Dante Dali, First Edition (32 results)

Paperback. Condition: Fine. 1st. 80 pages, illustrations (chiefly colour); 25 cm. Tight, clean copy. First Edition. "The painter and poet Dante Gabriel Rossetti (1828-1882) was one of the founding members of the Pre-Raphaelite Brotherhood in 1848. He is now best known for his sumptuous oil paintings of solitary women from the 1860s and 1870s. These were a major influence on European Symbolism at the end of the nineteenth century, and were admired by Salvador Dali as embodiments of the 'Eternal Feminine' in 1936. In this overview of Rossetti's career, however, Lisa Tickner suggests that the later oils have obscured an interest in his earlier work and his achievements as a draughtsman and illustrator. She discusses the jewel-like watercolours of the 1850s, inspired by themes from Dante and Arthurian legend, and argues that it was, paradoxically, when Rossetti was most in thrall to the mythic past that he was at his most innovative and visionary. This timely reassessment presents a picture of a complex and highly original artist." - Publisher. CONTENTS: Introduction: What is Wrong with Rossetti?; Bloomsbury--Poetic Realism: The Pre-Raphaelite Brotherhood, 1848-1853; Blackfriars--Mystic Medievalism: The Watercolours of the 1850s; Chelsea--Body's Beauty and Soul's Beauty: The Oils of the 1860s; Kelmscott and Chelsea--'The Religion of Beauty': Late Works of the 1870s. Size: 8vo.

Hardcover. Condition: Near Fine condition. Dust Jacket Condition: VG jacket (light wear). First Printing of the First Edition. New York: Barnes & Noble, Inc., 1992. 9.25" wide by 12" tall. Clean, square, tight, unmarked copy. Sharp corners. No owner's name or bookplate. No remainder mark. Illustrations throughout, many in full-color. Abridged edition of Moncrieff's Classic Myths and Legends. Beautifully illustrated with a panorama of art masterpieces (some double-page) by Dante Gabriel Rosetti, Edward Burne-Jones, Salvador Dali, Giovanni Battista Tiepolo, Michelangelo, Titian, Auguste Renoir, Gustave Moreau, David Ligare, etc. Includes tales of Greek mythology such as Theseus and the Minotaur; Perseus and Andromeda; the story of Helen of Troy; Odysseus; Antigone; Apollo; Narcissus; etc. Keywords: Pre-Raphaelites . First Printing of the First Edition. Oversize Hardcover. Near Fine condition/VG jacket (light wear). 160pp.

1st edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. Physical Description: 1 volume, unnumbered pages, illustrations, 20 cm. Notes: Catalogue of an exposition held 1-26 August, 1978 at Gallerie Wunsche, Bonn (Germany). Subjects: Dali, Salvador ( 1904-1989 ); Dante Alighieri; Spaanse; Spanje; surrealisme; Art Exhibitins; Surrealism; Germany Museums. 1 Kg.

1st edition. Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. Physical Description: 1 volume, unnumbered pages, illustrations, 20 cm. Notes: Catalogue of an exposition held 1-26 August, 1978 at Gallerie Wunsche, Bonn (Germany). Subjects: Dali, Salvador ( 1904-1989 ); Dante Alighieri; Spaanse; Spanje; surrealisme; Art Exhibitins; Surrealism; Germany Museums. 1 Kg.

Rustica (tapa blanda). Condition: New. Dust Jacket Condition: Nuevo. 01. Dante y su legado en la Universidad Complutense de Madrid desde las artes y las letrasEl origen de este libro fue la Exposición llevada a cabo en 2021 por la Universidad Complutense de Madrid con motivo de los 700 años de la muerte del gran poeta Dante Alighieri, autor de uno de los libros más importantes de la literatura universal. Es indudable la enorme influencia que el divino Dante ha ejercido en el arte y en la literatura posterior a su Divina Comedia.Destaca en el catálogo los fondos bibliográficos complutenses, tales como un incunable veneciano de 1493 de la citada obra, la primera edición en castellano de 1515 o ediciones del siglo XVIII y XIX, incluidas las que fueron ilustradas con los grabados de G. Doré. Entre los trabajos artísticos, podemos encontrar a los pintores Botticelli o Delacroix, el poeta y pintor William Blake, el escultor Auguste Rodin, o el grabador Paul Gustave Doré ya referido. En el siglo XX, Dalí desarrolló su proyecto interpretativo llegando a crear una serie de acuarelas que se convirtieron en 100 grabados y más recientemente, Miquel Barceló también se hizo eco de esta obra co. LIBRO.

Couverture souple. Condition: Bon. Edition originale. 148 PAGES FORMAT 26,5 CM X 35 CM-BRIGITTE BARDOT EN COUVERTURE "UNE NOUVELLE AFFAIRE BARDOT", GROS PLAN-PUBLICITE GENERAL MOTORS CORVAIR SUR 2P-UN MONSTRE SACRE?.NON UNE FEMME, JEANNE MOREAU, 8P, 9 PHOTOS-FIN DU MONDE AU CHILI, 6P, 5 PHOTOS-AUX CARAIBES SUR LE BATEAU DE L'AMOUR LE VOYAGE DE NOCES DE MARGARET, 6P, 7 PHOTOS-NURBURGRING: LE PILOTE JAILLIT DE SA VOITURE BRASIER, 2P, 3 PHOTOS-LES CHAUVES REUNIS EN CONGRES STIGMATISENT YUL LE TRAITRE, 2P, 3 PHOTOS, LA BAULE-AIX: SOUDAIN DEVANT LE BOLIDE UNE MURAILLE HUMAINE, 2P, 3 PHOTOS-UNE NOUVELLE AFFAIRE BARDOT, 7P PAR ROGER MAUGE, 14 PHOTOS, "LA VERITE"-DANTE REVEILLE DALI CHAQUE NUIT, 15P PAR ROBERT DESCHARNES ET PIERRE JOFFROY, 17 PHOTOS-ISTAMBUL LES TANKS PRENNENT LE POUVOIR, 6P, 7 PHOTOS-ISRAEL JUGE SON BOURREAU, EICHMANN, 4P PAR PIERRE JOFFROY, 3 PHOTOS-LA FAMILLE CINEMA LANCE DEUX STARS DEBUTANTES: LES SOEURS DORLEAC, 2P, 5 PHOTOS-LE SCULPTEUR CESAR TROUVE A LA CASSE SES VOITURES CHEFS-D'OEUVRE, 2P, 5 PHOTOS-IL A FALLU 12 ANS POUR REALISER CETTE PHOTO, 2P, PHOTO DES PHOTOGRAPHES DE PARIS MATCH-LES COULEURS D'ALY N'ONT PAS FINI DE GAGNER, 8P PAR OLIVIER MERLIN, 9 PHOTOS.

deutsche Erstausgabe, 8°, 459 S. mit s/w-Abbildungen, original Pappband (Hardcover) mit original Schutzumschlag, Schutzumschlag vorderseitig an unterer Kante leicht gestaucht, sonst schönes, sauberes Exemplar (2ho) Hester Thrale und Samuel Johnson / Alice Liddell und Lewis Carroll / Elizabeth Siddal und Dante Gabriel Rossetti / Lou Andreas-Salomé und Friedrich Nietzsche / Gala Eluard und Salvador Dali / Lee Miller und Man Ray / Charis Weston und Edward Weston / Suzanne Farrell und George Balanchine / Yoko Ono und John Lennon.

Originalbroschur. Condition: Gut. 1. Aufl. 313 S. Einband leicht berieben. Papierbedingt leicht gebräunt. - Spiegel ersetzen Wände, schaffen Platz. Lektüre wird zum Spiegel. Der Spiegel ist ein ständiger Beobachter. Spiegel kontrastieren miteinander, geben in einem achteckigen Spiegelzimmer die Gegenstände unter 1000 verschiedenen Aspekten wieder. Der Spiegel schmeichelt, vernichtet. Christiaan L. Hart Nibbrig untersucht Thema, Motiv und Metapher des "Spiegels" im Wandel philosophischer, theologischer und kunsttheoretischer Konzepte von Repräsentation, er verfolgt die Entwicklung des Spiegelmotivs in der Malerei von Leonardo und van Eyck bis zu Dali und Escher, die Entwicklung der Spiegelmetaphorik in der Philosophie und Literatur von Thomas von Aquin und Dante bis zu Musil, Rilke und Kafka. Ein weit ausholender Essay über die Schwierigkeit der Selbst-Begegnung, der die Frage umkreist: wer bin ich im Spiegel meiner Rede, im Spiegel der Bilder, die ich mir und andern von mir mache? ISBN 9783518379646 Sprache: Deutsch Gewicht in Gramm: 198.

kart. Condition: Gut. 1. Aufl. 293 S. : Ill.; ; 18 cm Fußschnitt mit altem Mängelstempel, sonst sauber erhalten. Über Bilder 7 Frans Hals, Willem van Heythuyzen. Um 1625 9 Georges Seurat, Les Poseuses. 1888 11 Georges Braque, Frau mit Mandoline.1910 15 Pablo Picasso, Grand Nu. 1964 18 Richard Hamilton, Kent State. 1970 22 Über Maler 27 Dürer - Stationen eines Denkmals 29 Lucas Cranach der Ältere 35 Rembrandt Über Rezeptionsprobleme 42 Rembrandt in Amsterdam 47 Caravaggio 57 Claude Lorrain 65 Watteau 70 Tiepolo 75 Johann Heinrich Füssli 82 Goya 88 Aus dem neunzehnten Jahrhundert 95 Caspar David Friedrich 97 Turner 101 Dante Gabriel Rossetti und die Präraffaeliten 107 Symbolismus und Malerei 113 Odilon Redon 119 Vuillard und Roussel 125 James McNeill Whistler 129 Franz von Stuck 138 James Ensor 142 Über Surrealisten 149 Marcel Duchamp 151 Giorgio de Chirico 155 Max Ernst 160 Salvador Dali 165 Rene Magritte 171 Über den alten Picasso 177 Picasso und Cranach 179 Picasso 347 Radierungen 182 Nachruf auf Picasso 185 Letzte Bilder in Avignon 190 Über Künstler 197 Der junge Klee 199 Giacometti und die alten Meister 206 Wols 209 Francis Bacon 216 Beuys-Zeichnungen 221 Beuys in Stockholm 225 Andy Warhol 230 Mark Rothko 234 Barnett Newman 236 Walter de Maria 241 Cy Twombly 246 Über die documenta 5 251 Kunst und Photographic 253 Zur Eröffnung (1) 258 Zur Eröffnung (2) 260 Künstler in der Quarantäne 264 Nachwort 271 Abbildungen 273 Quellenverzeichnis 289 Abbildungsnachweis ISBN 9783518066935 Sprache: Deutsch Gewicht in Gramm: 454.

1. Aufl. zahlreiche teils farbige Abbildungen, ohne Pagnierung "Eine umfangreiche Rückschau auf das graphische Oeuvre eines der größten und einflußreichsten Meister der Moderne vereinigt hier ca. 500 Werke . Geboten wird ein repräsentativer Querschnitt durch einen ganz spezifischen Schaffensbereich des Meisters" (Vorwort). - Behandelt: Lautreamont, Les chants de Maladoror; Cervantes, Don Quichotte; Dante, Die göttliche Komödie; Walpole, Le Chateau d'Otrante; Mythologien; Casanova, Memoiren; Apollinaire, Poemes secretes; Ronsard, Les Amours des Cassandre; Sacher-Masoch, Venus im Pelz; Goethe, Faust; Tristan und Isolde; Carroll, Alice im Wunderland; Hohes Lied; Dali, Dix recettes d'immortalite; Boccaccio, Decameron; Calderon, Das Leben ein Traum; Delgado, Tauromachie; Les Caprices de Gayo de Dali. Sprache: Deutsch Gewicht in Gramm: 550 quer Gr.-8°, farbig illustrierter OKlappkarton, Einband mit leichten Gebrauchsspuren, ansonsten sehr gut.

Originalbroschur. Condition: Gut. 1. Aufl. 313 S. Beilage: Visitenkarte des Autors mit Widmung für Eberhard Lämmert. Einband leicht berieben. Papierbedingt leicht gebräunt. - Spiegel ersetzen Wände, schaffen Platz. Lektüre wird zum Spiegel. Der Spiegel ist ein ständiger Beobachter. Spiegel kontrastieren miteinander, geben in einem achteckigen Spiegelzimmer die Gegenstände unter 1000 verschiedenen Aspekten wieder. Der Spiegel schmeichelt, vernichtet. Christiaan L. Hart Nibbrig untersucht Thema, Motiv und Metapher des "Spiegels" im Wandel philosophischer, theologischer und kunsttheoretischer Konzepte von Repräsentation, er verfolgt die Entwicklung des Spiegelmotivs in der Malerei von Leonardo und van Eyck bis zu Dali und Escher, die Entwicklung der Spiegelmetaphorik in der Philosophie und Literatur von Thomas von Aquin und Dante bis zu Musil, Rilke und Kafka. Ein weit ausholender Essay über die Schwierigkeit der Selbst-Begegnung, der die Frage umkreist: wer bin ich im Spiegel meiner Rede, im Spiegel der Bilder, die ich mir und andern von mir mache? ISBN 9783518379646 Sprache: Deutsch Gewicht in Gramm: 198.

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. RARO. Esiste una prima lettura della Commedia; non ne esiste un'ultima, poiché il poema, una volta scoperto, continua ad accompagnarci fino alla fine. Come la lingua di Shakespeare, come l'algebra o il nostro stesso passato, la Divina Commedia è una città che non riusciremo mai ad esplorare nella sua interezza; la terzina più consunta e ripetuta può, una sera, rivelarmi chi sono o cos'è l'universo. J. L. BORGES. INDICE Introduzione VINCENZO SALERNO La ballata di Dante NICOLA BOTTIGLIERI Best sellers danteschi nella Spagna contemporanea ROBERTA ALVITI Inferni di Dante nelle edizioni italiane contemporanee illustrate VINCENZO SALERNO La Commedia dantesca e la fotografia tra documentazione, estetica e fiction ILARIA SCHIAFFINI Il paesaggio sonoro della Divina Commedia. Fonte letteraria e ispirazione musicale FRANCESCA GUERRASIO L'Inferno di Dante tra tradizione, marketing e cultura popolare ROBERTO BARONTI MARCHIO Descrizione bibliografica Titolo: La parola del Poeta. Tradizione e ri-mediazione della Commedia di Dante nella cultura contemporanea Autore: AA.VV. (Autori Vari): Vincenzo Salerno, Nicola Bottiglieri, Roberta Alviti, Ilaria Schiaffini, Francesca Guerrasio, Roberto Baronti Marchiò Curatore: Vincenzo Salerno Editore: Avellino: Sinestesie Edizioni, Dicembre 2014 Lunghezza: 142 pagine; 22 cm; illustrato in b/n e a colori ISBN: 8898169760, 9788898169764 Collana: Volume 26 di Biblioteca Sinestesie Soggetti: Critica letteraria, Saggi critici, Letteratura italiana, Divina Commedia, Traduzioni, Rielaborazioni, Musica, Graphic novel, Fumetti, Romanzi storici, Cinema, Scrittura, Opere musicali, Marketing, Divulgazione, Iconografia, Illustrazioni, Poesia, Poemi, Classici riadattati, Remake, Riadattamenti, Pop, Italia, Il mio primo incontro con Dante, Letteratura spagnola, Realismo magico, Canti, Simbolismo, Comunicazione, Vallejo en los infiernos, Carmelo Bene, Cultura popolare, Robert Crumb, Gary Panter, Jimbo in Purgatory, Inferno, Paradiso, Purgatorio, Beatrice, Sandow Birk, Marcus Sanders, Mitologia, Pubblicazioni, Linda Hutcheon, A Theory of Adaptation, Riferimento, Bibliografia, Appropriazioni, Manipolazioni, Derrida, Interpretazioni interamente performative, Videogiochi, Home Entertainment, Ambientazioni infernali, Cristianità, Medioevo, Jonathan Knight, Dante's Inferno, Gustave Doré, Horror, Noir, John Agard, Young Inferno, Contrappasso, Bestsellers, Estetica, Filologia, Esegesi dantesca, Diffusione, Fruizione, 3D, Lucia Battaglia Ricci, Accessibilità, Tecnologia, Parodie, Cartoons, Canzoni, Rock, Serie TV, Teddy Bear, Paolo e Francesca, T-shirt, Citazioni dantesche, Sigari, Magneti, Portachiavi, Tazze, I Love Dante, Giochi da tavolo, De Vulgari Eloquentia, Strategy game, Lucifero, Lingua volgare, Heavy Metal, Giuseppe De Liguoro, Pasolini, Fellini, JeanLuc Godard, Ken Russell, Peter Greenaway, Woody Allen, David Lynch, Stan Brakhage, Manoel de Oliveira, Krzysztof Kieslowski, B-movie, Maciste all'inferno, Se7en, David Fincher, Brad Pitt, Morgan Freeman, Film, Totò a Cape Fear, Hannibal, I Pirati dei Caraibi, La maledizione della prima luna, Al di là dei sogni, Allucinazione perversa, Bugiardo bugiardo, L'avvocato del diavolo, Il solista, Pandorum, Star Trek, Sex and the City, The Sopranos, Lost, Supernatural, Law & Order, The Wire, Monk, The Simpson, Futurama, South Park, Jay David Bolter, Richard Grusin, Remediation Understanding New Media, Tradizione, Frederic Jameson, Postmodernism, or the Cultural Logic of Late Capitalism, Cultura di massa, Prodotti commerciali, Arte, High culture, Commodity, Beni di consumo, Simone Broglia, Edoardo Torricella, Lectura Dantis, Musiche, Sciarrino, Liszt, Wagner, Emma Pistelli Rinaldi, Symphony, Claudia Rogge, Vittorio Alinari, Farinata degli Uberti, Fiction, Valentina Vannicola, Salvador Dalí, Pittura, Passaggio dell'Acheronte, Peccati, Vizi capitali, Fantasy, Tarocco Dantinocchio, Corrado Ricci, Paesaggio, Fotografia, Imitazione, Giuseppe Cremoncini, Personaggi, Viaggio interiore, Seymour Kirkup, Edward Francis Finden, Luigi Canina, Paolo Lasinio, Vernon Warren, Eliot, Studi su Dante, Jorge Luis Borges, Paolo Barbieri, Narrativa, Lussuriosi, Saggi, Lorenzo Mattotti, Emiliano Ponzi, Corraini, William Blake, Dante Gabriel Rossetti, Gestalt, Patrick Waterhouse, Walter Hutton, Achille Bonito Oliva, Altan, Makkox, Seymour Chwast, Michael Meier, Giorgio Petrocchi, George Grosz, Renato Guttuso, Alberto Martini, Tono Zancanaro, Giovanni Stradone, Robert Rauschenberg, Michael Mazur, Miguel Barceló, William Blake, Rodin, Caronte, Minosse, Virgilio, Fernando Llobera, El noveno círculo, Profezie, Francesco Fioretti, Clichés, Golosi, Invidiosi, Omicidio, Delitti, Libri rari Vintage fuori catalogo, Iracondi, Accidiosi, Eretici, Violenti, Matilde Asensi, El último Catón, Catone l'Uticense, Matthew Pearl, Dan Brown, Eduardo González Viaña, Literary criticism, Critical essays, Italian literature, Divine Comedy, Translations, Reworkings, Historical novels, Comics, Writing, Musical works, Dissemination, Iconography, Illustrations, Poetry, Poems, Re-adapted classics, Re-adaptations, Italy, My first meeting with, Spanish literature, Magical realism, Songs, Symbolism, Communication, Popular culture, Hell, Paradise, Purgatory, Mythology, Publications, Reference, Bibliography, Appropriations, Manipulations, Entirely performative interpretations, Video games, Infernal settings, Christianity, Middle Ages, Counterpass, Aesthetics, Philology, Exegesis, Diffusion, Fruition, Accessibility, Technology, Parodies, Songs, TV Series, Dante's quotes, Cigars, Magnets, Key rings, Mugs, Board games, Lucifer, Vulgar language, Seven, The curse of the first moon, Beyond dreams, The Devil's advocate, The soloist, Tradition, Mass culture, Commercial products, Consumer goods, Music, Painting, Passage of the Acheron, Sins, Deadly sins, Landscape, Photography, Imitation, Characters, Inner journey, Studies on, Fiction, Lustful, Essays, Charon, Minos, Virgil, Prophecies, Greedy, Envious, Murder.

brossura. Condition: discreto. prima edizione. Musée Galliera, Paris, du 19 au 31 mai 1960. Broché, pp. 94. Les editions d'art "Les heures Claires". Formato grande 32 x 26. Copertina leggermente macchiata,e dorso consumato.Buon esemplare.

Condition: Excelente. Primera edición. Firmado en plancha y a lapicero en el margen inferior, presentado en paspartú. Size: 33 x 26. Grabado y Ex-libris.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, Prière de Saint Bernard, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, L'envie, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, Les morts par violences, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, Les blasphémateurs, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, La beauté des sculptures, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Pas de couverture. Condition: Très bon. Pas de jaquette. Edition originale. Salvador Dali (1904 -1989) La Divine Comédie, A l'empyrée, 1960 Gravure sur papier pur chiffon Vélin de Rive et cache imprimé sur Vélin d'Arche Signée dans la planche Edition d'art Les Heures Claires certifié par Jean Estrade. Signé par l'illustrateur.

Fine. Hardcover book in slipcase. First edition in Folio. Translated by Francis Cary, Introductory essays by George Melly and Michael Prodger. with illustrations by Salvador Dali. ,23x32.5cms, xviii, 154 pages. Quarter leather pale blue moire silk sides. blue slipcase. Slipcase has colour pictorial front, Very, Very light handling to slipcase. A Fine copy in a near Fine slipcase. No inscriptions. Pictures available.

Sm. folio, First Edition thus, with coloured frontispiece and 33 fine full-page coloured plates; pale blue silk cloth, navy morocco back lettered in gilt, blue top, blue printed endpapers, a fine copy in publisher's illustrated board slip-case. SCARCE.

Nummer 44 von 100 nummerierten und von Salvador Dali handschriftlich signierten Exemplaren gedruckt auf Büttenpapier BFK Rives ohne die Holzstocksignatur. Original-Farbholzschnitt von Salvador Dali zu Dantes "Göttlichen Komödie", Edition der Orangerie-Reinz, 1964. Werkverzeichnis Michler / Löpsinger 1040j. Fachmännisch gerahmt im teils verspiegeltem Holzrahmen hinter Passepartout/Glas. Maße Rahmen: 54,5 x 44,0 cm. Maße Platte/Abbildung: ca. 25,5 x 18,5 cm. Nicht ausgerahmt. Rahmen mit geringen Gebrauchsspuren, wenig bestoßen. Sehr gutes Exemplar. Number 44 of 100 copies numbered and handwritten signed by Salvador Dali printed on BFK Rives laid paper without the wooden block signature. Original color woodcut by Salvador Dali for Dante's "Divine Comedy", edition of the Orangerie-Reinz, 1964. Catalog raisonné Michler / Löpsinger 1040j. Professionally framed in a partially mirrored wooden frame behind passe-partout/glass. Frame dimensions: 54.5 x 44.0 cm. Plate/image dimensions: approx. 25.5 x 18.5 cm. Not examined out of frame. Frame with minor signs of wear, little bumped. Very good copy.

One Quarter Leather. Condition: Near Fine. William Blake, Salvador Dali, Giovanni de Paolo (illustrator). First Thus. Three (3) volumes in slipcases. Inferno in cloth with cardboard slipcase. Purgatorio and Paradiso in quarter leather over silk boards in pictorial slipcases. Each volume with classic illustrations. Published in 1998, 2007 and 2009. A beautiful set. Very heavy. Will need extra freight. Size: 4to - over 9¾ - 12" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition in English of Les Chants de Maldoror. One of 100 hand-numbered copies signed by the translator and founder of the notorious Cassanova Society, John Rodker. These special copies comprised the first 100 out of the total edition of 1000. *** Full vellum. Covers bowed as usual, top half of the front board moderately stained, else Very Good. Printed on handmade paper, uncut and containing three tissue-guarded plates after the French symbolist artist, Odilon Redon. Excitingly, in the rare dust jacket that s unrepaired and integral - adjectives scarcely applicable to the few surviving ones as they most often look like they ve endured a tortuous journey through Ducasse s imagined hellscapes. Slightly nicked and dusty, spine a shade darker and creased, else Very Good. *** Isidore-Lucien Ducasse(1846-1870) was a Uruguayan-born French poet who, under the pseudonym Comte de Lautréamont, published Les Chants de Maldoror in 1869. Although he died as a relatively unknown writer, his works resurfaced and became a crucial inspiration for the burgeoning surrealist movement in the early twentieth century. It was while reading Les Chants de Maldoror that French surrealist André Breton discovered the singular phrase that became foundational to the surrealist doctrine of objective chance: "as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table." This metaphor captures one of the most important principles of surrealist aesthetic: the enforced juxtaposition of two completely alien realities that challenges an observer's preconditioned perception of reality. German surrealist Max Ernst would also refer to Lautréamont's sewing machine and umbrella to define the structure of the surrealist painting as "a linking of two realities that by all appearances have nothing to link them, in a setting that by all appearances does not fit them." Lautréamont s prose poem is comprised of six cantos that recount the epic of the anti-hero Maldoror who seeks to combat the forces of God and humanity. The work is full of sadistic, cynical passages that work in conjunction with ironic references to classical authors such as Homer, Dante, and Shakespeare. Surrealists identified themselves with Lautréamont s use of black humor and celebrated the ways in which he defied convention, ridiculed values and standards, and challenged the construct of absolute reason. (Rauner Library)***Please email us for better pricing.***.

Couverture rigide. Condition: Très bon. Salvador DALI (illustrator). Edition originale. - PRESENTATION : 6 volumes in-4 in leaves in illustrated slipcase. - ILLUSTRATED : with 100 full page woodcuts by Dali. - LIMITED : 4980 copies. - PAPER : BFK Rives. - SIZE : 10 x 13". - REFERENCES : Field p. 189-200 / Michlerand Lopsinger 1039 to 1138. - HISTORY : it took over 3 years to engraved the 3500 woodplates needed for the creation of the woodcuts. - CONDITION : Very good condition, light discoloration and defects on the cases. - ASK FOR EXTRA PICTURES.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 4° (340 mm x 260 mm) - The Divine Comedy, 1964. Each volume made up of loose sheets and loose editorial paperbacks with titles on the cover and protective transparent dust jackets, housed in individual publisher slipcases. Slipcase and container in rigid cardboard with gilt motifs and titles on the spine. 6 Volumes: Hell: Vol I - 7-158pp (17 tables); Vol II - 173-326pp (17 tables) - Purgatory: Vol I - 9-161pp (17 tables); VOL II - 173-328pp (16 Tables) - Paradise - VOL I - 9-163pp (17 tables); VOL II - 173-320pp (16 tables). Excellent specimens, very slight discoloration of the slipcases, fresh and clean interior. The present six-volume edition of the Divine Comedy with 100 illustrations by Salvador Dali was printed in 3044 copies. Under the direction of the master typographer Giovanni Mardersteig, forty-four copies were printed in the hand press of the Bodoni workshop in Verona on Japanese paper "Kaji Torinoko" and three thousand copies by the Stamperia Valdonega in Verona, on handmade paper from Magnani Brothers of Pescia. The engravings and plates were made in Paris under the direction of Master Raymond Jacquet, on Rives paper. The bindings was carried out by Legatoria Torriani in Milan. April MCMLXIV. First edition accompanied by illustrations by Dalì. Text in Italian language. In very good condition.

No Binding. Condition: Very Good. 1st Edition. 100 plates from the Divine Comedy. Text available, boxes available. Plates in beautiful condition.

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Très bon. Edition originale. Paris , Editions Les Heures Claires 1959 à 1963. Tirage limité et numéroté SUR FORT VELIN PUR CHIFFON DE RIVES ( Série complète des 12 Volumes ( 6 volumes de texte Enfer - Paradis - Purgatoire + 6 volumes des suites :). -- Avec 100 compositions pleine page de Salvador Dali - Format grand in-4° - Couvertures rempliées sous chemises et étuis dorés. --- pagination : 184(2ff) - 190 ( 4ff ) - 184(2ff) - 206(4ff) - 190(2ff) - 194(4ff) - + 100 et 362 planches ( décomposition des bois ). *************************** L'enfer 1: Texte et 17 illustrations L'Enfer 1: Suite des 17 planches et décomposition d'une planche L'Enfer 2: Texte et 17 illustrations L'Enfer 2: Suite des 17 planches et décomposition d'une planche Le Purgatoire 1: Texte et 16 illustrations Le Purgatoire 1: Suite des 16 planches et décomposition d'une planche Le Purgatoire 2: Texte et 17 illustrations Le Purgatoire 2: Suite de 17 illustrations et décomposition d'une planche Le Paradis 1: Texte et 16 illustrations Le Paradis 1: Suite des 16 planches et décomposition d'une planche. Le Paradis 2: Texte et 17 illustrations Le Paradis 2: Suite des 17 planches et décomposition d'une planche ****************************** En 1950, à la demande de la "Libreria dello stato" à Rome, Salvador Dali s'engage à réaliser 100 aquarelles illustrant les 100 chants de la Divine Comédie de Dante pour réaliser une édition de luxe. En 1951, une partie des aquarelles étant réalisées, elles sont exposées à Rome. Le travail du Maître se poursuit lentement et les gouvernements s'étant succédés, l'un d'entre eux décide que l'oeuvre de Dante doit être illustrée par un peintre italien et fait dénoncer le contrat entre la Libreria dello stato et Salvador Dali. Salvador Dali - dont l'oeuvre est très avancée - en redevient propriétaire. En 1958, Salvador Dali vient de terminer les lithographies de Don Quichotte pour Joseph Foret et lui propose de reprendre l'illustration de la Divine Comédie. Joseph Foret, engagé avec Salvador Dali dans la réalisation de l'Apocalypse n'est pas en mesure d'accepter cette proposition et il prend contact avec ses amis des "Heures Claires" qui sont en tous points en mesure d'accepter. En juillet 1959, le contrat est signé avec les Heures Claires qui achètent l'exclusivité et tous les droits de reproduction. Les 21 exemplaires sur Japon réservés à Joseph Foret et les 4 765 exemplaires sur Velin de Rives (texte et illustrations) sont gravés et imprimés ensemble sous la direction de Jean Estrade. **************************************.

No Binding. Condition: Fine. Salvador Dali (illustrator). 1st Edition. NOTE: We have for sale a hand signed set of wood colored engravings, each hand signed by Dali and plate signed by Dali: To wit. -- With 100 full-page compositions by Salvador Dali - Dimensions for the engravings laid loose in its clam shell box are 10 by 13 inches thus large suite of 100 wood colored engravings in a separate navy blue silk lined clam shell box. Each wood engraving by Dali signed on the plate and each wood engraving hand signed by Dali quite boldly in red crayon- In 1950, at the request of the "Libreria dello stato" in Rome, Salvador Dali undertook to produce 100 watercolors illustrating the 100 songs of Dante's Divine Comedy to produce a luxury edition. In 1951, part of the watercolors being made, they are exhibited in Rome. The Master's work continued slowly and the governments having succeeded one another, one of them decided that Dante's work should be illustrated by an Italian painter and denounced the contract between the Libreria dello stato and Salvador Dali. Salvador Dali - whose work is very advanced - becomes the owner again. In 1958, Salvador Dali had just finished the lithographs of Don Quixote for Joseph Foret and offered him to take over the illustration of the Divine Comedy. Joseph Foret, engaged with Salvador Dali in the realization of the Apocalypse is not able to accept this proposal and he makes contact with his friends of the "Clear Hours" who are in all respects able to accept. In July 1959, the contract was signed with the Heures Claires who bought the exclusivity and all the reproduction rights. The 21 copies on Japan reserved for Joseph Foret and the 4,765 copies on Velin de Rives (text and illustrations) are engraved and printed together under the direction of Jean Estrade. In addition this set includes the six deluxe 4to volumes custom bound in Morocco that adds text and more illustration The custom bound 6 4to volumes were at issued at the same time as the wood engravings, both however are for the First French Edition and both is very fine, superb morocco. Signed by Illustrator(s).