Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Condition: As New. Unread book in perfect condition.
Condition: New.
Paperback. Condition: New.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Condition: New.
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Dis Voir, 75004 Paris, 1999
ISBN 10: 290657192X ISBN 13: 9782906571921
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: New.
US$ 23.10
Quantity: 2 available
Add to basketPaperback. Condition: Brand New. illustrated edition. 128 pages. 8.25x6.25x0.25 inches. In Stock.
Condition: New.
Condition: New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . .
Condition: New. Num Pages: 122 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 210 x 159 x 4. Weight in Grams: 340. . 1999. Paperback. . . . . Books ship from the US and Ireland.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 24.88
Quantity: 11 available
Add to basketCondition: New.
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 27.25
Quantity: 11 available
Add to basketCondition: As New. Unread book in perfect condition.
Seller: Black Gull Books (P.B.F.A.), St Leonard's on Sea, United Kingdom
Association Member: PBFA
US$ 20.75
Quantity: 1 available
Add to basketpaperback. Condition: Very Good.
Paperback. Condition: New.
Condition: New. KlappentextrnrnArtists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing co.
Language: English
Published by Dis Voir, 75004 Paris, 1999
ISBN 10: 290657192X ISBN 13: 9782906571921
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be experimented with collectively. Nowadays the emerging creations are hyper-artworks, authorless and non-linear, exploring the idea that all forms of documentation are themselves interpretations open to new readings and renditions. The question thus shifts to how the world is narrated, how stories are told and how are received. In the process, viewers are integrated into the artwork as they strive to make up their own story in a buffer zone between reality and fiction. Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by Dis Voir Editions Okt 1999, 1999
ISBN 10: 290657192X ISBN 13: 9782906571921
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - Artists today are smugglers. Recycling both real and fictional images, their proposals are no longer artworks or even art objects, but rather situations to be lived, put to the test and experimented with collectively. Analyzing contemporary art works as authorless 'hyper-artworks', post-colonial critic and theorist Ackbar Abbas argues that narration emerges as a potent aesthetic force and that all forms of documentation are themselves interpretations open to new and multiple readings.
US$ 24.89
Quantity: 5 available
Add to basketPaperback. Condition: New.