9781032390321 - Tradition, Community, and Nationhood in Richard Wagner?s Die Meistersinger Von Nürnberg Rethinking Austrian and German Music by Kimbell, Christopher (26 results)

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Hardcover. Condition: new. Hardcover. Since its premiere in 1868, Wagners Die Meistersinger von Nuernberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The works significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as the most German of all German operas by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the works culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagners musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachss restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersingers narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the operas construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender. Through a combination of musical-textual analysis with critical theory and with four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, this book interrogates the ideological underpinnings of Die Meistersingers narrative. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.

Condition: New.

Hardback. Condition: New. Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.

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Hardback. Condition: New. Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.

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Hardback. Condition: New. Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.

Hardcover. Condition: new. Hardcover. Since its premiere in 1868, Wagners Die Meistersinger von Nuernberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The works significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as the most German of all German operas by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the works culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagners musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachss restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersingers narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the operas construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender. Through a combination of musical-textual analysis with critical theory and with four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, this book interrogates the ideological underpinnings of Die Meistersingers narrative. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: new. Hardcover. Since its premiere in 1868, Wagners Die Meistersinger von Nuernberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The works significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as the most German of all German operas by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the works culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagners musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachss restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersingers narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the operas construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender. Through a combination of musical-textual analysis with critical theory and with four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, this book interrogates the ideological underpinnings of Die Meistersingers narrative. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender. 196 pp. Englisch.

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Hardcover. Condition: Brand New. 248 pages. 9.19x6.13x9.21 inches. In Stock. This item is printed on demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Since its premiere in 1868, Wagner's Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work's significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as 'the most German of all German operas' by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work's culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner's musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs's restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger's narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera's construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.

Buch. Condition: Neu. Tradition, Community, and Nationhood in Richard Wagner's Die Meistersinger von Nürnberg | Christopher Kimbell | Buch | Einband - fest (Hardcover) | Englisch | 2024 | Routledge | EAN 9781032390321 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu Print on Demand.