9780300137583 - The Sight of Death: an Experiment in Art Writing by Clark, T J (29 results)

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Paperback. Condition: new. Paperback. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questionsand many morein ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clarks meditationssometimes directly personal, sometimes speaking to the wider politics of our present image-worldtrack the experience of viewing art through all its real-life twists and turns. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. 2008. Paperback. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time? Num Pages: 192 pages, 17 b&w illustrations + 33 colour images. BIC Classification: ABA. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 203 x 148 x 19. Weight in Grams: 576. . . . . .

Paperback. Condition: New. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions-and many more-in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations-sometimes directly personal, sometimes speaking to the wider politics of our present image-world-track the experience of viewing art through all its real-life twists and turns.

Paperback. Condition: Brand New. 260 pages. 8.00x5.75x0.75 inches. In Stock.

Condition: New.

Condition: New. 2008. Paperback. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time? Num Pages: 192 pages, 17 b&w illustrations + 33 colour images. BIC Classification: ABA. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 203 x 148 x 19. Weight in Grams: 576. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New.

Paperback. Condition: New. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions-and many more-in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations-sometimes directly personal, sometimes speaking to the wider politics of our present image-world-track the experience of viewing art through all its real-life twists and turns.

Condition: New.

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Condition: New.

Paperback. Condition: new. Paperback. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questionsand many morein ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clarks meditationssometimes directly personal, sometimes speaking to the wider politics of our present image-worldtrack the experience of viewing art through all its real-life twists and turns. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. Neuware - A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination.

Paperback. Condition: new. Paperback. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questionsand many morein ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clarks meditationssometimes directly personal, sometimes speaking to the wider politics of our present image-worldtrack the experience of viewing art through all its real-life twists and turns. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: NEW.

Condition: New. Addresses questions such as: Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? And how does our understanding of an image change over time?&Uumlber den AutorT. J. Clark is G.

Paperback. Condition: New. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions-and many more-in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations-sometimes directly personal, sometimes speaking to the wider politics of our present image-world-track the experience of viewing art through all its real-life twists and turns.

Paperback. Condition: New. A renowned art historian confronts the specific powers of painting, and the hold of the visual image on the viewer's imagination Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions-and many more-in ways that steer art writing into new territory. In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after morning, and almost involuntarily he began to record his shifting responses in a notebook. The result is a riveting analysis of the two landscapes and their different views of life and death, but more, a chronicle of an investigation into the very nature of visual complexity. Clark's meditations-sometimes directly personal, sometimes speaking to the wider politics of our present image-world-track the experience of viewing art through all its real-life twists and turns.

Condition: Usado - bueno.