exemplary exclusion. This history demonstrates the inadequacy of notions of specificity that would oppose an authentic local or national frame to an inauthentic transnational one. Conversely, Nakajima manifests a key dimension of the 1960s as a global event in the interrelation between eventfulness itself and the redrawing of categories of practice and understanding.
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Language: English
Published by Duke University Press, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
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Condition: New. 2013. Paperback. Expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan Series: Asia-Pacific: Culture, Politics, and Society. Num Pages: 464 pages, 125 illustrations, including 19 in colour. BIC Classification: 1FPJ; ACBP; HBG; HBLW. Category: (P) Professional & Vocational. Dimension: 236 x 166 x 28. Weight in Grams: 874. . . . . . Books ship from the US and Ireland.
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Language: English
Published by Duke University Press, US, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
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Add to basketPaperback. Condition: New. During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
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Hardcover. Octavo, vii, 200 pages. In Very Good condition. Spine is brown with white print. Boards in illustrated paper. Illustrated: b&w photographs. NOTE: Shelved in Netdesk Column L. 1382807. FP New Rockville Stock.
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Language: English
Published by Taylor & Francis Ltd, 2024
ISBN 10: 0367710684 ISBN 13: 9780367710682
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Duke University Press, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
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Add to basketPaperback. Condition: Brand New. 464 pages. 9.25x6.25x1.00 inches. In Stock.
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Language: English
Published by Duke University Press, US, 2013
ISBN 10: 0822349809 ISBN 13: 9780822349808
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
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Kartoniert / Broschiert. Condition: New. During the 1960s, a group of artists challenged the status quo in Japan through interventionist art. William Mariotti situates the artists in relation to postwar Japan and the international activism of the 1960s.Über den AutorWi.
Language: English
Published by MD - Duke University Press, 2013
ISBN 10: 0822349655 ISBN 13: 9780822349655
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