Isbn: 9780816630158 - Disidentifications: Queers of Color and the Performance of Politics (volume 2) (cultural Studies of the Americas) (37 results)

Paperback. Condition: Good. There is more to identity than identifying with one?s culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process ?disidentification,? and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana?s ?Camp/Choteo? style politics, Marga Gomez?s performances of queer childhood, Vaginal Creme Davis?s ?Terrorist Drag,? Isaac Julien?s critical melancholia, Jean-Michel Basquiat?s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres?s performances of ?disidentity,? and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

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Paperback. Condition: Good. There is more to identity than identifying with one?s culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process ?disidentification,? and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana?s ?Camp/Choteo? style politics, Marga Gomez?s performances of queer childhood, Vaginal Creme Davis?s ?Terrorist Drag,? Isaac Julien?s critical melancholia, Jean-Michel Basquiat?s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres?s performances of ?disidentity,? and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

Paperback. Condition: Very Good. There is more to identity than identifying with one?s culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process ?disidentification,? and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana?s ?Camp/Choteo? style politics, Marga Gomez?s performances of queer childhood, Vaginal Creme Davis?s ?Terrorist Drag,? Isaac Julien?s critical melancholia, Jean-Michel Basquiat?s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres?s performances of ?disidentity,? and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

Paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Soft cover. Condition: Very Good. very good+ condition.

Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

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Paperback. Condition: New. Disidentifications: Queers Of Color And The Performance Of Politics: 2 (Cultural Studies of the Americas) Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Paperback. Condition: Brand New. illustrated edition. 192 pages. 10.25x7.25x0.50 inches. In Stock.

Paperback. Condition: New. There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780816630158.

Paperback. Condition: new. Paperback. There is more to identity than identifying with ones culture or standing solidly against it. Jose Esteban Munoz looks at how those outside the racial and sexual mainstream negotiate majority culturenot by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Munoz calls this process disidentification, and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.DisidentificationsMunoz calls attention to the world-making properties found in performances by queers of colorin Carmelita Tropicanas Camp/Choteo style politics, Marga Gomezs performances of queer childhood, Vaginal Creme Daviss Terrorist Drag, Isaac Juliens critical melancholia, Jean-Michel Basquiats disidentification with Andy Warhol and pop art, Felix Gonzalez-Torress performances of disidentity, and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 248.

Softcover. Condition: Very Good. Solid VG/near fine softcover. Clean, spine not broken.

Condition: new.

Condition: New. 1999. Paperback. Series: Cultural Studies of the Americas S. Num Pages: 192 pages, 31 b&w photographs, 7 figures. BIC Classification: 1KBB; AS; JFSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 179 x 252 x 13. Weight in Grams: 448. . . . . . …

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. 280.

Condition: New. 1999. Paperback. Series: Cultural Studies of the Americas S. Num Pages: 192 pages, 31 b&w photographs, 7 figures. BIC Classification: 1KBB; AS; JFSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 179 x 252 x 13. Weight in Grams: 448. . . . . . Books ship from the US and Ireland. …

Condition: New. In English.

Condition: New. pp. 248.

Condition: New. pp. 248.

Paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. illustrated edition. 192 pages. 10.25x7.25x0.50 inches. In Stock.

Condition: New. Brand New.

Taschenbuch. Condition: Neu. Neuware - There is more to identity than identifying with one's culture or standing solidly against it. JosÉ Esteban MuÑoz looks at how those outside the racial and sexual mainstream negotiate majority culture-not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. MuÑoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, MuÑoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.MuÑoz calls attention to the world-making properties found in performances by queers of color-in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag," Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity," and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serialThe Real World.…

Condition: NEW.