ISBN: 9780821417607 - Paris on the Potomac: The French Influence on the Architecture and Art of Washington, D.c. (perspective on Art & Architect) (27 results)

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paperback. Condition: Very Good. Softcover. Pictorial covers are glossy and free of edge wear. Binding is tight. 164 bright and clean pages. Images printed in B&W. Overall, this book is in very good condition. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.…

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Paperback or Softback. Condition: New. Paris on the Potomac: The French Influence on the Architecture and Art of Washington, D.C. Book.

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Condition: New. pp. 208.

Condition: New. 2007. 1st Edition. paperback. . . . . .

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Condition: New. In 1910 John Merven Carrere, a Paris-trained American architect, wrote, Learning from Paris made Washington outstanding among American cities. The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural envi.

Taschenbuch. Condition: Neu. Paris on the Potomac | The French Influence on the Architecture and Art of Washington, D.C. | Cynthia R. Field (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2007 | Ohio University Press | EAN 9780821417607 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Paperback. Condition: Brand New. 1st edition. 164 pages. 9.75x7.00x0.50 inches. In Stock. This item is printed on demand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In 1910 John Merven Carrère, a Paris-trained American architect, wrote, 'Learning from Paris made Washington outstanding among American cities.' The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L'Enfant, the transplanted French military officer who designed the city's plan. Isabelle Gournay's introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Blés, on Thomas Jefferson's vision of the U.S. Capitol; and Somma on David d'Angers's busts of George Washington and the Marquis de Lafayette. Liana Paredes offers a richly detailed examination of French-inspired interior decoration in the homes of Washington's elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D.C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex. The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U.S. Capitol Historical Society in 2002 at the French Embassy's Maison Française. 208 pp. Englisch.…

Condition: New. PRINT ON DEMAND pp. 208.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In 1910 John Merven Carrère, a Paris-trained American architect, wrote, 'Learning from Paris made Washington outstanding among American cities.' The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L'Enfant, the transplanted French military officer who designed the city's plan. Isabelle Gournay's introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Blés, on Thomas Jefferson's vision of the U.S. Capitol; and Somma on David d'Angers's busts of George Washington and the Marquis de Lafayette. Liana Paredes offers a richly detailed examination of French-inspired interior decoration in the homes of Washington's elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D.C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex. The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U.S. Capitol Historical Society in 2002 at the French Embassy's Maison Française.…