Isbn: 9780226504407 - Cultural Producers in Perilous States: Editing Events, Documenting Change (volume 4) (late Editions: Cultural Studies for the End of the Century) (13 results)

Soft cover. Condition: Very Good. Trade paperback in very good condition.

Soft cover. Condition: Good +. 408 pp, index, b/w plates. Edgewear, creased corners. Bottom edge dusty. Interior unmarked. Spine straight, lightly creased.

Condition: New. Brand New.

Condition: Good. Volume 4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780226504407.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Ten innovative interviews explore how producers of documentary mediafilmmakers, journalists, and artistslocated in societies considered marginal to the high-tech global centers respond to local and international audiences in creating their works. We meet a South African playwright who is shaping a distinctive form of activist journalism; a New Guinean producer who manages several media careers; Polish and German filmmakers developing critical documentaries on compromised new orders; a Columbian artist who provides powerful representations of endemic violence in her society; and writers from Martinique and Argentina with varied careers in the arts, media, and politics who provide tragicomic accounts of the marginal situations of their societies.Cynical, hopeful, ambivalent all at once, these cultural producers in perilous states share a keen awareness of the marginality of their societies in the broader context of global change, and associate integrity in the reporting of local events with a critical politics of representation. A collection of ten interviews explore how producers of documentary media - filmmakers, journalists, and artists - located in societies considered marginal to the high-tech global centres respond to local and international audiences in creating their works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 1997. 2nd ed. paperback. . . . . .

Condition: As New. Unread book in perfect condition.

Condition: New. 1997. 2nd ed. paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: Brand New. 1st edition. 424 pages. 9.50x6.75x1.00 inches. In Stock.

Paperback. Condition: new. Paperback. Ten innovative interviews explore how producers of documentary mediafilmmakers, journalists, and artistslocated in societies considered marginal to the high-tech global centers respond to local and international audiences in creating their works. We meet a South African playwright who is shaping a distinctive form of activist journalism; a New Guinean producer who manages several media careers; Polish and German filmmakers developing critical documentaries on compromised new orders; a Columbian artist who provides powerful representations of endemic violence in her society; and writers from Martinique and Argentina with varied careers in the arts, media, and politics who provide tragicomic accounts of the marginal situations of their societies.Cynical, hopeful, ambivalent all at once, these cultural producers in perilous states share a keen awareness of the marginality of their societies in the broader context of global change, and associate integrity in the reporting of local events with a critical politics of representation. A collection of ten interviews explore how producers of documentary media - filmmakers, journalists, and artists - located in societies considered marginal to the high-tech global centres respond to local and international audiences in creating their works. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…