9780571228621 - The Last Pre-raphaelite: Edward Burne-jones and the Victorian Imagination by Maccarthy, Fiona (27 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Trade Paperback. Condition: Used.

Soft cover. Condition: Very Good. BRAND NEW softcover. Book.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780571228621.

Condition: New.

Paperback. Condition: new. Paperback. From the prize winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century.The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso.In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged.With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. A wonderful evocation of a highly celebrated period of art history from one of the most acclaimed biographers of our time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Main. Winner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.'A triumph of biographical art.' Independent'Magnificent.' Guardian 'Rarely are biographies both as authoritative and engaging as this.' Literary Review The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became an iconic 'Burne-Jones look'. Widely recognised as the bridge between Victorian and modern art, he influenced not just his immediate circle but European artists such as Klimt and Picasso.In this gripping book, award-winning biographer Fiona MacCarthy dramatically re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his work but ruin his marriage, his ill health and depressive sensibility, and the devastating rift with his great friend and collaborator, William Morris, when their views on art and politics diverged. Blending new research with a fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary story of Burne-Jones: a radical artist, landmark of Victorian society - and peculiarly captivating man.

Condition: New. 2012. Main. Paperback. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones' work is all around us. Winner of the James Tait Black Memorial Prize for biography, this book gives an account of the life of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. Num Pages: 656 pages. BIC Classification: ACVM; AFC; AGB. Category: (G) General (US: Trade). Dimension: 233 x 154 x 51. Weight in Grams: 1088. . . . . .

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New. pp. 400.

Condition: New. 2012. Main. Paperback. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones' work is all around us. Winner of the James Tait Black Memorial Prize for biography, this book gives an account of the life of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. Num Pages: 656 pages. BIC Classification: ACVM; AFC; AGB. Category: (G) General (US: Trade). Dimension: 233 x 154 x 51. Weight in Grams: 1088. . . . . . Books ship from the US and Ireland.

paperback. Condition: New.

Condition: New.

Paperback. Condition: Brand New. 656 pages. 9.17x6.06x1.97 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condition: As New. No Jacket. Softcover Book Condition: As New A wonderful evocation of a highly celebrated period of art history from one of the most acclaimed biographers of our time. From the prize winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso. In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged. With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. 629pp This book is heavy and may be collected from Albert Park, Victoria.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very good. Paperback Octavo. wraps 629 pp.

Soft cover. Condition: Very Good. No Jacket. 1st UK Paperback Edition. Edward Burne-Jones was one of the most admired British artists' of his generation, his work was the bridge between Victorian and modern art. This biography is an indelible portrait of an extraordinarily captivating man. Illustrated throughout. The covers and text block are both square, tight and clean. Book price includes 2nd class postage in UK only. Book is photographed as proof against in-transit damage.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. From the prize winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century.The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso.In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged.With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. A wonderful evocation of a highly celebrated period of art history from one of the most acclaimed biographers of our time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones work is all around us. Winner of the James Tait Black Memorial Prize for biography, this book gives an account of the life of Ed.

Paperback. Condition: new. Paperback. From the prize winning author of William Morris comes a new biography of Edward Burne-Jones, the greatest British artist of the second half of the nineteenth century.The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became a widespread 'Burne-Jones look'. The bridge between Victorian and modern art, he influenced not just his immediate circle but artists such as Klimt and Picasso.In this gripping book Fiona MacCarthy explores and re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his art and ruin his marriage, his ill health and depressive sensibility, the devastating rift with his great friend and collaborator William Morris as their views on art and politics diverged.With new research and fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary, dramatic story of Burne-Jones as an artist, a key figure in Victorian society and a peculiarly captivating man. A wonderful evocation of a highly celebrated period of art history from one of the most acclaimed biographers of our time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. Main. Winner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.'A triumph of biographical art.' Independent'Magnificent.' Guardian 'Rarely are biographies both as authoritative and engaging as this.' Literary Review The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones's work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became an iconic 'Burne-Jones look'. Widely recognised as the bridge between Victorian and modern art, he influenced not just his immediate circle but European artists such as Klimt and Picasso.In this gripping book, award-winning biographer Fiona MacCarthy dramatically re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his work but ruin his marriage, his ill health and depressive sensibility, and the devastating rift with his great friend and collaborator, William Morris, when their views on art and politics diverged. Blending new research with a fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary story of Burne-Jones: a radical artist, landmark of Victorian society - and peculiarly captivating man.

Taschenbuch. Condition: Neu. The Last Pre-Raphaelite | Edward Burne-Jones and the Victorian Imagination | Fiona Maccarthy | Taschenbuch | Kartoniert / Broschiert | Englisch | 2012 | Faber & Faber | EAN 9780571228621 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. Neuware - Winner of the James Tait Black Memorial Prize, this is the biography of celebrated nineteenth-century artist Edward Burne-Jones, who - with William Morris - connects Victorian and modern art.''A triumph of biographical art.'' Independent''Magnificent.'' Guardian ''Rarely are biographies both as authoritative and engaging as this.'' Literary Review The angels on our Christmas cards, the stained glass in our churches, the great paintings in our galleries - Edward Burne-Jones''s work is all around us. The most admired British artist of his generation, he was a leading figure with Oscar Wilde in the aesthetic movement of the 1880s, inventing what became an iconic ''Burne-Jones look''. Widely recognised as the bridge between Victorian and modern art, he influenced not just his immediate circle but European artists such as Klimt and Picasso.In this gripping book, award-winning biographer Fiona MacCarthy dramatically re-evaluates his art and life - his battle against vicious public hostility, the romantic susceptibility to female beauty that would inspire his work but ruin his marriage, his ill health and depressive sensibility, and the devastating rift with his great friend and collaborator, William Morris, when their views on art and politics diverged. Blending new research with a fresh historical perspective, The Last Pre-Raphaelite tells the extraordinary story of Burne-Jones: a radical artist, landmark of Victorian society - and peculiarly captivating man.