9783525604458 - Der Fremde in Der Europäischen Karikatur: Eine Religionswissenschaftliche Studie Ber Das Spannungsfeld Zwischen Belustigung, Beleidigung Und Kritik Contemporary Rel... (9 results)

1. Auflage,. Mit Illustrationen, 208 Seiten, Schönes Exemplar Sprache: Deutsch Gewicht in Gramm: 456 8°, schwarzer OPp mit Rückentitel.

Condition: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Eine religionswissenschaftliche Studie über das Spannungsfeld zwischen Belustigung, Beleidigung und Kritik. Der 'Karikaturenstreit' entfachte in europäischen Medien eine heftige Diskussion über Bilderverbot, Zensur, Verletzung religiöser Gefühle und Meinungsfreiheit. Monica Glavac nähert sich dieser Thematik, indem sie die Darstellungsform der Karikatur ins Zentrum rückt und der Frage nachgeht, wie Muslime und Elemente der islamischen Tradition in europäischen Karikaturen als »das Fremde« dargestellt werden. Glavac macht dabei einerseits eine Reise zurück in die Geschichte der Karikatur, zeigt auf, was Karikaturen charakterisiert, in welchem Umfeld sie entstanden und wie sie sich entwickelten. Andererseits untersucht sie, welche Merkmale die Darstellung von Muslimen und Elementen der islamischen Tradition in ausgewählten historischen Fallbeispielen kennzeichnen. 208 Seiten mit 55 Abb., gebunden (Research in Contemporary Religion; Band 11/Vandenhoeck & Ruprecht 2013). Statt EUR 85,00. Gewicht: 472 g - Gebunden/Gebundene Ausgabe.

hardcover. Condition: Sehr gut. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

hardcover. Condition: Sehr gut. Gebraucht - Sehr gut Sg - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

hardcover. Condition: Sehr gut. Gebraucht - Sehr gut Sg - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

hardcover. Condition: Neu. Neu Neuware auf Lager, Sofortversand - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

hardcover. Condition: Neu. Neu Neuware auf Lager, Sofortversand - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

hardcover. Condition: Neu. Neu Neuware auf Lager, Sofortversand - The publication of the Muhammad caricatures in the Danish newspaper Jyllands-Posten in September 2005 caused a global controversy that erupted not only at the political and economic level, but also engulfed the media and had a significant impact on cultural tensions across international societies. This book aims to reflect on the so-called Danish cartoon controversy by focusing on the genre of caricature in order to consider how Muslims and elements of the Islamic tradition are represented in caricatures as the »other«. Monica Glavac commences with an historical overview of this artistic technique to understand how caricatures are characterized in Europe, where they originate from and how they developed. Historical examples are then studied to find out how Muslims and elements of the Islamic tradition were variously depicted. The historical perspective serves to embed the Muhammad cartoons and the resultant controversy in a broader cultural and historical context. Glavac thereby shows a possible way in which one can deal with a public phenomenon, such as the Danish cartoon controversy, from the perspective of the study of religion.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Monica Glavac setzt sich aus religionswissenschaftlicher Perspektive mit dem Karikaturenstreit auseinander und bettet die Mohammed-Karikaturen in ein breites kulturelles und historisches Umfeld ein.nnDie Mohammed-Karikaturen in ihrem kulturellen und histori.