9780816630158 - Disidentifications: Queers of Color and the Performance of Politics (volume 2) (cultural Studies of the Americas) by Muñoz, José Esteban (35 results)
- Softcover
Seller: Zoom Books Company, Lynden, WA, U.S.A.Zoom Books Company
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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More images- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works fo…r their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
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Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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- Softcover
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- Softcover
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Paperback. Condition: New. Disidentifications: Queers Of Color And The Performance Of Politics: 2 (Cultural Studies of the Americas) Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.
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Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. illustrated edition. 192 pages. 10.25x7.25x0.50 inches. In Stock.
Language: English
Published by University of Minnesota Press, Minnesota 1999
- Softcover
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Paperback. Condition: new. Paperback. There is more to identity than identifying with one's culture or standing solidly against it. Jose Esteban Muoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming thes…e works for their own cultural purposes. Muoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.DisidentificationsMuoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works fo…r their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. pp. 248.
- Softcover
Seller: Dave Wilhelm Books, Evanston, IL, U.S.A.Dave Wilhelm Books
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Softcover. Condition: Very Good. Solid VG/near fine softcover. Clean, spine not broken.
- Softcover
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- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 1999. Paperback. Series: Cultural Studies of the Americas S. Num Pages: 192 pages, 31 b&w photographs, 7 figures. BIC Classification: 1KBB; AS; JFSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 179 x 252 x 13. Weight in Grams: 448. . . . . .
- Softcover
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- Softcover
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- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. 1999. Paperback. Series: Cultural Studies of the Americas S. Num Pages: 192 pages, 31 b&w photographs, 7 figures. BIC Classification: 1KBB; AS; JFSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 179 x 252 x 13. Weight in Grams: 448. . . . . . Boo…ks ship from the US and Ireland.
- Softcover
Seller: Russell Books, Victoria, BC, CanadaRussell Books
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- Softcover
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Condition: New. pp. 248.
- Softcover
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. pp. 248.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. illustrated edition. 192 pages. 10.25x7.25x0.50 inches. In Stock.
Published by University of Chicago press
Seller: INDOO, Avenel, NJ, U.S.A.INDOO
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- Softcover
Seller: Speedyhen, Hertfordshire, United KingdomSpeedyhen
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Condition: NEW.
Language: English
Published by University of Minnesota Press, Minnesota 1999
- Softcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
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Paperback. Condition: new. Paperback. There is more to identity than identifying with one's culture or standing solidly against it. Jose Esteban Muoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming thes…e works for their own cultural purposes. Muoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.DisidentificationsMuoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Softcover
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Condition: New.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works fo…r their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.
