Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Language: English
Published by Bloomsbury Publishing PLC, GB, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Add to basketPaperback. Condition: New. Siblings Sarah Siddons (1755-1831) and John Philip Kemble (1757-1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern - a fake Shakespearean play - in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet - a role in which both appeared across Britain and in Ireland.
Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Arden Shakespeare 6/27/2024, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Paperback or Softback. Condition: New. Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble. Book.
Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Add to basketPaperback. Condition: Brand New. 240 pages. 7.79x5.07x1.00 inches. In Stock.
Language: English
Published by Bloomsbury Publishing PLC, GB, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Add to basketPaperback. Condition: New. Siblings Sarah Siddons (1755-1831) and John Philip Kemble (1757-1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern - a fake Shakespearean play - in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet - a role in which both appeared across Britain and in Ireland.
Language: English
Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Paperback. Condition: new. Paperback. Siblings Sarah Siddons (17551831) and John Philip Kemble (17571823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeares characters and their worlds, they created iconic interpretations of Shakespeares major roles that live on in our theatrical and cultural memory. This book examines the actors long careers on the London stage, from Siddonss debut in 1782 to Kembles retirement in 1817, encompassing Kembles time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern a fake Shakespearean play in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddonss and Kembles perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings careers, focusing on their collaborations, as well as placing Siddonss and Kembles Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet a role in which both appeared across Britain and in Ireland. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Language: English
Published by Bloomsbury Publishing PLC, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
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Add to basketPaperback. Condition: new. Paperback. Siblings Sarah Siddons (17551831) and John Philip Kemble (17571823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeares characters and their worlds, they created iconic interpretations of Shakespeares major roles that live on in our theatrical and cultural memory. This book examines the actors long careers on the London stage, from Siddonss debut in 1782 to Kembles retirement in 1817, encompassing Kembles time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern a fake Shakespearean play in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddonss and Kembles perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings careers, focusing on their collaborations, as well as placing Siddonss and Kembles Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet a role in which both appeared across Britain and in Ireland. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorFiona Ritchie is Associate Professor of Drama and Theatre in the Department of English at McGill University, Montreal, Canada. She is the author of Women and Shakespeare in the Eighteenth Century (2014) and the .
Language: English
Published by The Arden Shakespeare, 2024
ISBN 10: 135035242X ISBN 13: 9781350352421
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Siblings Sarah Siddons (1755-1831) and John Philip Kemble (1757-1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare's characters and their worlds, they created iconic interpretations of Shakespeare's major roles that live on in our theatrical and cultural memory. This book examines the actors' long careers on the London stage, from Siddons's debut in 1782 to Kemble's retirement in 1817, encompassing Kemble's time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions.Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII,Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern - a fake Shakespearean play - in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons's and Kemble's perceived attempts to control Shakespeare.Fiona Ritchie examines the siblings' careers, focusing on their collaborations, as well as placing Siddons's and Kemble's Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet - a role in which both appeared across Britain and in Ireland.