Rethinking Art's Histories - 9780719087967 - Fleshing Out Surfaces: Skin in French Art and Medicine, 1650–1850 (rethinking Art's Histories) by Fend, Mechthild (24 results)
Language: English
Published by Manchester University Press, 2017
- Hardcover
Seller: Klondyke, Almere, NetherlandsKlondyke
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Condition: Good. Original pictorial boards, b/w illustrations, 8vo. Rethinking Art's Histories.
Language: English
Published by Manchester University Press, 2016
- Hardcover
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Language: English
Published by Manchester University Press, 2016
- Hardcover
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Language: English
Published by Manchester University Press, 2016
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Language: English
Published by Manchester University Press, 2016
- Hardcover
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Language: English
Published by Manchester University Press, 2016
- Hardcover
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Language: English
Published by Manchester University Press, 2016
- Hardcover
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Condition: New. In English.
Language: English
Published by Manchester University Press, 2016
- Hardcover
- First Edition
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine. Series Editor(s): Jones, Amelia; Meskimmon,… Marsha. Series: Rethinking Art's Histories. Num Pages: 352 pages, 76 colour illustrations, 16 black & white illustrations. BIC Classification: 1DDF; ACQ; ACV; AFC; AGH. Category: (G) General (US: Trade). Dimension: 243 x 163 x 24. Weight in Grams: 878. . 2017. 1st Edition. Hardcover. . . . .
Language: English
Published by Manchester University Press, GB, 2016
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that wh…at artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Language: English
Published by Manchester University Press, 2016
- Hardcover
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Language: English
Published by Manchester University Press, GB, 2016
- Hardcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Hardback. Condition: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that wh…at artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Language: English
Published by Manchester University Press, 2016
- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - it spans the fields of history of art and of medicine. Series Editor(s): Jones, Amelia; Meskimmon,… Marsha. Series: Rethinking Art's Histories. Num Pages: 352 pages, 76 colour illustrations, 16 black & white illustrations. BIC Classification: 1DDF; ACQ; ACV; AFC; AGH. Category: (G) General (US: Trade). Dimension: 243 x 163 x 24. Weight in Grams: 878. . 2017. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.
Language: English
Published by Manchester University Press, 2016
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New.
More imagesLanguage: English
Published by Manchester University Press, GB, 2016
- Hardcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Hardback. Condition: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that wh…at artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Language: English
Published by Manchester University Press, 2016
- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New.
Language: English
Published by Manchester University Press, GB, 2016
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Hardback. Condition: New. Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that wh…at artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Language: English
Published by Manchester Univ Pr, 2017
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 1st edition. 314 pages. 9.50x6.50x1.00 inches. In Stock.
Language: English
Published by Manchester University Press, 2017
- Hardcover
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, GermanyBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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Hardcover. Condition: gut. 2017. Fleshing out Surfaces: Skin in French Art and Medicine, 1650-1850 In englischer Sprache. pages.
Language: English
Published by Manchester University Press, 2017
- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Hardcover. Condition: New. Rethinking Arts Histories MUP.
Language: English
Published by Manchester University Press, 2016
- Hardcover
- Print on Demand
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Language: English
Published by Manchester University Press, 2016
- Hardcover
- Print on Demand
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. PRINT ON DEMAND.
Language: English
Published by Manchester University Press, 2017
- Hardcover
- Print on Demand
Seller: moluna, Greven, Germanymoluna
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A strong and insightful work which argues that skin is not just any surface an artist can represent, but a highly overdetermined one. Focusing on five French painters - Fragonard, David, Girodet, Benoit and Ingres - i…t spans the fields of history of art and.
Language: English
Published by Manchester University Press, 2017
- Hardcover
- Print on Demand
Seller: preigu, Osnabrück, Germanypreigu
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Buch. Condition: Neu. Fleshing out surfaces | Skin in French art and medicine, 1650-1850 | Mechthild Fend | Buch | Gebunden | Englisch | 2017 | Manchester University Press | EAN 9780719087967 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Deman…d.
Language: English
Published by Manchester University Press, 2016
- Hardcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift betwe…en the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
