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ISBN 10: 0520302737 ISBN 13: 9780520302730
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Published by University of California Press, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Paperback. Condition: New. Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
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Published by University of California Press, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Published by University of California Press, 2020
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Published by University of California Press, 2020
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ISBN 10: 0520302737 ISBN 13: 9780520302730
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Paperback. Condition: new. Paperback. Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of handmade cinema from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinemas shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by University of California Press, US, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Paperback. Condition: New. Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Language: English
Published by University of California Press, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Published by California University Press 2020-01-03, 2020
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Published by University of California Press, 2020
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Published by University of California Press, 2020
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Published by University of California Press, 2020
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Published by University of California Press, 2020
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Published by University of California Press, 2020
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Published by University of California Press, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Condition: New. Über den AutorGregory Zinman is Assistant Professor of Film and Media in the School of Literature, Media, and Communication at the Georgia Institute of Technology and is a coeditor, with John Hanhardt and Edith Decker-Phillip.
Language: English
Published by University of California Press, 2020
ISBN 10: 0520302729 ISBN 13: 9780520302723
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Published by University of California Press, US, 2020
ISBN 10: 0520302737 ISBN 13: 9780520302730
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Paperback. Condition: New. Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.
Language: English
Published by University of California Press, US, 2020
ISBN 10: 0520302729 ISBN 13: 9780520302723
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Hardback. Condition: New. Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.