Isbn: 9780521543521 - the Masks of Menander: Sign and Meaning in Greek and Roman Performance (21 results)

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  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

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    Paperback. Condition: Fine. Trade paperback, 271 pp.

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    Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Soft cover. Condition: Good. slight tear to the rear cover as pictured Please note that, depending on destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. Abe2614. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Condition: As New. Unread book in perfect condition.

  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521543525 / 9780521543521

    • Softcover

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    Paperback. Condition: New. This book provides a detailed analysis of the conventions and techniques of performance characteristic of the Greek theatre of Menander and the subsequent Roman theatre of Plautus and Terence. Drawing on literary and archaeological sources, and on scientific treatises, David Wiles identifies the mask as crucial to the actor's art, and shows how sophisticated the art of the mask-maker became. He also examines the other main elements which the audience learned to decode: costume, voice, movement, etc. In order to identify features that were unique to Hellenistic theatre he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon different underlying assumptions about religion, marriage and class. David Wiles offers theatre historians and classicists a radical new approach to reading play texts. His book will also be useful to archaeologists seeking to understand what masks mean and how Greek and Roman theatres were used.

  • Language: English

    Published by Cambridge University Press 2004-03, 2004

    0521543525 / 9780521543521

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Condition: New. In English.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2008

    0521543525 / 9780521543521

    • Softcover

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    Condition: New. An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre. Num Pages: 296 pages, 17 b/w illus. BIC Classification: 1QDAG; 1QDAR; AN. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 19. Weight in Grams: 494. . 2008. Revised ed. paperback. . . . .

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Condition: As New. Unread book in perfect condition.

  • Language: English

    Published by Cambridge University Press CUP, 2004

    0521543525 / 9780521543521

    • Softcover

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    Condition: New. pp. 296.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Condition: New. An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre. Num Pages: 296 pages, 17 b/w illus. BIC Classification: 1QDAG; 1QDAR; AN. Category: (P) Professional & Vocational. Dimension: 228 x 154 x 19. Weight in Grams: 494. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover

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    Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book provides a detailed analysis of the conventions and techniques of performance characteristic of the Greek theatre of Menander and the subsequent Roman theatre of Plautus and Terence. Drawing on literary and archaeological sources, and on scientific treatises, David Wiles identifies the mask as crucial to the actor's art, and shows how sophisticated the art of the mask-maker became. He also examines the other main elements which the audience learned to decode: costume, voice, movement, etc. In order to identify features that were unique to Hellenistic theatre he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon different underlying assumptions about religion, marriage and class. David Wiles offers theatre historians and classicists a radical new approach to reading play texts. His book will also be useful to archaeologists seeking to understand what masks mean and how Greek and Roman theatres were used.

  • Language: English

    Published by Cambridge University Press, GB, 2004

    0521543525 / 9780521543521

    • Softcover

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    Paperback. Condition: New. This book provides a detailed analysis of the conventions and techniques of performance characteristic of the Greek theatre of Menander and the subsequent Roman theatre of Plautus and Terence. Drawing on literary and archaeological sources, and on scientific treatises, David Wiles identifies the mask as crucial to the actor's art, and shows how sophisticated the art of the mask-maker became. He also examines the other main elements which the audience learned to decode: costume, voice, movement, etc. In order to identify features that were unique to Hellenistic theatre he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon different underlying assumptions about religion, marriage and class. David Wiles offers theatre historians and classicists a radical new approach to reading play texts. His book will also be useful to archaeologists seeking to understand what masks mean and how Greek and Roman theatres were used.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover
    • Print on Demand

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    Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover
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    Condition: New. Print on Demand pp. 296 17 Illus.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover
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    Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios

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    Condition: New. PRINT ON DEMAND pp. 296.

  • Language: English

    Published by Cambridge University Press, Cambridge, 2004

    0521543525 / 9780521543521

    • Softcover
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    Paperback. Condition: new. Paperback. This book provides a detailed analysis of the conventions and techniques of performance characteristic of the Greek theatre of Menander and the subsequent Roman theatre of Plautus and Terence. Drawing on literary and archaeological sources, and on scientific treatises, David Wiles identifies the mask as crucial to the actor's art, and shows how sophisticated the art of the mask-maker became. He also examines the other main elements which the audience learned to decode: costume, voice, movement, etc. In order to identify features that were unique to Hellenistic theatre he contrasts Greek New Comedy with other traditions of masked comedy, and shows how different Roman conventions of performance rest upon different underlying assumptions about religion, marriage and class. David Wiles offers theatre historians and classicists a radical new approach to reading play texts. His book will also be useful to archaeologists seeking to understand what masks mean and how Greek and Roman theatres were used. In this detailed analysis of the contentions and techniques of performance which characterised the Greek theatre of Menander and subsequent Roman theatre. David Wiles offers a radical new approach to reading play texts. He identifies the mask as crucial to the actor's art and examines other main elements which audiences learned to decode. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover
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    Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this detailed analysis of the contentions and techniques of performance which characterised the Greek theatre of Menander and subsequent Roman theatre. David Wiles offers a radical new approach to reading play texts. He identifies the mask as crucial to .

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    Language: English

    Published by Cambridge University Press, 2004

    0521543525 / 9780521543521

    • Softcover
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    Taschenbuch. Condition: Neu. The Masks of Menander | Sign and Meaning in Greek and Roman Performance | David Wiles | Taschenbuch | Englisch | 2004 | Cambridge University Press | EAN 9780521543521 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.