Ana Hatherly, First Edition (32 results)

Original Wraps. Condition: Fine. Dust Jacket Condition: No Jacket as issued. 1st Edition. An exhibition drawing upon the collections at CAM, la CAIXA, MACBA featuring the work of Joao Abel Manta, Gabriel Abrantes, Vasco Araujo, Miroslaw Balka, Eric Baudelaire, Samuel Beckett, Luisa Cunha, Pepe Espaliu, Angela Ferreira, Ramon Guillen-Balmes, Richard Hamilton, Ana Hatherly, Roni Horn, Mike Kelley, Martin Kippenbrger, Asier Mendizabal, Miralda, An toni Muntadas, Bruce Nauman, Nuno Nunes-Ferreira, Damian Ortega, Jeff Wall. 16pp with colour illustations. Text in Portuguese and English.

Soft Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. In-8º gr. 1 vol. B. Importantes estudos que deram a conhecer a obra e a figura do poeta. Conta com a colaboração de Ana Hatherly, António Quadros, Arnaldo Saraiva, Eduardo Lourenço, Maria Aliete Galhoz, Joe B. Wyatt, Maria de Fátima MArinho, Luís Filipe Barata Monteiro, Joel Serrão, João Gaspar Simões, entre muitos outros portugueses e estrangeiros. Bem conservado. Book.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 2002. Associação Palavra em Mutação. Porto. 1 volume. In-4º, 29,5cm. 88 páginas. Broc. Nº 1 da Revista Literária Palavra em Mutação. Direção de António Teixeira e Castro. Colaboradores permanentes Alberto Pimenta, Ana Hatherly, Paulo Hernâni e Isa Ventura. Outros colaboradores António Ramos Rosa, Fernando Pinto Ribeiro, José Augusto Seabra etc. Foram publicados mais 6 números. Muito bom estado.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 1997.Quimera. Lisboa. 1 volume. In-8º. 21cm. 129 páginas. Broc. 1ª edição. Dedicatória autografa da autora. Muito bom estado. Dedicatoria autógrafa del autor.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 1975. Editorial Futura. Lisboa. 1 volume. In-8º. 16,5cm. 26 páginas+19 textos visuais. Broc. 1ª edição. Dedicatória autografa da autora. Muito bom estado. Dedicatoria autógrafa del autor.

4°, later plain beige wrappers. In good condition. 39 pp. *** Fragment from volume I of Obras do doutor Duarte Ribeiro de Macedo, 2 volumes, Lisbon: Na Officina de Antonio Isidoro da Fonseca, 1743, the first edition of Ribeiro de Macedo's collected works. Ribeiro de Macedo is considered one of the classic Portuguese writers, in fact one of the greatest prose writers in the history of the language. "Occupa um logar mui pouco; mas o que d'elle temos foi o que bastou para os criticos lhe daram logar entre os classicos de primeira nota" (Innocêncio).*** See Innocêncio II, 215-6. Azevedo-Samodães 2813. Avila-Perez 6535. Monteverde 4569. Pinto de Mattos (1970) pp. 538-9. On Ribeiro de Macedo, see also Hanson, Economy and Society in Baroque Portugal pp. 126-37; Ana Hatherly in Biblos, III, 304-5; Dicionário cronológico de autores portugueses, I, 433-4; Saraiva & Lopes, História da literatura portuguesa (17th ed., 2001), pp. 446, 484, 536, 543, 548, 563-4; Bell, Portuguese Literature, pp. 265-6.

4° (18 x 18 cm.), original printed wrappers. Small imperfection to spine. Otherwise as new. (1 blank., 3), 36, (3, 1 blank) ll. One of 1,000 copies. *** FIRST and ONLY EDITION of this book of concrete poems.E[rnesto] M[anuel Geraldes] de Melo e Castro (b. Covilhã, 1932), textile engineer, poet, artist, essayist and critic, was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century. Brazilian vanguard poetry, and much more.*** On Melo e Castro see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Ana Hatherly in Biblos, I, 1062-3; Dicionário cronológico de autores portugueses, VI, 121-4; also Pamplona, Dicionário de pintores e escultores portugueses (rev. ed.), II, 74.

Oblong 8°, original illustrated wrappers. Small portrait of the author on first leaf recto. In very good condition. Signature of Luiz Castelo on verso of second leaf. (2 ll.), 91 pp., (2 ll.). *** FIRST and ONLY EDITION of this book of experimental poems. Contains biographical information about the author.E[rnesto] M[anuel Geraldes] de Melo e Castro (b. Covilhã, 1932), textile engineer, poet, artist, essayist and critic, was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century. Brazilian vanguard poetry, and much more.*** On Melo e Castro see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Ana Hatherly in Biblos, I, 1062-3; Dicionário cronológico de autores portugueses, VI, 121-4; also Pamplona, Dicionário de pintores e escultores portugueses (rev. ed.), II, 74. Porbase locates a single copy, in the Biblioteca Nacional de Portugal. Jisc locates only the Oxford copy. KVK (51 databases searched) locates the Augsburg and Oxford copies, as well as the one cited by Porbase.

8°. 79,(1) S. Erste Ausgabe. - Circulo de Poesia: 38. - Numeriertes Exemplar. - Mit vierzeiliger eigennhändiger Widmung der Verfasserin für Hansjörg Schmitthenner, datiert: 7.V.1973. - Sehr gutes Exemplar. pt Gewicht in Gramm: 320 Brauner Orig.-Karton mit rotem Deckelschildchen.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 2001.Quimera. Lisboa. 1 volume. In-8º. 23cm. 405 páginas. Broc. 1ª edição. Dedicatória autografa da autora. Muito bom estado. Dedicatoria autógrafa del autor.

8°, original gray printed wrappers, stapled. In fine condition. Author's signed and dated seven-line presentation inscription: "To Ernesto M. de Melo e Castro // and // Maria Alberta Meneres // With deep admiration // and gratitude, from // Jonathan Griffin // 7-11-72". One of 400 copies (see below). (10 ll., the first and last blank). *** FIRST EDITION. Limited to a total of 400 copies: 250 for sale, of which 50 are signed and numbered; plus 150 copies not for sale. The present copy is not numbered. Presumably it is one of the 150 copies not for sale.The poet Jonathan Griffin was translator of Pessoa, Camões, Racine and others. "The Oath" was first published in New Saltire; the other poems are published here for the first time.Provenance: E[rnesto] M[anuel Geraldes] de Melo e Castro (b. 1932), textile engineer, poet, essayist and critic, was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century, especially during the 1960s. See Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Ana Hatherly in Biblos, I, 1062-3; and Dicionário cronológico de autores portugueses, VI, 121-4. Maria Alberta [Rovisco Garcia] Menéres (b. Vila Nova da Gaia, 1930), poet, author of several books, including a significant output of juvenile fiction, translator and television personality, was the first wife of E.M. de Melo e Castro, with whom she collaborated in Antologia da novíssima poesia portuguesa. See Dicionário cronológico de autores portugueses, V, 752-3; also Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, p. 313.*** NUC: WU.

Condition: As New. First Edition. ~ Portuguese Pen Club Poetry Award 1999 ~ Publishers' wrappers ~ 91+[4]p ~ 21x15x1cm. ~ As New ~ LANGUAGE: Português // We accept PayPal & EU bank transfer in EUROS //.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 1980. Moraes Editores. Lisboa. 1 volume. In-8º. 20cm. 297 páginas. Broc. 1ª edição. Dedicatória autografa da autora. Prefácio de Lúcia Helena da Silva Pereira. Muito bom estado. Dedicatoria autógrafa del autor.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 1977.Iniciativas Editoriais. Lisboa. 1 volume. In-8º. 21cm. 126 páginas. Broc. 1ª edição. Dedicatória autografa da autora. Muito bom estado. Dedicatoria autógrafa del autor.

Small 8°, publishers printed wrappers (some very minor wear). In very good condition. Author's signed and dated five-line presentation inscription on half title: "Para a Ana Hatherly, // Com um abraço amigo // do // Eugénio Lisboa // Londres, 1981". A few passages marked by pencil in margins. 113, (1) pp., (1 l. advt.). *** FIRST EDITION. Although the title-page verso says this is the "9ª edição", no earlier editions appeared: probably a typographical error caused by this being the 9th number in a monographic series. A second edition appeared in 1984.Provenance: On the important poet, author of fiction, literary historian, critic, and painter Ana [Maria] Hatherly, born in Porto in 1929, see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 237; Graça Abranches in Biblos, II, 969-71; Dicionário cronológico de autores portugueses, pp. 679-81; and Pamplona, Dicionário de pintores e escultores (2nd ed.), III, 104. *** On the author, a noted essayist and literary critic, born Lourenço Marques, 1930 (died 2024), see Dicionário cronológico de autores portugueses, V, 746-8; also Luís de Sousa Rebelo in Biblos, III, 102-5. Porbase cites only two editions: this so-called ninth edition of 1977, and a second edition of 1984.

Small 8°, publishers printed wrappers (some very minor wear). In very good condition. Author's signed and dated six-line presentation inscription on title page: "Para a Ana Hatherly, // Vindando [?] um agradável // convívio londrino e lisboeta // fraternalmente// Eugénio Lisboa // Londres, 1981". A few passages marked by pencil in margins. 129 pp., (3 pp. advt.). *** FIRST EDITION. A second edition appeared in 1986. Eugénio Lisboa, a noted essayist and literary critic, was born in Lourenço Marques, 1930.Provenance: On the important poet, author of fiction, literary historian, critic, and painter Ana [Maria] Hatherly, born in Porto in 1929, see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 237; Graça Abranches in Biblos, II, 969-71; Dicionário cronológico de autores portugueses, pp. 679-81; and Pamplona, Dicionário de pintores e escultores (2nd ed.), III, 104. *** On the author, see Dicionário cronológico de autores portugueses, V, 746-8; also Luís de Sousa Rebelo in Biblos, III, 102-5.

4° (15.8 x 18.2 cm.), plain black wrappers with red-on-white printed paper label (3.7 x 7.5 cm.) on front cover, stapled. Small smudge to label. Overall in very good condition. (1 blank l., 9 ll.), 1 plate. *** FIRST and ONLY EDITION of this early example of experimental poetry. The plate contains a reproduction of a photograph by João Bentes Pimenta. Selected by Notícias do Bloqueio, and dedicated to Egito Gonçalves, João Rui de Sousa, José Gomes Ferreira, and Gastão Cruz.E[rnesto] M[anuel Geraldes] de Melo e Castro (b. Covilhã, 1932), textile engineer, poet, essayist and critic, was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century. *** On Melo e Castro see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Ana Hatherly in Biblos, I, 1062-3; Dicionário cronológico de autores portugueses, VI, 121-4; also Pamplona, Dicionário de pintores e escultores portugueses (rev. ed.), II, 74. Porbase locates a single copy, in the Biblioteca Nacional de Portugal. Not located in Copac.

First edition of 600. Large softcover 8vo printed in black throughout. 70 + 2 pp. Artists' catalogue published on the occasion of Dom Sylvester Houédard's retrospective exhibition at the Laing Art Gallery in Newcastle upon Tyne organized by Ceolfrith Arts Centre and Victoria and Albert Museum. Edited by Charles Verey and designed by Donato Cinicolo 3, featuring exhibition dates, publication information, bibliographies, notes by and on the artist, extracts of articles on concrete poetry, and essays on the artist by Ana Hatherly and Charles Verey. Illustrated with several examples of Houédard's typestract concrete poetry. Trace amounts of rubbing, darkening along cover extremities and text block, gentle diagonal fold line at upper right front cover, and gentle bump to lower right margin of text block. Very good.

Large 8°, original illustrated wrappers. In very good condition. Small ink rubric in upper inner corner of title page. 288 pp. Tables, diagrams, and an illustration in text. Footnotes. *** FIRST and ONLY EDITION in Portuguese. An apparently somewhat different version appeared in English in 2014.Ana Hatherly (Porto, 1929-2015) was an important Concrete poet, author of fiction, literary historian, critic, and painter. Melo e Castro (born Covilhã, 1932), textile engineer, poet, critic and essayist, has collaborated with various newspapers and reviews in Portugal, Brazil, Spain, and France since the 1960s. He was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century, especially during the 1960s, and was awarded the Grande Prémio de Poesia INASET/INAPA in 1990. *** On Ana Hatherly (1929-2015), see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 237; Graça Abranches in Biblos, II, 969-71; Dicionário cronológico de autores portugueses, V, 679-81; and Pamplona, Dicionário de pintores e escultores portugueses (2nd ed.), III, 104. On Melo e Castro see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Biblos, I, 1062-3; Dicionário cronológico de autores portugueses, VI, 121-4; also Pamplona, Dicionaìrio de pintores e escultores portugueses (2nd ed.), II, 74.

8°, original printed wrappers with author and title tipped on to front wrapper on a smaller rectangular label. In fine condition. Author's signed and dated seven-line presentation inscription on initial (blank) page: "Para a Ana // Hatherly // com a minha admiração // e amizade // de // José Blanc de Portugal // Lxª 19 5/II 87". 83, (3) pp. *** FIRST and ONLY EDITION. The work includes a poem about Camões, several about Brazil (pp. 25-58, including a bilingual poem with facing texts in Tupi and Portuguese), a poem about Columbus and the discoveries, and much more. Most of the poetry in this volume was written during the 1970s, in Brazil.José Bernardino Blanc de Portugal (Lisbon, 1914-2000) was a poet, essayist, music and literary critic, and translator of Shakespeare, T.S. Eliot, Truman Capote and Fernando Pessoa. He received a degree in geology from the Faculdade de Ciências of the Universidade de Lisboa, wrote several scientific books and papers on the subject, and worked for a number of years as chief meteorologist for Pan American Airways in Lisbon. Later he worked as meteorologist for the Portuguese national weather service in Lisbon, the Açores, Madeira, Cabo Verde, Angola and Moçambique. He also served as a sort of cultural attaché in Brazil (1973-1978), and was vice president of the Instituto de Cultura e Língua Portuguesa (1978-1982). Much of his poetry was published in reviews, such as Cadernos de poesia (of which he was one of the directors, along with Ruy Cinatti and Tomaz Kim; later with Jorge de Sena and José Augusto França), Aventura, Litoral, Tricórnio, A Serpente, and Graal. Besides the present work his books of poetry are Parva Naturalia (1960; Prémio Fernando Pessoa), O Espaço Prometido (1960); Odes Pedestres (1965; Prémio Casa da Imprensa), and Enéadas (1959; Prémio do P.E.N. Club Português, for the body of his work). In addition to Elliot, he was influenced by Ezra Pound. His poems have been translated into French, Spanish, English, German and Swedish. Provenance: On the important poet, author of fiction, literary historian, literary critic, musical critic and painter Ana Hatherly, born in Porto in 1929, see Fernando J.B. Saraiva & Lopes, História da literatura portuguesa (17th ed., 2001), p. 1076, et passim; Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 237; Graça Abranches in Biblos, II, 969-71; Dicionário cronológico de autores portugueses, pp. 679-81; and Pamplona, Dicionário de pintores e escultores portugueses (2nd ed.), III, 104. *** Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, p. 390. Vera Borges in Biblos, IV, 361-3. Dicionário cronológico de autores portugueses, IV, 555-7. Porbase locates six copies: Casa Fernando Pessoa-Lisboa, Biblioteca João Paulo II-Universidade Católica Portuguesa, Faculdade de Letras da Universidade de Lisboa, Biblioteca Municipal de Elvas, Biblioteca Tomás Ribeiro-Câmara Municipal de Tondela, and Biblioteca Nacional de Portugal. Not located in Jisc.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. 1960. Guimarães Editores. Lisboa. 1 volume. In-8º. 21,5cm. 56 páginas. Broc. 1ª edição. Dedicatória autografa da autora. Muito bom estado. Dedicatoria autógrafa del autor.

8°, original printed wrappers. Light toning. In very good condition. 184 pp., (1 l., 1 blank l.). *** FIRST and ONLY EDITION of the author's fourth book. Ana Hatherly (Porto, 1929-2015) was an important concrete poet, author of fiction, literary historian, critic, and painter.*** On Ana Hatherly (1929-2015), see Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 237; Graça Abranches in Biblos, II, 969-71; Dicionário cronológico de autores portugueses, V, 679-81; and Pamplona, Dicionário de pintores e escultores portugueses (2nd ed.), III, 104. Not located in Porbase. Copac repeats Oxford University only. KVK (51 databases searched) locates only the copy cited at the Ibero-Amerikanisches Institut.

Soft cover. Condition: Very Good. 1st Edition. First edition. Horizontal 8vo in white covers printed in black and bound with a blue plastic comb with two fasteners, one of which is lacking in this example with the second fastener snapped in half. Binding remains solid, however on account of the rigid plastic comb. Pages printed on rectos in black or blue on various paper types, with several works in color, including one gatefold. Lacking the Ken Cox 'high cumulus' four-panel gatefold, but otherwise complete. Unpaginated [ca. 100 pp.] Artists' book in the form of a catalogue for a 1968 visual and concrete poetry exhibition jointly organized by E. M. de Melo e Castro from Portugal and Charles Verey from England. Exhibitors from Portugal included E. M. de Melo e Castro, Abilio-José Santos, Antonio Aragão, Ana Hatherly, José-Alberto Marques, and José Viale Moutinho. Exhibitors from England included Ian Breakwell, Thomas A. Clark, Bob Cobbing, Ken Cox, Simon Cutts, Dom Sylvester Houédard (dsh), Tom Edmonds, Ian Hamilton Finlay, John Furnival, John Hall, Roy Hewish, Brian Lane, Liliane Lijn, Andrew Lloyd, Peter Mayer, Cavan McCarthy, Stuart Mills, Edwin Morgan, Hayden Murphy, Tom Phillips, John J. Sharkey, Charles Verey, and Trevor Wells. Illustrated throughout by approximately twenty of the contributors, an introductory essay by Dom Sylvester Houédard (dsh), who also designed the cover, and a handful of photographs from the exhibition. Lacking the Ken Cox 'high cumulus' four-panel gatefold, but otherwise complete. Scarce. Lacking one of the two plastic comb fasteners with the second fastener snapped in half, age toning and rubbing to covers, including a 1.5 cm (0.5") stain at middle of foredge affecting the first twenty-four pages mostly visible only on versos. Very good.

Encuadernación de tapa dura. Condition: Bien. 1ª Edición. 1967. Edição dos autores. Lisboa. 1 volume. In-fólio. 51,5x37 cm. 24 (de 25) folhas em capa própria de João Vieira, cartonada e com relevo, sendo que a capa de cada exemplar da tiragem é única. Composto por 2 Cartazes de António Aragão. Alfabeto estrutural (8 fases de desenvolvimento 1 ideograma) de Ana Hatherly. 10 sintagmas de E. M. de Mello e Castro. 8 (de 9 com falta do nº 6) homeóstatos de José Alberto Marques. 4 epithalamia de Pedro Xisto. Organizado por E. M. de Melo e Castro, a obra junta os principais autores da poesia experimental portuguesa num trabalho de investigação de signos e estruturas linguísticos, exemplificados numa dimensão predominantemente visual. Composição e impressão na Tip. do Jornal do Fundão. Pequena falha na capa. Muito bom estado.

2 numbers. Large 8°, original illustrated wrappers (N.º 1 a bit worn; N.º 2 somewhat shaken). N.º 2 printed in blue ink throughout. Overall in good to very good condition. Internally very good to fine. 176 pp., 13 plated tipped on to blank pp., illistrations in text; 195 pp., much illustration in text. *** FIRST and ONLY EDITION-A COMPLETE RUN. The first number is dated Inverno 75/76; the second is dated Outono 76. Edited by Herberto Helder; the editorial board consisted of António Paulouro, António Sena, and Herberto Helder. Among other contributors were Ana Hatherly, António Ramos Rosa, E.M. de Melo e Castro, Eugénio de Andrade, Eugénio Lisboa, Fernando Guimarães, Fiama Hasse Pais Brandão, Haroldo de Campos, João Miguel Fernandes Jorge, João Pedro Grabato Dias, Jorge de Sena, José Gomes Ferreira, Júlio Pomar, Nuno Júdice, Sophia de Mello Breyner Andresen, A Cruzeiro Seixas, Eduardo Lourenço, Egito Gonçalves, Fernando J.B. Martinho, Gastão Cruz, Helder Macedo, Irene Vieira da Silva, Maria Alzira Seixo, Pedro Támen, Rui Knopfli, and Saul Dias.In addition to the many poems, Ana Hatherly provides a brief essay in the first number, as do E.M. de Melo e Castro, Fernando Guimarães, Haroldo de Campos, and Carlos Vittorio Cattaneo. The second number contains an illustrated article on design, and "Un libro inedito de Juan Ramon Jimenez" by Antonio Sánchez Romeralo. There is an article on Pablo Neruda by Jaime Concha, and another piece on Neruda by Fernando Alegria. Eduardo Lourenço wrote on "Dialectica mitica da poesia moderna portuguesa".*** Pires, Dicionário das revistas literárias portuguesas do século XX, pp. 217-8. Clara Rocha, Revistas literárias do século XX em Portugal, p. 670.

Large 8°, original printed wrappers (spine defective at head and foot). In very good condition. Signed and dated author's six-line presentation inscription in the upper and outer margins of p. 23: "para e.m. de melo e castro, // êste ensaio de tradução-criação, // do amigo em poesia // Haroldo de campos // s Paulo, // agôsto 64." A few ink corrections, possibly in the hand of Haroldo de Campos or Melo e Castro. (1 l.), pp. 23-50, (1 blank l.). *** FIRST APPEARANCE IN PRINT of this heavily annotated essay, with significant references to Ezra Pound, followed by the author's translation of Mayakovski's "A Sierguéi Iessiênnin" (pp. 46-50). Together with his brother Augusto de Campos and Décio Pignatari, Haroldo de Campos (São Paulo, 1929-2003) founded in 1952 the "Grupo Noigandres," Brazil's concrete poetry movement. "Plano-Piloto Para Poesia Concreta," co-authored with Augusto de Campos and Décio Pignatari, appeared in number 4 (1958) of the concrete poetry review Noigandres. In 1992 he was awarded the Prêmio Jabuti as literary personality of the year; in 1999 he won the Prêmio Jabuti for poetry. Haroldo de Campos is considered the most baroque of the Brazilian concrete poets. His poetry is integrally linked to the movement. He was personally close to João Cabral de Melo Neto and Oswald de Andrade, and corresponded with Ezra Pound and Octávio Paz.Provenance: E[rnesto] M[anuel Geraldes] de Melo e Castro (b. 1932), textile engineer, poet, essayist and critic, was one of the leaders of the literary vanguard in Portugal during the second half of the twentieth century, especially during the 1960s. See Fernando J.B. Martinho in Machado, ed., Dicionário de literatura portuguesa, p. 118; Ana Hatherly in Biblos, I, 1062-3; and Dicionário cronologico de autores portugueses, VI, 121-4.*** On Campos, see Sérgio Rubens B. de Almeida in Biblos, I, 918. Not located in Porbase. Not located in Jisc.

27 issues-N.ºs 1-25; 29-30. Small folio (25 x 19.2 cm.), original illustrated wrappers; nºs 4-5, 8-9, and 16-17 with dust jackets. As new. Numerous illustrations, some in color. N.ºs 1-7 printed in 1,200 copies; n.ºs 8-15 in 1,300 copies; n.ºs 16-17 in 750 copies; n.ºs 18-19, 20-21 and 22-23 in 500 copies. N.ºs 29 and 30 do not have justifications. N.ºs 4-5, 6-7, 8-9, 10-11, 12-13, 14-15, 16-17, 18-19, 20-21, 22-23, and 24-25 are double issues. *** FIRST and ONLY EDITION, a COMPLETE RUN of all numbers produced in hard copy of this important and interesting review devoted to José Régio. Numbers 26, 27 and 28 were issued exclusively online. With the double issue 12-13 begins the II Série, and the title changed to Estudos Regianos. With this issue Eugénio Lisboa stepped down from the direction and was replaced by João Francisco Marques, who had collaborated from the first issue. Among the contributors, in addition to Eugénio Lisboa, João Francisco Marques, and Isabel Cadete Novais, are Luís Adriano Carlos, Eunice Cabral, Manoel de Oliveira, Fernando J.B. Martinho, António Ventura, António Braz Teixeira, Luiz Francisco Rebello, Luisa Dacosta, Luís Amaro, valter hugo mãe, Teresa Rita Lopes, Fátima Lopes, José Augusto Seabra, Duarte Ivo Cruz, Fernando Guimarães, Carlos Leone, Enrico Martines, Fernando Alvarenga, Isabel Vaz Ponce de Leão, Arnaldo Saraiva, Annabela Rita, Xosé Manuel da Silva, João Bigotte Chorão, Ana Hatherly, Luciana Picchio, Eduardo Lourenço, Jerónimo Pizarro, and Nuno Júdice.***.

Soft cover. Condition: Fine. 1st Edition. Each one of 4850 copies (of 5000), folio, loose sheets folded into 12pp., plus an 8pp. publication about the series (in English and Portuguese), which invited artists to use the newspaper format as an artistic surface, and was connected to the European Capital of Culture 2012. 'The Project PaperWork departed first from a passion for the printed page, but also from the will to challenge processes of dissemination of the image of the work of art beyond the voracity of its electronic reproducibility in the contemporary era. The newspaper as artistic format affirms itself as a space for visual and textual experimentation, in which artists superimpose or choose these formats placing them at the service of their languages, ideas or research. For some, the page became poster, circular path for others, some thought the sequence of pages, others dismantled it. The means range from collage, photography, from drawing to visual poetry and games with words. Some artists used the format associated with press language, others have used the surface as a drawing sheet generating a set of reproducible sketches. I believe therefore, and because PaperWork also plays with the idea of collecting, that this set of works in a paper format will have future consequences and reverberation. I believe they will become part of collections of collections, they will continue to be spread throughout the world without any other function than to disseminate the images and thoughts of this varied group of artists.' As follows: (1) Matt Mullican; (2) Mauro Cerqueira; (3) Cristina Mateus; (4) Martina Schmid; (5) Lawrence Weiner; (6) Susana Mendes Silva; (7) Luis Ribeiro; (8) Jose Pedro Croft; (9) Francisco Queiros; (10) Carla Filipe; (11) Jochen Gerz; (12) Rita Castro Neves; (13) Juliao Sarmento; (14) Patricia Almeida; (15) Antonio Olaio; (16) Jose Maia; (17) Pedro Proenca; (18) Miguel Leal; (19) Joao Penalva; (20) Daniel Blaufuks; (21) Miki Leal; (22) Luis Palma; (23) Joao Felino; and (24) Ana Hatherly. Each item folded once (presumably as issued), but a Fine set, together with a little ephemera.

4°, disbound. Woodcut initial and tailpiece. Minor soiling. Final line on title page cut close at lower margin. In good to very good condition. (1 l.), 13, (1) pp. *** FIRST and ONLY EDITION of this poem celebrating the victory of twenty-year-old D. Afonso VI at the Battle of Ameixial on June 8, 1663. In Spain it is usually called the Battle of Estremoz; here it is referred to as the Battle of Canal, after the parish near Évora where the battle took place. This was one of the major battles of the Restauração, which effectively ended Spain?s attempt to undo Portuguese independence, finally recognized in 1668. The Spanish had overrun southern Portugal under the leadership of D. Juan de Austria, natural son of Philip IV of Spain. The Portuguese, reinforced by English troops and led by Schomberg, inflicted heavy casualties and forced the Spanish to retreat across the border to Badajoz. The Spanish garrison at Évora surrendered soon afterwards.Frei Jeronymo Vahia (1620?/1630?-1688), court preacher to D. Afonso VI, was in his time a famous orator and poet. Born in Coimbra (some say near Viana do Castelo), he became a Benedictine monk in 1643, eventually becoming cronista of the Order. Over 500 pages of his poems, in the style of Gongora, appeared in Fénix Renascida, volumes I-IV. Innocêncio, who complains of his "violentas metaphoras, e conceitos exquisitamente esquadrinhados," confusingly adds that if he hadn't succumbed to the "mania que predominava entre os seus contemporaneos," Vahia would be considered one of Portugal's best poets. Of late there have been reevaluations and increased interest in the poetry of this period in general, and in this author in particular.*** Arouca V2. Innocêncio X, 138, and XVIII, 212; on the author, see III, 279. Barbosa Machado II, 530. Exposição bibliográfica da Restauração 1535. Fonseca, Elementos bibliográficos para a história das guerras chamadas da Restauração 460. Martins de Carvalho, Dicionário bibliográfico militar português (1976) I, 288. Not in Visconde da Trindade. Azevedo-Samodães 3413. Avila Perez 7773. On the author see also Zulmira Santos in Machado, ed., Dicionário de literatura portuguesa, pp. 45-6; Ana Hatherly in Biblos, I, 507-8; Saraiva & Lopes, História da literatura portuguesa (17th ed.), p. 483; also pp. 477, 480, 485-7; Dicionário cronológico de autores portugueses, I, 435-6. Porbase locates three copies at the Biblioteca Nacional de Portugal, all "aparado" (trimmed; two of the three have the text shaved). Not located in CCPBE. Not located in Rebiun. Jisc locates two copies, both at British Library. KVK (51 databases searched) locates only the copies cited by Porbase, and the one in the Staatsbibliothek zu Berlin.

Encuadernación de tapa blanda. Condition: Muy bien. Dust Jacket Condition: Muy bien. 1ª Edición. Rústica, sin paginar, mecanografiado. Adelina Novais, Alberto Pimenta, Alda Clemente, Ana Hatherly António Aragão, Vitorino de Sousa.