Zaderatsky (14 results)

Condition: new. Pages: 68 Language: Russian, English. This is the first publication of the Sonata for French horn and piano by Vsevolod Petrovich Zaderatsky, which presents a worthy addition to the horn repertoire. The 65-year delay of this publication is connected to the peculiar circumstances of the composer's life. His fate and the fate of his musical legacy are highly unordinary even in the context of the events of the first half of the 20th century. During his lifetime he was denied the right to live in the major cities of the Soviet Union or to have his music performed or published. Publications about his music were also forbidden. Only more than 25 years after his death in 1953 his musical scores had begun to be published, and the Sonata for French horn and piano had to wait a long time after that, following its turn after the publications of numerous piano and vocal works. Vsevolod Petrovich Zaderatsky was born in 1891 in Rovno into a family of a railroad engineer. In 1910 he enrolled into the Law Department of the Moscow University and into the Moscow Conservatory, where he studied composition with Sergei Taneyev and Mikhail Ippolitov-lvanov and piano with Genrikh Pakhulsky and Karl Kipp. In 1915-1916 he was the music teacher of Tsarevich Alexei, the son of Tsar Nicholas II, which became a reason for his persecution in the Soviet times. Being an officer in the Russian Army during World War I, after the Bolshevik Revolution in 1917 Zaderatsky joined the White Army led by General Denikin, having traversed its entire tortuous path. Having survived miraculously the tragic outcome of the Russian Civil War, Zaderatsky was designated to live in Ryazan, where he was arrested in 1922 and in 1926, as a result of which all of his previous musical compositions were destroyed. He was released from imprisonment in 1928, and presently only the compositions written between 1928 and 1952 are available to us. Permission to live in Moscow had been granted to him in 1929-1934. Subsequently he lived in Yaroslavl, Krasnodar, Zhitomir and, finally, Lvov, where he had spent the final five years of his life. In 1937 Zaderatsky was arrested once again and spent three years at one of the GULAG labor camps at the Kolyma. The composer's musical legacy includes operas, symphonies, works for large and small chamber ensembles, piano and vocal music. Piano music takes up a leading position in his music and is represented by various genres. The most remarkable and unprecedented occurrence in world practice were the 24 Preludes and Fugues for piano composed by him in 1937-1938 in labor camp conditions. They were written in pencil on telegraph sheets and scraps of paper, which provides a unique testimony of inner resistance to adverse life circumstances. 9790352205505.

Condition: new. Pages: 70 Language: Russian. 9785151636728.

Condition: new. Pages: 78 Language: Russian. 9785151636735.

Condition: new. Pages: 82 Language: Russian. 9785151636742.

Condition: new. Pages: 56 Language: Russian. Zaderatskij. 24 preljudii dlja fortepiano Preljudii No. 1-24 9795901979104.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condition: New. Complete Works for Piano solo (1937 - 1939) Volume 1. KLAV .

Condition: new. Pages: 212 Language: Russian. Vsevolod Zaderatsky wrote on the Kolima in 1937 24 Preludes and Fugues for piano with a total duration of ca. 2.5 hours. The prisoners were indeed forbidden from owning paper and pencils, but apparently an exception was made for Zaderatsky; according to reports by his family, this was possible because he wanted to use them to write notes instead of words. There was no piano available in the remote northern camp location where he was imprisoned. The manuscript preserved by Zaderatsky's son is on telegram forms, a narrow block and a few chequered single sheets of paper. This work represents an example for human greatness under inhuman conditions, and is also a work or art that still awaits a proper reception (figure 10). After their dismissal, professional musicians were often forced to live in the province, and fostered a local blossoming of musical life and high-quality musical training. This remains underappreciated in musicological practice. 9790352025011.

Condition: new. Pages: 528 Language: Russian. Vo 2-m vypuske "Muzykalnoj formy" avtor analiziruet problemy sonatnoj formy i printsipy rondalnykh kompozitsij v novom aspekte videnija etikh problem. Krome istoricheskikh raznovidnostej sonatnoj formy rassmatrivajutsja evoljutsija i kontsertnoe prelomlenie sonatnosti, problemy polifonicheskoj traktovki sonatnoj formy, gipersonatnykh kompozitsij i obrazovanija na ikh osnove krupnykh monoform netsiklicheskogo stroenija. Istoricheskij put rondalnykh kompozitsij proslezhen vplot do novejshikh preobrazovanij etogo kompozitsionnogo printsipa. Tretij razdel posvjaschen kontinualno-evoljutsionnomu printsipu formoobrazovanija, a takzhe problemam elektronnoj kompozitsii, rozhdennym tvorcheskoj praktikoj 2-j poloviny XX veka. Adresovano studentam i pedagogam teoretiko-kompozitorskikh fakultetov muzykalnykh vuzov. 9785714011498.

Boards. Condition: Good. No Jacket. Some slight shelf wear, backstrip rubbed. Ex David Brown with his ownership inscription.

Paperback. Condition: Good. Some wear to backstrip. Ex David Brown with his ownership inscription.

Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.

Condition: new. Pages: 640 Language: Russian. "Muzykalnaja forma" V. V. Zaderatskogo - uchebnoe posobie novogo tipa, voznikshee po zakazu kafedry kompozitsii Moskovskoj konservatorii i korennym obrazom otlichajuscheesja ot vsekh predshestvovavshikh izdanij po etoj teme. Chitatelju predlagaetsja dopolnennoe i rasshirennoe izdanie pervogo toma, kotoryj so vremeni pervoj publikatsii v 1995 g. stal podlinnoj bibliograficheskoj redkostju. Kniga vkljuchaet v sebja analiticheskij obzor fundamentalnykh osnov - glavnykh universalij formoobrazovanija (melos, ritm, faktura, tematizm, tipy izlozhenija, voprosy simmetrii, vremeni i prostranstva v muzyke). Rassmotreny odnochastnye, dvukh- i trekhchastnye kompozitsii i ves kompleks variatsionnykh form. Analiz klassicheskogo fonda form daetsja v proektsii na tvorcheskij opyt KHKh stoletija i novejshie tendentsii v tvorchestve. Po etomu kriteriju "Muzykalnaja forma" V. V. Zaderatskogo ne imeet analogov v otechestvennoj i zarubezhnoj praktike i predlagaetsja v kachestve uchebnogo posobija prezhde vsego dlja kompozitorskikh i muzykovedcheskikh fakultetov muzykalnykh vuzov, a takzhe dlja muzykantov-professionalov raznogo profilja, zainteresovannykh v bolee glubokom postizhenii osnov muzykalnoj kompozitsii. Oglavlenie Glava I. Ponjatie i obschie printsipy muzykalnoj formy Muzykalnaja intonatsija Muzykalnaja forma i forma kompozitsii Vremja i prostranstvo muzyki Printsipy povtornosti i kontrasta v muzyke O tematicheskoj osnove muzykalnoj formy Formula i-m-t. Stabilnye i mobilnye fazy formy Glava II. Melodija, melodiko-tematicheskie i linearnye struktury Starinnye monodicheskie formy Melodija polifonicheskaja i gomofonnaja: otlichie i vzaimodejstvie printsipov Sovremennye melodiko-tematicheskie struktury. Intensivnyj tip razvertyvanija Ekstensivnyj tip melodicheskogo razvertyvanija Ladovyj faktor kak dvizhitel melodii Linearnye struktury i ikh vyrazitelnye funktsii Melodicheskie struktury v dodekafonnoj i serijnoj tekhnike Glava III. Faktura Osnovnye ponjatija Figuro-fonovye otnoshenija elementov v fakturnom edinstve Osnovnye raznovidnosti faktury. Monodicheskaja faktura Mnogogolosnye fakturnye tipy Gomofonnaja faktura i slozhnye fakturnye postroenija Komplementarnost. Fakturnyj plan proizvedenija Glava IV. Period i periodicheskie struktury Osnovnye ponjatija Sintaksicheskie elementy Raznovidnosti perioda i periodicheskikh struktur Period i periodicheskie struktury v sisteme krupnoj muzykalnoj kompozitsii Glava V. Dvukhchastnaja forma, ee raznovidnosti, modifikatsii, uslozhnenija Osnovnye ponjatija Modifikatsii starinnoj dvukhchastnoj formy Raznovidnosti i uslozhnenija repriznoj prostoj dvukhchastnoj formy Modifikatsii bezrepriznoj prostoj dvukhchastnoj formy Slozhnaja dvukhchastnaja forma Glava VI. Prostaja trekhchastnaja forma i ee modifikatsii v muzyke XX veka Osnovnye ponjatija Starinnaja trekhchastnaja forma i ee sovremennye modifikatsii Universalnoe i individualnoe v prostoj trekhchastnoj forme. Pretvorenie ee v muzyke XX veka Trekh-pjatichastnaja forma Variatsionnye protsessy v prostoj trekhchastnoj forme Bezrepriznaja trekhchastnaja forma Glava VII. Slozhnaja trekhchastnaja forma Raznovidnosti slozhnoj trekhchastnoj formy Nesostavnye formy Glava VIII. Variatsionnye formy Osnovnye ponjatija Variatsii na basso ostinato Variatsii s uderzhannym melodiko-tematicheskim relefom (soprano ostinato) Poliostinatnye formy Tema s variatsijami. Istoricheskie tipy formy. Sovremennoe prelomlenie. Strogie variatsii klassitsizma i ikh predposylki Svobodnye variatsii i ikh prelomlenie v muzyke XX veka Variatsionnye formy i serijnaja tekhnika 9785737910884.

Hardcover. Condition: Good. In Russian. Zaderatsky, Vsevolod Vsevolodovich. I. Stravinsky's Polyphonic Thinking. M.: Music, All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU1000434.