Isbn: 9781887123716 - No Longer Innocent: Book Art in America 1960-1980 (10 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: good. Condition: Good â" Used book with some visible wear. May include stickers on the cover, wear or absence of the dust jacket, wear to the spine or inside cover, slight corner curling, minor staining, and wear along the fore edge. All orders are shipped via UPS Mail Innovations and may take up to 10 business days from the initial scan to be delivered.…

Condition: good. Signs of wear and consistent use.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. A clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds.Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon.

Soft cover. Condition: Fine. 1st Edition. Stated 1st Edition. Gift quality. Clean, bright, tight, unmarked copy with no rips or creases. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight.…

7 x 10 in., 320 pp., smyth-sewn in wrappers. "Betty Bright brings to light the merging of the book as a crafted object with the internal metaphor of its artistic content. She presents the lineage of artists and organizations that brought together the wide variety of skills and aesthetics that enabled the evolution of the contemporary bookwork. No Longer Innocent is scholarly, readable, and is an important contribution that clearly identifies who did what when. It will be the standard reference work in this field, and is a must-have book for any serious student, collector, curator, librarian, and artist." -Richard Minsky, artist and founder, Center for Book Arts No Longer Innocent: Book Art in America:1960-1980 is the first history to trace the emergence of the artists' book in the United States during the 1960s and 1970s. This history takes an inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artists' book. The book identifies European precursors of these kinds of artists' books, then quickly moves to America with the development of artists and books and non-profit organizations. No Longer Innocent also addresses the ways book art affected and responded to art movements, such as Pop, Fluxus and Conceptualism. The book's inclusive approach appeals to a broad audience, from collectors of fine press books and deluxe books, to artists making multiple and sculptural bookworks, to cultural historians, librarians and booklovers interested in the phenomenon of the persistence of the book metaphor. Teachers in higher education with a broad view of the field's beginnings will find this book useful for classes in American studies and art history, as well as studio arts classes in printmaking, photography and sculpture. No Longer Innocent: Book Art in America 1960-1980 was published with the generous assistance of Furthermore, a program of the J.M. Kaplan Fund. This is from an edition of 2000 copies in wrappers. As new.…

Softcover. grey & black illustrated wraps w/ black printing. 301 pgs w/ color plates & bw illustrations. Remains fairly tighly bound. A nice copy. "This important history of the artist's book, a flourishing form which over the years has often been greeted with confusion by critics, collectors, historians and artists, aims to spell out its role in contemporary art and to claim for it a vital and heretofore unacknowledged status since the blossoming of the artform in the 1970s. Renowned scholar and curator Betty Bright takes an inclusive view of the varied field in order to redress its marginalization, identifying three distinct types: the fine press book, the deluxe book, and the bookwork. She covers crucial supporters of the form, like New York's Center for Book Arts, Franklin Furnace, and the Visual Studies Workshop Press in Rochester, New York, as well as key organizations and figures in Chicago, Atlanta, San Francisco and Los Angeles. Bright examines how artist's books have responded to specific movements, such as Pop, Fluxus and Conceptualism, and how the book arts' own mini-art world of the 1970s was shaped by seminal exhibitions, fledgling nonprofit organizations and collectors."-Amazon. VG- (front spine edge rippled from internal publisher's glue. small stain to front wrap. square, white label to back wrap). …

Condition: Nuovo (New). 1887123717 Nuovo (New) .

Paperback. Condition: Brand New. illustrated edition. 350 pages. 9.75x6.75x0.75 inches. In Stock.