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Published by McFarland and Company, 2016
ISBN 10: 0786475382 ISBN 13: 9780786475384
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Published by McFarland and Co Inc, US, 2016
ISBN 10: 0786475382 ISBN 13: 9780786475384
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Paperback. Condition: New. The ultimate aim of drama is to expose the soul of Character. Dramatists achieve this objective by employing a specific type of conflict known as dialectic, a concept woven throughout Western thinking and--from Homer to 21st century cinema--the basis of all dramatic characters. This study details the history of dialectical thought from Plato to Jung before turning its focus to the development of character in a century of filmmaking. From Chaplin's Tramp to Taxi Driver's Travis Bickle, it examines more than two dozen cinematic characters governed by dialectic--torn between life and death, opposing desires, moralities and wills, their sense of self threatened by others.
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Published by McFarland and Company, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Published by McFarland and Co Inc, US, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Paperback. Condition: New. This work analyzes dramatic structures, from Sophocles to Orson Welles and the 21st century cinema, all from the viewpoint of Hegelian dialectic. Utilizing this dialectical process the author demonstrates its particular application to the writing of a screenplay, which should not be considered a simple schematic or formulaic blueprint but legitimate dramatic literature.
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Published by McFarland Publishing, 2016
ISBN 10: 0786475382 ISBN 13: 9780786475384
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Published by McFarland & Company, Incorporated Publishers, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Published by McFarland Publishing, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Published by McFarland and Co Inc, US, 2016
ISBN 10: 0786475382 ISBN 13: 9780786475384
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Add to basketPaperback. Condition: New. The ultimate aim of drama is to expose the soul of Character. Dramatists achieve this objective by employing a specific type of conflict known as dialectic, a concept woven throughout Western thinking and--from Homer to 21st century cinema--the basis of all dramatic characters. This study details the history of dialectical thought from Plato to Jung before turning its focus to the development of character in a century of filmmaking. From Chaplin's Tramp to Taxi Driver's Travis Bickle, it examines more than two dozen cinematic characters governed by dialectic--torn between life and death, opposing desires, moralities and wills, their sense of self threatened by others.
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Published by McFarland and Co Inc, US, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Add to basketPaperback. Condition: New. This work analyzes dramatic structures, from Sophocles to Orson Welles and the 21st century cinema, all from the viewpoint of Hegelian dialectic. Utilizing this dialectical process the author demonstrates its particular application to the writing of a screenplay, which should not be considered a simple schematic or formulaic blueprint but legitimate dramatic literature.
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Published by McFarland & Company, Incorporated Publishers, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Published by McFarland and Company, Inc., 2016
ISBN 10: 0786475382 ISBN 13: 9780786475384
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Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Details the history of dialectical thought from Plato to Jung before turning its focus to the development of character in a century of filmmaking. From Chaplin s Tramp to Taxi Driver s Travis Bickle, it examines more than two dozen cinematic characters gove.
Language: English
Published by McFarland & Company, Incorporated Publishers, 2012
ISBN 10: 0786466030 ISBN 13: 9780786466030
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The ultimate aim of drama is to expose the soul of Character. Dramatists achieve this objective by employing a specific type of conflict known as dialectic, a concept woven throughout Western thinking and--from Homer to 21st century cinema--the basis of all dramatic characters. This study details the history of dialectical thought from Plato to Jung before turning its focus to the development of character in a century of filmmaking. From Chaplin's Tramp to Taxi Driver's Travis Bickle, it examines more than two dozen cinematic characters governed by dialectic--torn between life and death, opposing desires, moralities and wills, their sense of self threatened by others.