William Vert (11 results)

No Binding. Condition: Good. William G. Jackman, Engraver (illustrator). Circa 1866, sized about 5.5 x 9 inches, engraved by Jackman, very light foxing.

Leiden, Sijthoff, A.W. 1898. Hardcover. Ill.: Greve, F. Very Good. l 1652 p. Zeer goed bewaarde banden in halfleer. Met een portret van William Shakespeare en talrijke paginagrote tekeningen van F. Greve.

Amsterdam, Athenaeum - Polak & Van Gennep, 2010. 285 blz. Geb., stofomslag. 8vo. - Stofomslag licht sleets (klein scheurtje etc.). (Perpetua Reeks).

8°: [2] 382, 2 pp. Gelithografeerde titelpagina door P. Blommers. Karton, ex-leesbibliotheek Van Andel in Rotterdam l Eerste Nederlandse vertaling van de historische roman 'The Star-Chamber' uit 1854. De Sterrekamer was een bijzonder gerechtshof in Engeland, dat vooral tijdens de regering van Hendrik VII veel invloed had. Het dankte zijn naam aan het sterrenpatroon op he.

First Edition. Archive of research materials used by William F. Van Wert in preparing his dissertation "The Theory and Practice of the Cine-Roman" (Arno Press, 1978). Included are responses to a questionnaire and an album of film stills. Focusing on the filmmakers of the Rive Gauche movement, which slightly preceded the French New Wave and ran parallel through the 1960s, Van Wert wanted to explore the literary influence on the works of the movement's principle filmmakers, an aspect he felt separated them from their "Cahiers" counterparts. He sent the directors a twenty-question survey, to which he received amicable responses from Alain Robbe-Grillet, Henri Colpi, and Jean Cayrol. Alain Robbe-Grillet provides a generous response directly on the questionnaire, with his comments in blue and red manuscript ink throughout. He describes his reactions to contemporary filmmakers, how Godard's works were influential but the work of Truffaut and Chabrol were absolutely not, and numerically ranking the importance of each aspect of filmmaking, such as the editing, soundtrack, and directing actors, and signs his form, "bien cordialement / Robbe-Grillet" at the top right corner of the first leaf. Jean Cayrol responds with a two-leaf typed letter signed. Cayrol, who collaborated with Alain Rensais on "Night and Fog" (1955) and "Muriel" (1963), invites Van Wert to tape a conversation in Paris because of an expressed difficulty in easily articulating his ideas in writing. Henri Colpi responds with a four leaf, six page autograph letter signed on his printed stationery (some leaves recto and verso, some recto only). Colpi was the director of the 1961 Palme d'Or winning "Une aussi longue absence," and writes the most thorough response, addressing each of Van Wert's questions in detail. Included are 142 original 4 x 6 inch vernacular photographs taken during screenings held by Van Wert using prints obtained from Grove, New Yorker Films, and others. The photos were ostensibly used as visual references by Van Wert while researching the films referenced in his book. Included are photographs from three films: "L'Immortelle" (Robbe-Grillet, 1963), "L'Opera mouffe" (Agnes Varda, 1958), and "Night and Fog" (Resnais, 1955). Photographs Fine, housed in the photo binder used by Van Wert, binder Very Good plus with minor chipping and light soiling. Letters 8.5 x 11 inches to 8.5 x 11.5 inches. Very Good overall, housed in a supplied binder. Also included as reference are Van Wert's books "The Theory and Practice of the Cine-Roman," First Edition, Near Fine with minor rubbing, and a later printing of "The Film Career of Alain Robbe-Grillet," Very Good in wrappers. Criterion Collection 238. Vogel US.

8°: [2] 8, 300 [4] pp. Gelithografeerde titelpagina met vignet door H.J. Backer. Oorspr. karton, rug beschadigd. Lit.: Jongejan, De humor-"cultus" der Romantiek in Nederland (Zutphen 1933) Groenewegen 19 l Bundel essays van de Britse schrijver Hazlitt (1778 - 1830), onafhankelijk denker en uitstekend stilist. Potgieter heeft rond 1840 veel vertaald van Engelse schrijvers als Charles Lamb, Leigh Hunt, Charles Dickens en William Hazlitt, die volgens Elisabeth.

2 delen in 1 band. Titelpagina's en platen ontbreken, maar de tekst is compleet. Halfleren band, vergulde rug met ribben. XXII, 266 XII, 262 p. -(Schade aan het omslag, marmerpapier lossend en deels ontbrekend, ex libris (G. Nieuwenhuis), pagina's vochtvlekkig.).

8º: A-E 8, gepag.: 80 pp., met het titelvignet van de Amsterdamse schouwburg. Papieren omslag. Van Aken II, p.137; CBMNL 2932; Saalmink II, p.1774.

8º: 80 pp., met het titelvignet van de Amsterdamse schouwburg. Papieren omslag. Van Aken II, p.137; CBMNL 2933; Saalmink II, p.1774.

8°: 6, 308; 6, 274 pp. Twee gelithografeerde titelpagina's. (Modern) half leer, ex-bibl. exemplaar.

Rotterdam, W.L. & J. Brusse, (1903) 159 pages, with portrait, linnen binding with distinct Morris design, gold lettering on spine and front, very good copy.