Young Marl (33 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: good. Paperback Book.

Condition: like_new. Grade 4 out of 5 points. This is a used book. Book may have wear due to handling. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Good. Used with general wear and age toning to pages. Still in solid reading condition with markings and highlighting throughout text.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Very Good. Bright and strong copy. One slight crease along the spine. No markings.

Hardcover. Condition: Good. Dust Jacket Condition: Near Fine. 1st Edition. This is a clean, unmarked copy with foxing around the edges and a lightly worn dust jacket.

Condition: Very Good. Signed Copy . Very Good dust jacket. Inscribed by author Clora Bryant on front endpage. Signed by authors Gerald Wiggins and David Bryant on front endpage.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

hardcover. Condition: Very Good. Dust Jacket Condition: vg. Binding sound and pages clean and crisp. Book corners square and spine straight. Former owner inscription on inside front page. Dust jacket intact and bright.

Condition: Good. Good condition. Special edition. CD-Rom included. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Inscribed & signed by Steven Isoardi, one of the editors. Octavo in dust jacket. B&W photographs & maps. Fine in fine DJ. Pages: xxvii, 443.

hardcover. Condition: Very Good. Dust Jacket Condition: very good.

Paperback. Condition: New. The musical and social history of Los Angeles's black community from the 1920s through the early 1950s comes to life in this exceptional oral history collection. Through the voices of musicians who performed on L.A.'s Central Avenue during those years, a vivid picture of the Avenue's place in American musical history emerges. By day, Central Avenue was the economic and social center for black Angelenos. By night, it was a magnet for Southern Californians, black and white, who wanted to hear the very latest in jazz. The oral histories in this book provide firsthand reminiscences by and about some of our great jazz legends: Art Farmer recalls the first time Charlie Parker and Dizzy Gillespie played bebop on the West Coast; Britt Woodman tells of a teenaged Charles Mingus switching from cello to bass; Clora Bryant recalls hard times on the road with Billie Holiday. Here, too, are recollections of Hollywood's effects on local culture, the precedent-setting merger of the black and white musicians' unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s.Central Avenue Sounds fills a major gap in California's cultural history, and it shows the influence of a community whose role became as significant in the jazz world as that of Harlem and New Orleans. The voices in this book also testify to the power and satisfaction that can come from making music.…

Paperback. Condition: New. The musical and social history of Los Angeles's black community from the 1920s through the early 1950s comes to life in this exceptional oral history collection. Through the voices of musicians who performed on L.A.'s Central Avenue during those years, a vivid picture of the Avenue's place in American musical history emerges. By day, Central Avenue was the economic and social center for black Angelenos. By night, it was a magnet for Southern Californians, black and white, who wanted to hear the very latest in jazz. The oral histories in this book provide firsthand reminiscences by and about some of our great jazz legends: Art Farmer recalls the first time Charlie Parker and Dizzy Gillespie played bebop on the West Coast; Britt Woodman tells of a teenaged Charles Mingus switching from cello to bass; Clora Bryant recalls hard times on the road with Billie Holiday. Here, too, are recollections of Hollywood's effects on local culture, the precedent-setting merger of the black and white musicians' unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s.Central Avenue Sounds fills a major gap in California's cultural history, and it shows the influence of a community whose role became as significant in the jazz world as that of Harlem and New Orleans. The voices in this book also testify to the power and satisfaction that can come from making music.…

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. [xxviii], 442p. 2nd printing. Signed by Clora Bryant on dedication page. Oral histories of Marshal Royal, Lee Young, Fletcher Smith, Coney Woodman, William Woodman, Britt Woodman, Buddy Collette, David Bryant, Cecil "Big Jay" McNeely, Jack Kelson, William Douglass, Melba Liston, Art Farmer, Horace Tapscott, Gerald Wiggins, Gerald Wilson, Clora Bryant, William Green, and Marl Young discussing the music scene on Central Avenue during the 1920s through 1950s in Los Angeles. Includes bibliography. Jacket design by Nola Burger. 12 leaves of b&w photo plates. (9-1/4"x6-1/4"). …

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 470 pages. 9.25x6.25x1.25 inches. In Stock.

Paperback. Condition: New. The musical and social history of Los Angeles's black community from the 1920s through the early 1950s comes to life in this exceptional oral history collection. Through the voices of musicians who performed on L.A.'s Central Avenue during those years, a vivid picture of the Avenue's place in American musical history emerges. By day, Central Avenue was the economic and social center for black Angelenos. By night, it was a magnet for Southern Californians, black and white, who wanted to hear the very latest in jazz. The oral histories in this book provide firsthand reminiscences by and about some of our great jazz legends: Art Farmer recalls the first time Charlie Parker and Dizzy Gillespie played bebop on the West Coast; Britt Woodman tells of a teenaged Charles Mingus switching from cello to bass; Clora Bryant recalls hard times on the road with Billie Holiday. Here, too, are recollections of Hollywood's effects on local culture, the precedent-setting merger of the black and white musicians' unions, and the repercussions from the racism in the Los Angeles Police Department in the late 1940s and early 1950s.Central Avenue Sounds fills a major gap in California's cultural history, and it shows the influence of a community whose role became as significant in the jazz world as that of Harlem and New Orleans. The voices in this book also testify to the power and satisfaction that can come from making music.…

Condition: New. Through the voices of musicians who performed on L.A. s Central Avenue from the 1920s to the early 1950s, this text provides a picture of the Avenue s place in American musical history. Included are firsthand reminiscences by and about jazz legends such as .

Condition: New. Satisfaction Guaranteed or your money back.