Isbn: 9780816630608 - Trespassing Through Shadows: Memory, Photography, and the Holocaust (volume 3) (visible Evidence) (8 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Good.

Soft cover. Condition: Very Good. 1st Edition. Stiff pictorial wraps. Scattered interior highlighting, otherwise minor handling wear. 1st ptg. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

brossura. Condition: nuovo. New. Focusing on a wide range of photographic displays and museum installations as well as such films as Shoah and Schindler's List, Liss questions the role of photography as social practice. She critically analyzes the transformations that documentary and more intimate photographs undergo as they are mediated through contemporary exhibition techniques, both at the institutional level of the United States Holocaust Memorial Museum in Washington, D.C., and in the hands of a group of contemporary artists and photographers including Art Spiegelman, Judy Chicago and Donald Woodman, Christian Boltanski, Suzanne Hellmuth and Jock Reynolds, and Anselm Kiefer. Documentary photographic approaches to historical and contemporary suffering are facing a serious crisis in postmodern analysis. As Andrea Liss uncompromisingly shows, this crisis is specially acute in the contemporary artistic and museological remembrance of the Holocaust. Motivated by an effort to rename and rehumanize the victims, s~ving them from the obscene images taken by the perpetrators and disseminated in postwar representations, Trespassing through Shadows is inspired by a feminist ethics of care, empathy, and respect. A moving, concerned, and generous book., Ill. bn: 20+, Ill. colori: 12+. 152pp.…