9781478014607 - How Do We Look?: Resisting Visual Biopolitics (a Camera Obscura Book) by Rony, Fatimah Tobing (21 results)
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, US, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Paperback. Condition: New. In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul… Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke Univ Pr, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Paperback. Condition: Brand New. 236 pages. 8.75x6.00x0.75 inches. In Stock.
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Condition: New. 2022. Paperback. . . . . .
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press Books 2022-01-07, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Condition: New. Fatimah Tobing Rony draws on the transnational visual images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others.Über den Autor.
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Taschenbuch. Condition: Neu. How Do We Look? | Resisting Visual Biopolitics | Fatimah Tobing Rony | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Duke University Press | EAN 9781478014607 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]c…o[dot]uk | Anbieter: preigu.
Language: English
Published by Duke University Press, US, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
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Paperback. Condition: New. In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul… Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
Language: English
Published by Duke University Press Jan 2022, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
- Print on Demand
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermanyBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In How Do We Look Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others…. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability. 248 pp. Englisch.
Language: English
Published by Duke University Press, 2022
Series: a Camera Obscura, Book 9 of 12. Book 9 of 12 - a Camera Obscura
- Softcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In How Do We Look Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Ron…y outlines the mechanisms of visual biopolitics by examining Paul Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
