Isbn: 9780804737913 - the Ambivalences of Medieval Religious Drama (figurae: Reading Medieval Culture) (22 results)

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Minor shelf wear to book and dust jacket. Otherwise a tight, unmarked book. Index. xvii, 308 pp.

Condition: very good. Dust Jacket Condition: very good. 8vo pp.306. book.

Hardback. Condition: Near Fine. Dust Jacket Condition: Very Good. Bound in green cloth. 230 x 150 mm. xx, 314 pp. English language edition, translated by Steven Rendall. Originally published in German in 1974. Book.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond "literary" texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays. Translator(s): Rendall, Steven. Series: Figurae: Reading Medieval Culture. Num Pages: 336 pages. BIC Classification: 3JB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 571. . 2001. Hardback. . . . . …

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. pp. xvi + 308.

Condition: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays. Translator(s): Rendall, Steven. Series: Figurae: Reading Medieval Culture. Num Pages: 336 pages. BIC Classification: 3JB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 24. Weight in Grams: 571. . 2001. Hardback. . . . . Books ship from the US and Ireland. …

Hardback. Condition: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond "literary" texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.…

Hardcover. Condition: Brand New. 1st edition. 336 pages. 9.25x6.25x1.00 inches. In Stock.

Gebunden. Condition: New. What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th.

Buch. Condition: Neu. Neuware - What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author's intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book's textual basis is truly European-including works from Germany, France, England, and Spain-and goes beyond 'literary' texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program-a systematically informed, structured analysis sensitive to the historical context-identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ's death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book's major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding. …

Hardcover. Condition: Brand New. 1st edition. 336 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.