Harald Szeemann Live in Your Head When Attitudes Become Form Works Concepts Processes Situations Information (10 results)

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

94 leaves; 24 index inserts. The first exhibition curated by Harald Szeemann, "When Attitudes Become Form" became a milestone in the history of exhibitions in the post-war period and proved groundbreaking for many subsequent exhibition concepts. The exhibition travelled from Kunsthalle Bern to the Museum Haus Lange, Krefeld (Germany) to the I.C.A. London, brought to London on the initiative of the late Charles Harrison, who was a writer, freelance curator and assistant editor of the magazine Studio International. Like the Bern catalogue, the catalogue for the London show (September - October, 1969) is in the form of a file folder with loosely inserted sheets containing a short biography of the artist, an exhibition list, a photo and an illustration of a work. With a foreword by Harald Szeemann and texts by harrison and by Scott Burton. Original dark brown cardboard file, with metal enclosure. Slight creasing to spine and bumping of corners, overall a good copy.

Softcover. Condition: Gut. Dust Jacket Condition: Leichtere Gebrauchsspuren. 1. Auflage. 22.3.-27.4.1969. In folder with metal clip binding and alphabetized finger tabs. 23 × 31.3 cm 172 pages.

Softcover in light brown printed cardboard covers with metal clip binding and alphabetized finger tabs; unpaginated; In English; German, French and Italian; very good condition; light stains to rear cover; small tear to top edge of front cover; small creases to edges of covers; no internal marks. Foreign shipping may be extra.

[170] pp.; 31.5 x 24 cm; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue housed in paperboard binder published in conjunction with show held March 22 - April 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, with variant catalogue. "An exhibition sponsored by Philip Morris Europe." Extensive and primary exhibition dedicated to the amalgam of Pop, Minimal and Conceptual Art. Texts by Harald Szeemann, Scott Burton, Grégoire Müller and Tommaso Trini. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Alighiero Boetti, Mel Bochner, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McClean, Walter De Maria, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Fred Sandback, Alan Saret, Sarkis, Jean-Frédéric Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio. Includes a biography, bibliography, illustrations and portrait for each artist. Texts in English, French, German and Italian. References : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 50-51. Good / Very Good. Covers lightly soiled with few pale stains and worn with mild bumping to cover corners and spine. Contents clean and unmarked. Binding has not rusted. A much better than average copy of a book that tends to have extensive damage due to nature of covers.

Harald Szeemann's 1969 legendary exhibition Live in Your Head: When Attitudes Become Form was one of the first shows to bring together new tendencies in 1960s art, such as postminimalism, Arte Povera, Land art and Conceptual art. The exhibition travelled from Kunsthalle Bern to the Museum Haus Lange, Krefeld (Germany) to the I.C.A. London, brought to London on the initiative of the late Charles Harrison, who was a writer, freelance curator and assistant editor of the magazine Studio International. This is the original rare poster for the show, illustrated with Victor BurginÕs iconic image of floorboards, here with the text overprinted in black. Poster designed by James Meller and printed by J & P Atchison Ltd. Full colour offset lithograph poster.

31,5x23 cm. 172 n.n. S. Mit vielen Abbildungen und 24 Bl. Daumenregister. In bedrucktem Original-Ringordner. Originalausgabe des epochalen Kataloges der Ausstellung in der Kunsthalle Bern. - Ohne das Blatt von Arno Walker, das erst nachträglich ausgeliefert wurde. - Schönes Exemplar. Sprache: n.

(188)pp. Prof. illus. Lrg. 4to. Clip-bound within printed folder, with alphabetical dividers. Slightly worn.

Lose Bl. in brosch. Ordner. 4°, 86 Bl.: Titelblatt, 6 Bl. Text mit 2 Tafeln u. Bibliografie, 3 Bl. «[. . .]. Ausgestellte Werke» (in 127 Nummern), 75 Bl. mit zahlr. Abb. in alphabetischem Register, 1 Bl. «[. . .]. Photonachweis». Einband (wasser-)fleckig u. tlw. randknittrig sowie mit Riss (2 cm) an vorderer Rückenkante oben, kleine Nummerierung auf Innendeckel, die zweite Seite des Verzeichnisses der ausgestellten Werke nicht bedruckt (aber als Kopie beiliegend); min. gebrauchsspurig, Blattränder oben tlw. min. gebräunt. - Ohne das Blatt zu Aldo Walker («Nachträglich in die Ausstellung aufgenommen»). EA. Mit einem Vorwort von John A. Murphy (dt., engl. und frz.) und Texten von Harald Szeemann: «Zur Ausstellung» (1 S.; dt.), Scott Burton (2 S.; engl.), Grégoire Muller (2 S.; frz.) und Tommaso Trini (2 S.; ital.); die Blätter zu den Künstlern mit Kurzbiografie, Ausstellungsverzeichnissen und Bibliografie. Erschienen zur Ausstellung in der Kunsthalle Bern. Text engl., dt. und frz.

Lose Bl. in brosch. Ordner. 4°, 87 Bl.: Titelblatt, 6 Bl. Text mit 2 Tafeln u. Bibliografie, 3 Bl. «[. . .]. Ausgestellte Werke» (in 127 Nummern), 76 Bl. mit zahlr. Abb. in alphabetischem Register mit zahlr. Abb. (tlw. auf Tafeln), 1 Bl. «[. . .]. Photonachweis». Min. gebrauchsspurig, allg. tadellos. Mit dem (oft fehlenden) Blatt zu Aldo Walker («Nachträglich in die Ausstellung aufgenommen»). EA. Mit einem Vorwort von John A. Murphy (dt., engl. und frz.) und Texten von Harald Szeemann: «Zur Ausstellung» (1 S.; dt.), Scott Burton (2 S.; engl.), Grégoire Muller (2 S.; frz.) und Tommaso Trini (2 S.; ital.); die Blätter zu den Künstlern mit Kurzbiografie, Ausstellungsverzeichnissen und Bibliografie. Erschienen zur Ausstellung in der Kunsthalle Bern. Text engl., dt. und frz. Beiliegend die Einladung zur Vernissage (1 Doppelbl.; 1 Abb.).