Books, Costa Carlos F, First Edition (11 results)

Soft Cover. Condition: Nearly like new. First Edition. 335 pags. Esta es una antología eminentemente de LECTURA. Reúne a numerosos poetas contemporáneos con una introducción para cada uno y una seleccioón de sus poemas más populares. MODERNISTAS: J. Martí, J. Asunción Silva, Rubén Darío, Amado Nervo, L. Lugones; ARGENTINA: Oliverio Girondo, Alfonsina Storni, Ricardo Molinari, J.L. Borges. BOLIVIA: Primo Castrillo, Oscar Carruto, Jaima Sáez, Alcira Cardona. COLOMBIA: Germán Pardo García, Eduardo Carranza, Oscar Echevarri, Eduardo Cote. COSTA RICA: Carlos L. Sáez, Isaac F. Azofeifa, Alfredo Cardona, Jorge de Bravo. CUBA:Nicolás Guillén, Emilio Ballagas, José Lezama Lima, Heberto Padilla. CHILE: Gabriela Mistral, Vicente Huidobro, Pablo Neruda, Nicanor Parra. ECUADOR: Jorge Carrera Andrade, César Dávila, Jorge E. Adoum, Francisco Tovar. EL SALVADOR: Claudia Lars, Hugo Lindo, Roque Dalton, David Escobar. GUATEMALA: Miguel A. Asturias, Luis Cardozaa, Otto R. González, Julio F. Aguilera. HONDURAS: Claudio Barrera, Pompeyo del Valle, Roberto Sosa, Oscar Acosta. MEXICO: Carlos Pellicer, José Gorostiza, Xavier Villaurrutia, Octavio Paz. NICARAGUA: José Coronel, Pablo A. Cuadra, Carlos Martínez Rivas, Ernesto CArdenal. PANAMÁ: Rogelio Sinán, Roque J. Laurenza, Ricardo J. Bermúdez, Stella Sierra. PARAGUAY: Hérib Campos, Elvio Romero, José L. Appleyard, Roque Vallejos. PERÚ: César Vallejo, Martín Adán, Javier Sologuren, Carlos Germán Belli. PUERTO RICO: Evaristo Ribera, Luis Palés Matos, Francisco Matos Paolí, Julia de Burgos. REPÚBLICA DOMINICANA: Manuel del Cabral, Franklin Mieses, Antonio Fernández Spencer, Abelardo Vicioso. URUGUAY: Juana de Ibarburu, Juan de Cunha, Sara de Ibáñez, Mario Benedetti. VENEZUELA: Miguel Otero Silva, Vicente Gerbasi, Juan Liscano, Jean Aristeguieta.

Hard Cover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. In-4º 2 vols. E. Prefácio de Carlos Trincão e textos de F. Barreira, S. F. Gomes da Costa, Egídio Gouveia, F. A. Carvão Gomes e F. Bragança Gil, G. Jorge Janz, Carlos Trincão, N. Cordeiro Ferreira, L. T. de Almeida Franco, António M. Baptista, R. Valadas Preto, A. Ducla Soares. Encadernações editoriais em pergamóide, com sobrecapa. Book.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. 177 p. ; 28x22 cms., ilustraciones y mapas en color. Anteceden a portada 6 páginas de ilustraciones. 1100 grs. Incluye CD. Areas Protegidas Chile (A-305-GR-35 ).

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Mamita Yunai -El infierno de las Bananeras(Costa Rica, 1909-1966) 199 págs. Esta novela consagró internacionalmente a Fallas es un muy fuerte ataque y denuncia contra la United Fruit. Narra la tragedia del hombre, la vida del liniero, el peón de las grandes plantaciones bananeras, sus personajes los indios Talamancas .Imperdible lectura cubierta ilustrada, 4 págs de importante glosario Novela de denuncia Cubierta Ilustrada f.2.1.

Soft cover. Condition: Fine. No Jacket. 1st Edition. 570 pps, wraps, 4to, 1st, F/none, super clean and binding tight -- NOT EXLIB.

Large 8°, original illustrated wrappers in elegant art nouveau style (spine torn, quires loosening). Profusely illustrated with well-executed black-and-white sketches; some advertisements printed in navy or sepia. Light browning. In good to very good condition. 96 pp. *** FIRST and ONLY EDITION. The full- and half-page portraits are of Brazilian composer Carlos Gomes, José Estevam de Moraes Sarmento (minister of war), Joaquim Augusto Mousinho de Albuquerque, Valeriano Weiler y Nicolau (Marquez de Terrerife), Pablo Sarasate (artist), Isabel de Aragão, Teixeira Lopes, Luiz Augusto Pimentel Pinto, Tenente Coronel Sousa Machado, José Ignacio de Araujo, Conde de Casal Ribeiro, Gungunhana, Capitão Paiva Couceiro, Annibal Augusto e Sanches de Sousa Miranda, Tenente Manuel José da Costa e Couto, Ermete Novelli (artist), Conselheiro Arthur Alberto de Campos Henriques, Conselheiro Luiz de Soveral, Dr. Julio de Castilhos (president of Rio Grande do Sul), William Jennings Bryan (recently defeated for president of the United States), Duque de Orléans and his wife Archiduqueza Maria Dorothéa, Dr. Carlos de Carvalho (Brazilian statesman), and Dr. Victorino Pereira (Brazilian head of state). A number of these men were involved in the war against Gungunhana that ended in 1895, and helped consolidate Portuguese control over Mozambique.Also included: illustrated essays on Raphael Bordallo Pinheiro's large "Beethoven" vase, on cycling, on proper sleeping arrangements for children, and numerous poems illustrated with line drawings. The calendar and the notes on stamps and postage are all charmingly illustrated. *** Os sucessores de Zacuto: o almanque na Biblioteca Nacional 402: attributing the drawings to E. Casanova, and giving the run as 1883-1908. Porbase lists Almanach ilustrado, with engravings by Francisco Pastor, issued from 1883 to 1908, at Fundo Geral Revistas [Biblioteca Nacional de Portugal?]; also a series starting [1882] at Biblioteca Geral João Paulo II-Universidade Católica Portuguesa. Not located in Jisc. KVK (51 databases searched) locates only the records cited by Porbase.

Soft cover. Condition: Near Fine. 1st Edition. 4 volumes. 358 pages with tables, charts, plates and bibliographies; 371 pages with graphs, charts, tables, maps, plates and bibliographies; 328 pages with maps, charts, tables, plates and bibliographies; 334 pages with maps, plates and bibliographies. Quarto (10 1/4" x 7 1/4") bound in original publisher's pictorial wrappers. Preface by Gloria Artis. First editions limited to 1000 copies. Contents:Conformaciones Identitarias de los Yaquis y los Mayos by Jose Luis Moctezuma Zamarron and Hugo Eduardo Lopez Aceves; Identidades en el Desierto y la Sierra de Sonora by Alejandro Aguilar Zeleny, Rodrigo Renteria and Gerardo Conde; Identitidaes y Relaciones Interetnicas en La Tarahumara by Eugeni Porras Carrillo, Eduardo Saucedo, David Aalmano y Sebastien Neugeu; Di 'Busehu Na'a diBusehu: Somos los que Somos. Identitidad, Relaciones Interetnicas y Resistencia Indigena en Queretaro y Guanajuato by Beatriz Utrilla Sarmiento, Diego Prieto Hernandez, Luis Enrique Ferro Vida, Oscar Banda Gonzalez, Mirza Mendoza Rico, Alejandro Vazquez Estrada and Eduardo Solorio Santiago; Los Otomies: Identidad y Relaciones Interetnicas en la Ciudad de Monterrey by Olimpa Farfan Morales, Jorge Arturo Castillo Hernandez and Ismael Fernandez Areu; La Tierra de la Diversidad: Relaciones Interetnicas y Procesos Identitarios en Oaxaca by Miguel Alberto Bartolome, Maria del Carmen Castillo and Denise Lechner; Identidades Vecinas, Relaciones Interetnicas en el Istmo de TehuantepecSer Indio en la Frontera Sur: Identidad, Relaciones Interetnicas y Guerrila by Margarita Nolasco, Marina Alonso, Miguel Hernandez, Hadlyyn Cuadriello, Rodrigo Megchun, Ana Laura Pacheco and Luis Artura Barrientos; Way Yano'one': Aqui Estamos. La Fuerza Silenciosa de los Maya Excludios by Ella F Quintal Aviles; El Resurgimiento de la Identidad en Territorio Nahua y Yuhmu (Otomi) de Tlaxcala by Jorge Guevara Hernandez; Escenarios de la Identidad y la Tracicion Cultural Nahua en Morelos by Luis Miguel Morayta M, Yolanda Corona Craveo, Catharine Good Eshelman, Alfredo Paulo Maya, Carlos Perez Zavala and Christina Saldana Fernandez; Relanciones Interetnicas e Intraetnicas de los Nahnu del Valle del Mezquital, Hildalgo by Beatriz Oliver Vega, Beatriz Moreno Alcantara and Gabriela Garett Rios; Indigenas y Relaciones Interetnias en la Ciudad de Mexico. Un Panorama General by Maya Lorenz Perez Ruiz; Con Dios o Con el Diablo: Lat Etnicidad en el Estado de Mexico by Efrain Cortes Ruis, Reyes L Alvarez Fabela, Alessandro Questa Rebolledo, Jaime Enrique Carreon, Isabel Hernandez and Maricela Gallegos; Fuimos Campesinos.Somos Macehuales, Aristas de las Identidades Etnicas en la Huasteca by Julieta Valle Esquivel, Dulce Maria Espinosa de la Mora, Rodrigo Fuentes Moreno, Carlos Guadalupe Heiras Rodriguez, Jose Bardomiano Hernandez Alvarado, Maria Guadalupe Ochoa Avila and Giomar Ordonez Cabezas; Etnicdad y Movimientos Etnopoliticos en Puebla by Elio Masferrer, Mariam Salazar, Norma Barranco, Elizabeth Diaz and Georgina Vences; Conflicto e Interdependencia, Identidad y Relaciones Interetnicas en la Montana de Guerrero by Fernando Orozco Gomez and Samuel Villela Flores; Entre la Comunidad y la Region, Relaciones Interetnicas e Identidades en la Region Purepecha by Aida Castilleja and Gabriela Cervera; Procesos de Identidad Relaciones Interetnicas en dos Regiones Indigenas de la Costa del Golfo by Pablo Valderrama Rouy, Manuel Uribe Cruz, Luis J Morales Pastrana, Elizabeth Peralta Gonzalez and Erick A Castillo Cerecedo. Condition: A near fine set.

8°, original illustrated wrappers. Wood-engraved vignette on t.p. Typographical border on each page. Includes reproduction of a sketch of Bordalo Pinheiro by John Singer Sargent. Uncut. In very good condition. Author's signed and dated presentation inscription to F.[rancisco] Valença on half title. 68 pp. *** FIRST EDITION? Rafael Bordalo Pinheiro (1847-1905) was Portugal's greatest caricaturist, and one of the best of any country.Joaquim Leitão (Porto, 1875-Lisbon, 1955), academician, short story writer, playwright, and historian, was a prolific author. For many years he was Secretary-General of the Academy of Sciences in Lisbon, as well are for the national Parliament.Provenance: Francisco Valença (1882-1962) was perhaps the most important twentieth-century Portuguese caricaturist. The article on him in the Grande enciclopédia portuguesa e brasileira notes that Valença was renowned in Portugal and abroad, comparing him to Bordalo Pinheiro, one of the geniuses of the art of caricature: "Durante toda a sua vida tem constantemente enriquecido com os seus desenhos não só inúmeras páginas da grande maioria dos jornais e revistas de Portugal, como também de França, de Espanha e do Brasil. É, tanto pela extensão da sua obra, como pela sua intenção artística e social, um dos maiores caricaturistas portugueses depois de Rafael Bordalo Pinheiro, com o qual tem grandes afinidades." Valança was greatly influenced by Bordalo Pinheiro.Valença began his career in 1900, as director of O Chinelo, which he founded with André Brun and writer Carlos Simões. Valença also founded Salão cómico (1902); Varões assinalados (1909-1911 - winner of the ?Grand Prix? in the Rio de Janeiro exposition of 1922-1923); and O Moscardo (1913). His work appeared in the following newspapers, journals, and reviews: A Comédia portuguesa (1902); Brasil-Portugal (1902-1909); Suplemento humorístico do Século (1904-1908); Novidades (1907); Ilustração portuguesa (1906-1920); Tiro e sport (1906-1911); Arte musical (1907-1908); Alma nacional (1910); A Sátira (1911); Eco artístico (1914-1915); O teatro (1922-1923); Diário de notícias (the New York Times of Portugal; 1919-1924, 1930); O Mundo (1918-1924); Eco Artístico (1914-1915); De Teatro (1922-1923); República (1918); Ilustração (1926); Sempre fixe (for 30 years, starting in 1926); Alma nova (1922-1925); Portucale (Porto, 1930). He was artistic director of the weekly O Espectro (1925). Abroad, his work appeared in Rire (Paris); Boletin Fermé (Barcelona); and many newspapers and reviews in Rio de Janeiro. Valença?s illustrations appeared in numerous special Christmas issues of the Diário de Notícias and the Comércio do Porto. He illustrated books for Emília de Sousa Costa, Julieta Ferrão, Alfredo França, Armando Ferreira, Augusto Cunha, Cruz Magalhães, Henrique Marques Junior, Luís Chaves, Magalhães Lima, Tomás de Eça Leal, and others.Original examples of Valença?s work are in the collections of the Museu de Arte Contemporânea, Lisbon; the Museu de Bragança; the Museu Municipal, Porto; the Museu Soares dos Reis, Porto; and the Getty Research Institute.*** For Joaquim Leitão, see Dicionário cronológico de autores portugueses, III, 169-70. Porbase records a single copy of a different edition (25 pp., printed in two columns), also dated 1936, in the Biblioteca Nacional de Portugal. Not located in Jisc. KVK (51 databases searched) locates only the copies cited in the National Libraries of Spain and Portugal.

Oblong 8°, original illustrated wrappers (very light toning and minor chipping), stapled. Illustrated throughout with line drawings. Overall in very good condition. (6 ll.) *** FIRST and ONLY EDITION. Clever caricatures of paintings exhibited in the Lisbon Salon of 1902: a fascinating prequel to the series Catalogo comico da Exposição de Belas-Artes, which Valença and Carlos Simões published from 1914-1919 and 1923-1924. Valença was only 20 years old at the time, and had begun his career barely 2 years earlier, as director of O Chinelo with Simões and André Brun. The final page includes heads of 9 "Visitantes e expositores." The brief captions are not attributed to an author.Francisco Valença (1882-1962) was perhaps the most important twentieth-century Portuguese caricaturist. The article on him in the Grande enciclopédia portuguesa e brasileira notes that Valença was renowned in Portugal and abroad, comparing him to Bordalo Pinheiro, one of the geniuses of the art of caricature: "Durante toda a sua vida tem constantemente enriquecido com os seus desenhos não só inúmeras páginas da grande maioria dos jornais e revistas de Portugal, como também de França, de Espanha e do Brasil. É, tanto pela extensão da sua obra, como pela sua intenção artística e social, um dos maiores caricaturistas portugueses depois de Rafael Bordalo Pinheiro, com o qual tem grandes afinidades."Valença began his career in 1900, as director of O Chinelo, which he founded with André Brun and writer Carlos Simões. Valença also founded Salão cómico (1902); Varões assinalados (1909-1911 - winner of the ?Grand Prix? in the Rio de Janeiro exposition of 1922-1923); and O Moscardo (1913). His work appeared in the following newspapers, journals, and reviews: A Comédia portuguesa (1902); Brasil-Portugal (1902-1909); Suplemento humorístico do Século (1904-1908); Novidades (1907); Ilustração portuguesa (1906-1920); Tiro e sport (1906-1911); Arte musical (1907-1908); Alma nacional (1910); A Sátira (1911); Eco artístico (1914-1915); O teatro (1922-1923); Diário de notícias (the New York Times of Portugal; 1919-1924, 1930); O Mundo (1918-1924); Eco Artístico (1914-1915); De Teatro (1922-1923); República (1918); Ilustração (1926); Sempre fixe (for 30 years, starting in 1926); Alma nova (1922-1925); Portucale (Porto, 1930). He was artistic director of the weekly O Espectro (1925). Abroad, his work appeared in Rire (Paris); Boletin Fermé (Barcelona); and many newspapers and reviews in Rio de Janeiro. Valença?s illustrations appeared in numerous special Christmas issues of the Diário de Notícias and the Comércio do Porto. He illustrated books for Emília de Sousa Costa, Julieta Ferrão, Alfredo França, Armando Ferreira, Augusto Cunha, Cruz Magalhães, Henrique Marques Junior, Luís Chaves, Magalhães Lima, Tomás de Eça Leal, and others.Original examples of Valença?s work are in the collections of the Museu de Arte Contemporânea, Lisbon; the Museu de Bragança; the Museu Municipal, Porto; the Museu Soares dos Reis, Porto; and the Getty Research Institute.*** See also Grande enciclopedia XXXIII, 880 and Pamplona, Dicionário de pintores e escultores portugueses [1987-88] V, 310. Not located in Porbase. Not located in Jisc.

3 volumes. Small folio (27.25 x 20 cm.), publisher's gilt-stamped buckram with dust jackets. As new. xxvi, 544; 700; 584 pp. Endnotes, extensive bibliographies in each volume, ample indexes in final volume. All volumes with many illustrations, mostly in color. *** FIRST and ONLY COMPLETE EDITION. Volume I ONLY was published by Temas e Debates in 2004. Indispensable reference work, out-of-print for some time. Texts in volume I, subtitled Formação e limites da Cristandade, by Ana Maria C.M. Jorge, Ana Maria S.A. Rodrigues, Hermínia Vasconcelos Vilar, Joaquim Chorão Lavajo, Maria de Lurdes Rosa, Maria José Ferro Tavares, and Saul António Gomes. Texts in volume II, subtitled Humanismos e reformas, by António Camões Gouveia, Francisco Bethencourt, João Francisco Marques, João Paulo Costa, José Pedro Paiva, Maria de Lurdes Correia Fernandes, Pedro Penteado, and Zulmira Santos. Texts in volume III, subtitled Religião e secularização, by António Matos Ferreira, Luís Aguiar Santos, Manuel Clemente, Nuno da Silva Gonçalves, and Paulo F. de Oliveira Fontes. Carlos [Alberto] Moreira Azevedo received his doctorate in Ecclesiastical History from the Gregorian University in Rome. He was formerly vice-reitor of the Universidade Católica Portuguesa, and president of the Comissão Científica para a Documentação crítica de Fátima. As of 2007 he was a Professor in the Faculdade de Teologia of the Universidade Católica Portuguesa, secretário da CEP, and Auxiliary Bishop of Lisbon. ***.