9780816630608 - Trespassing Through Shadows: Memory, Photography, and the Holocaust (volume 3) (visible Evidence) by Liss, Andrea (5 results)

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  • Language: English

    Published by University of Minnesota Press, 1998

    0816630607 / 9780816630608

    • Softcover

    Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas

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    Condition: Used - Good

    US$ 8.47

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    Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Univ Of Minnesota Press, 1998

    0816630607 / 9780816630608

    • Softcover

    Seller: Books From California, Simi Valley, CA, U.S.A.Books From California

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    Condition: Used - Good

    US$ 9.71

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    Paperback. Condition: Good.

  • Language: English

    Published by Univ Of Minnesota Press, 1998

    0816630607 / 9780816630608

    • Softcover

    Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Condition: Used - Good

    US$ 9.19

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    Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Language: English

    Published by University of Minnesota Press, 1998

    0816630607 / 9780816630608

    • Softcover
    • First Edition

    Seller: Saucony Book Shop, Kutztown, PA, U.S.A.Saucony Book Shop

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    Condition: Used - Very good

    US$ 10.00

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    Soft cover. Condition: Very Good. 1st Edition. Stiff pictorial wraps. Scattered interior highlighting, otherwise minor handling wear. 1st ptg. Size: 4to - over 9¾" - 12" tall. Book.

  • Language: English

    Published by Minesota University Press, 1998

    0816630607 / 9780816630608

    • Softcover

    Seller: Apeiron Book Service, Sant'Oreste, RM, ItalyApeiron Book Service

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    Condition: New

    US$ 17.77

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    brossura. Condition: nuovo. New. Focusing on a wide range of photographic displays and museum installations as well as such films as Shoah and Schindler's List, Liss questions the role of photography as social practice. She critically analyzes the transformations that documentary and more intimate photographs undergo as they are