Remedios Varo, First Edition (44 results)

Cambridge: Wakefield Press:, 2024. First edition, TPBO, Trade paperback, New, 184 pp. "An updated, expanded edition of Remedios Varo's translated writings, including pieces never before published in any language With the 2018 publication of Letters, Dreams, and Other Writings, Wakefield Press introduced the writings of Surrealist painter Remedios Varo into English for the first time. These texts, never published during her lifetime, present something of a missing chapter, and offer the same qualities to be found in her visual work: an engagement with mysticism and magic, a breakdown of the border between the everyday and the marvelous, a love of mischief and an ongoing meditation on escape in all its forms. This new, expanded volume brings together the painter's collected writings, an unpublished interview, letters to friends and acquaintances, dream accounts, notes for unrealized projects, a project for a theater piece, whimsical recipes for controlled dreaming, exercises in Surrealist automatic writing and prose-poem commentaries on her paintings." First edition, TPBO, Trade paperback, New,

Card Wrappers. Condition: Near Fine. Remedios Varo (cover) (illustrator). First Edition. (vi), 74pp. Tiny name at head of first page. Book.

Hardcover. Condition: New. 1st Edition. Special order direct from the distributor.

Leonora Carrington (illustrator). Manchester: Manchester University Press:, 2021. First edition, hardcover, New in dust jacket, 139 pp. Cover artwork by: Leonora Carrington "Since her death in 2011, the legendary Surrealist Leonora Carrington has been reconstructed and reinvented many times over. In this book, Gabriel Weisz Carrington draws on remembered conversations and events to demythologise his mother, revealing the woman and the artist behind the iconic persona. He travels between Leonora's native England and adopted homeland of Mexico, making stops in New York and Paris and meeting some of the remarkable figures she associated with, from Max Ernst and André Breton to Remedios Varo and Alejandro Jodorowsky. At the same time, he strives to depict a complex and very real Surrealist creator, exploring Leonora not simply in relation to her romantic partners or social milieus but as the artist she always was. A textured portrait emerges from conversations, memories, stories and Leonora's engagement with the books that she read. Using the act of writing to process and understand the death of his mother, the author has produced a moving and fascinating account of life, art, love and loss." First edition, hardcover, New in dust jacket,

Hardcover. Condition: Fine. First Edition. 4to. 184 pp. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. W51.

Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 176pp, printed wrappers. Nice copy of the twelfth issue of this esoteric underground literary and intellectual review. Includes text of a lengthy telegram from Buckminster Fuller to Edmund Muskie, a reprint of the 1965 Spider Magazine interview with Kenneth Anger, etc. Unmarked copy with light wear. Not Signed.

Paperback. Condition: New. First edition. 111p., photos, illus., wrps, notes, 4to. Presenta el artículo: "El Músculo impulsor: Modelos internacionales de fomento fílmico", en el Dossier: "Las prácticas tradicionales en la Época de Oro"; en la sección Académicas: "Pronunciamiento de los miembros de la AMACC sobre el país"; en Estrenos: "Las oscuras primaveras, Remedios Varo; un Ensayo: "Los deseos de José Revueltas por ser realizador; y en la sección de Ejecutantes una Entrevista con Juliette Binoche.

London: Fulgur Press:, 2023. First edition (presumed, still in shrinkwrap), New sans dust jacket as issued, 256 pp. "Essays on the art and writings of the long-neglected British occultist and Surrealist. Straddling the worlds of Surrealism, occultism and modernist literature, Ithell Colquhoun (1906-88) was widely respected in her lifetime, but her transgressive, esoteric and poetic paintings and writings were long neglected until Richard Shillitoe's 2009 book Ithell Colquhoun: Magician Born of Nature initiated her revaluation - followed by Fulgur's 2016 publication Decad of Intelligence, the Tate's 2019 acquisition of more than 5,000 Colquhoun works and Amy Hale's 2020 biography. Colquhoun occupies a unique place within the lineage of occult Surrealist painters such as Leonora Carrington and Remedios Varo, as her presence in the 2022 Venice Biennale exhibition Milk of Dreams demonstrated." First edition (presumed, still in shrinkwrap), New sans dust jacket as issued,

Softcover. Condition: Very Good Plus. First Edition. [PAINTING]. Rosa Loy, Katie White. "Rosa Loy: Glade, March 9 - April 20, 2024." Los Angeles: Michael Kohn Gallery, 2024. First edition. English language. Softcover with pictorial wrappers. Texts, including an artist interview, biography, and list of works, with full-color reproductions of Loy's paintings and gallery install shots. 9 x 6 inches. 11 oz. 104 pp. Bottom of spine slightly stubbed. Text clean. No other issues. Very Good Plus. ISBN: 9781880086308. "One of the few female members of the New Leipzig School, Loy took up painting the same year as the fall of the Berlin Wall in 1989. With origins as a trained horticulturist, she brings a surrealist?s eye to renderings of lush flora and uncanny all-female worlds. Throughout a monumental thirty-year practice, the artist has created a striking oeuvre in which this show expands. In 'Glade,' Loy?s easel is a crossroads where German folklore is mixed with the artist?s subconscious. These visually intricate stories have rich symbolism recalling Pieter Bruegel the Elder and the tradition of Surrealist female painters of the 20th century, such as Dorothea Tanning, Remedios Varo, Leonor Fini, Toyen, and Leonora Carrington. Loy situates her cryptic narratives within 'lichtung,' a word she describes as 'the place in the middle of a dark forest where the sun is shining.' Above all, this clearing is a site of rest amid a turbulent present.".

Paperback/garenloos. Condition: Net exemplaar. 1e druk. Oorspronkelijke Spaanse titel: 'Encuentros' (1982). Vertaald door Mieke Westra. Omslagillustratie: Remedios Varo: 'Vaarwel' (1958). Grafische vormgeving: Karel van Laar. Inhoud: 1). De kat. 2). Het plein. 3). De meeuw. Met een nawoord van Octavio Paz. Ponce leefde van 1932-2003. 106 + (1) pag. Size: 20cmx12,5cm.

First Edition. large softcover, very good with light wear. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. :: Catalogue of fine paintings by Spanish Mexican Surrealist painter Remedios Varo, 1908 - 1963. :: Bound in publisher's rich coco-colored cloth, spine bears publisher's emblem, and artist's name lettered upward in gold. Quarto (11 11/16 x 10 1/4 inches; 296 x 260 millimeters). 342 pages. Condition: Very Good, in a Very Good dust jacket. Upper corner of front board is slightly bumped. Endpapers lightly soiled. Dust jacket has shelf-wear, indentation/scratches. Artwork beautiful, printing quality excellent.

Softcover. Condition: Fine. Exhibition catalogue. Introduction by Raman Frey and Wendi Norris. Text by Terry Geis. Small quarto. [54]pp. Illustrated in color. Fine in pictorial wrappers. Only Varo's third exhibitionâ"her second was 50 years earlierâ"held January 7 to February 25, 2012. Uncommon, especially considering Varo's current fame.

Condition: Muy Bueno. 1ª ed. . 29,5x22,5 cm.109 pp.Ilustraciones en blanco y negro y colorCONTENIDO: Desprecio a la tradición. Editorial; LATINOAMÉRICA: IDAY VUELTA por Jorge Glusberg; LOS COLORES DEL INFORMALISMO; MILLARES, ROJO, NEGRO, BLANCO, ROSA por José Manuel Álvarez Enjuto; EL PRÍNCIPE BLANCO DE LA MAGIA NEGRA por Luis Casado; DOCUMENTA IX. La meca del arte internacional por Jorge Glusberg; REMEDIOS VARO: EL ARTE COMO OFICIO por Francesc MIralles; EL MECENAZGO EN LA ENTRADA DEL RENACIMIENTO EN ESPAÑA por José Luis Loarce; ENTORN AL CAOS (CREACIÓN DEL ARTISTA) por Francesc Abad; SEVILLA, CIUDAD UNIVERSAL: UNA MIRADA DE UN MILLÓN DE AÑOS. REFLEXIONES PARA El DEBATE por José Antonio Chacón; ARQUITECTURA EN LA EXPOS DE SEVILLA por Josep Maria Montaner; PRESENCIA CONSTANTEDEL ARTE. UNA APROXIMACIÓN A SUS MÚLTIPLES SIGNIFICADOS Y A SUS FORMAS DE USO por Josep Bracons; REFLEXIÓN SOBRE EL LÍMITE por Anatxu Zabalbescoa; ICONOGRAFÍA POPULARIZADA por M. Bofarull; ARTE Y NUEVAS TECNOLOGÍAS por José Antonio Chacón; ESPACIOS PÚBLICOS DEL ARTE por José Iglesias; LAS ARTES EN AL-ANDALUS. EL REGERESO DE UN OLVIDO por Emilio de Santiago Simón; REALISMO ¿CONCEPTO INDEFINIDO? por M. Bofarull; ARLÉS BLUE BAND por Antonio Molinero; LUZ MANCHADA DE OSCURIDAD por Antonio Molinero; MONTE BRÈ, UN REDUCTO ESPAÑOL. COLLEZIONE DOBE por Elvira Sánchez; FRANCESC RUESTES, UN SILENCIOSO TRIUNFADOR por Francesc Miralles; EL MARKETING Y EL ARTE CONCEPTUAL por M.ª Dolors Muntané. SUBASTAS: EL PULSO DEL MERCADO; EXPOSICIONES-NOTICIAS; LIBROS Y PUBLICACIONES.Español.

Soft cover. Condition: Good. 1st Edition. Primera edicion, 1976. 17 cm x 11 cm. 175 paginas. 20 ilustraciones, algunas en colores, la mayoria en blanco y negro. Rústica en buen estado de conservacion. Veanse las imagines adjuntas. A partir de "la sospecha o la esperanza de que hay una especie de complicidad, 'cifrada en el nombre'", entre Remedios Varo y Remedios la Bella -personaje de 'Cien años de soledad'- Gonzalo Celorio establece una confrontación entre el surrealismo y la literatura de lo real maravilloso americano. Una "correspondencia sorprendente" entre ciertas imágenes de la pintora y algunos pasajes de la novela, es el punto de arranque para "señalar [.] la peculiar trascendencia de los elementos similares [entre ambos movimientos artísticos]; deslindar sus ámbitos vitales respectivos, y, por último, tratar de devolverles [.] sus verdaderas dimensiones". Con 16 ilustraciones de Remedios Varo, 2 de José Guadalupe Posada, 1 de Antonio Ruiz y 1 de Manuel Álvarez Bravo.

Hardcover. Condition: New. 1st Edition. Contents Introduction. 1. Aleksandra Ekster. 2. Alice Prin. 3. Anne Truitt. 4. Artemisia Gentileschi. 5. Beatrice Wood. 6. Bridget Riley. 7. Camille Claudel. 8. Carola Unterberger Probst. 9. Catarina van Hemessen. 10. Cheri Gaulke. 11. Christine Borland. 12. Cindy Sherman. 13. Countess de Castiglione. 14. Damali Ayo. 15. Elizabeth Siddal. 16. Elsa von Freytag Loringhoven. 17. Emily Carr. 18. Georgia O'Keeffe. 19. Gillian Wearing. 20. Grandma Moses. 21. Helen Frankenthaler. 22. Helene Black. 23. Hilda van Stockum. 24. Jane Burden. 25. Jane Frank. 26. Jenny Saville. 27. Jessica Gibson. 28. Jill Gibson. 29. Judith Leyster. 30. Julia Margaret Cameron. 31. Juno Doran. 32. Lavinia Fontana. 33. Lee Bontecou. 34. Lee Miller. 35. Levina Teerlinc. 36. Louise Bourgeois. 37. Louise Breslau. 38. Lucy Bacon. 39. Lyubov Popova. 40. Madge Gill. 41. Maria Helena Vieira da Silva. 42. Marie Bashkiresteff. 43. Marie Euphrosyne Spartali. 44. Marie Vorobieff. 45. Marion Wachtel. 46. Marisol Escobar. 47. Mary Beale. 48. Mary Cassatt. 49. Mary Moser. 50. Mary Vaux Walcott. 51. Mong Lan. 52. Natalia Goncharova. 53. Nina Genke Meller. 54. Nina Hamnett. 55. Paula Modersphn Becker. 56. Paula Rego. 57. Properzia de Rossi. 58. Rachel Ruysch. 59. Rachel Whiteread. 60. Remedios Varo. 61. Rosa Bonheur. 62. Rosalba Carriera. 63. Ruth Rix. 64. Sandra Blow. 65. Sara. 66. Sarah Lucas. 67. Seraphima Blonskaya. 68. Sheila Hicks. 69. Sheila Levrant de Bretteville. 70. Sofonisba Anguissola. 71. Sophie Calle. 72. Sophie Pemberton. 73. Stella Bowen. 74. Stella Vine. 75. Suzanne Valadon. 76. Tacita Dean. 77. Tamara de Lempicka. 78. Tina Modotti. 79. Tracey Emin. 80. Ursula von Rydingsvard. 81. Vanessa Beecroft. 82. Vanessa Bell. 83. Varvara Stepanova. 84. Veronica Ruiz de Velasco. 85. Wilhelmina Barns Graham. 86. Yayoi Kusama. 87. Yoko Ono. 88. Yolanda Lopez. 89. Zaha Hadid. 90. Zinaida Serabryakova. This volume Eminent Women Artists contains brief life sketches contributions and achievements of 90 leading women artists mostly belonging to America and European countries. In the history of art the women artists had to struggle hard at a time when in the Medieval and Renaissance period art had been the exclusive domain of men. Women were not encouraged in this field. Though basically female mind had always been imaginative artistic and creative. There are many references that the womenfolk of the primitive days painted various art objects during festivities known as folk art which has a pretty long tradition. Art is creation of both men and women's imaginative mind. The superstitions rituals customs and beliefs have encouraged the women to creative production. Early art from cave art drawings to folk art is manifestation of emotions influenced by natural surroundings and nature worship. In the stone age civilization woman perfected herself to primitive folk art. The sense of art no doubt is materialized expression of man and woman's delight in beauty. This publication will certainly be welcomed by the art lovers general readers and specially by those interested in knowing the artistic genius of the women artists. 256 pp.

Soft Cover. Condition: Good. No Jacket. First Thus. From an academic library with the usual stamps etc. Covers have been laminated, Spanish text.

Rústica con solapas. Condition: Nuevo. Dust Jacket Condition: Nuevo. Remedios Varo (1908-1963) fue una verdadera artista surrealista que formó parte del grupo de Breton en París y que al final de su vida en México desarrolla su propia versión pictórica de esta vanguardia. Varo nace en Anglès, (Gerona) de madre vasca y padre andaluz; se inicia al arte en la infancia de la mano de su padre ingeniero que la enseña los rudimentos del dibujo. Ingresa muy joven en Bellas Artes (Madrid) y pronto se vuelca en el arte más transgresor y moderno, el surrealismo (en Barcelona). Tanto su vida privada como su arte se caracterizan por una búsqueda incesante de conocimientos y experiencias Con la Guerra civil se incorpora al círculo de Breton en París. La Segunda Guerra Mundial la llevará a vivir en México hasta su muerte. Esta biografía incide en aspectos inéditos de su arte y personalidad. LIBRO.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Near Fine. Fontana & Bonomi (illustrator). 1st. Dust Jacket: Yes. Unclipped. External/Dust Jacket Condition: Rare. Very good. Clean. The plastic is bubbled on the edge of the spine. Internal Condition: Very good. The endpapers are slightly foxed, otherwise clean. ISBN: 2850181072. Author/Editor: Edouard Jaguer. Publisher: Filipacchi. Year: 1980. Edition: 1st. Binding: Hardcover. Illustrated: Yes, colour and B&W. Language: French & Spanish. Page Count: 72. Keywords: art, la septieme face du de. The book for sale is the one in the photo.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 285pp., colour & b/w illus., notes, exhibitions, selected biography, index. Slight yellowing to fore-edge. Very minor wear to top edge of dust jacket. Otherwise excellent tight clean copy. GL 12/24.

Paperback. Condition: Good. No Jacket. First edition THUS, second printing. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of covers and ends of spine strip. Light scuffing and smudging to covers and spine strip. Secure packaging for safe delivery. 2.35.

hardcover. Condition: Fine. Dust Jacket Condition: fine. First edition. No markings. Mylar covered dust jacket. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. VG+ with light rubbing to the corners, in a VG DJ.

Trade Paperback. Condition: Used - Like New. Paperback First Edition, 2011. Very nice condition; clean and unmarked. Beautiful cover art with a section from Remedios Varo's painting 'Ruptura.'.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Superior copy, gift-quality condition, inside and out, no discernible wear to the blue buckram cloth over boards covers, sharp and distinct silver lettering to spine, bright and shiny dust jacket, protected. Augmented with 20 full-color and 200 black-and-white reproductions, and printed on high-quality. The text is replete with with interesting and useful biographical information about some of the major women contributors to the Surrealist movement including Frieda Kahlo, Valentine Hugo, Remedios Varo, Lee Miller, Kay Sage, Nusch Eluard, Rita Kernn-Larsen, Leonora Carrington, and Leonor Fini, among others. Chadwick has been a mensch in art history and in writing artist monographs. Six chapters, and complete with an easy-to-use index, notes, bibliography, artist biographies, an index of each of the works depicted and more. [5], 6-256 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1999.Softcover.Very good,very good.168 pages,67 illustrations.Text in Japanese,Spanish and English.Ships from Japan.Usually ships in 1-2 working days.

Soft cover. Condition: Very Good. 1st Edition. Portfolio Enclosing 14 Leaves, Two Of Text, Fourteen Plates, Some In Color. Worldcat Shows Institutional Holdings Only In Madrid And One In Michigan Usa. Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) Was A Social Spanish Painter And Graphic Designer Who Is Linked With The Drive Group In Spain Of The "New Art". Climent Studied At The School Of Fine Arts Of San Carlos , And With A Grant Received In 1919, Traveled To Madrid Where He Participated In The Circle Of Ramon Gomez De La Serna , For Whom He Illustrated Some Greguerías , And Cutting - Edge Activities Later Called The School Of Vallecas , Associated With The Society Of Iberian Artists . He Also Collaborated As An Illustrator For The Magazine Blanco Y Negro , And Illustrated Books By Elena Fortún , Azorín , Juan Manuel Díaz Caneja And Manuel Abril . In 1924 He Had Spent Two Years In Paris, Where He Came To Design Some Sets For Opera Shows. He Participated In Three Exhibitions "The Iberians" (San Sebastián In 1931, Copenhagen In 1932 And Berlin In 1933), In The International Exhibition Of Contemporary Spanish Art In Paris And Venice In 1936, And In The Spanish Pavilion Of The International Exhibition In Paris In 1937. In The Spanish Anti-Fascist War He Presumably Fought Against Franco. As Part Of His Activity He Helped With The Publication Of This Volume Of Illustrations. He Was One Of The Spanish Exiles Who Landed In Veracruz, Mexico In 1939 , After Crossing The Sinaia , Along With Other Intellectuals And Artists (Such As José Moreno Villa , Arturo Souto Or Remedios Varo . ] In Mexico, Climent Brought His Avant-Garde Style Closer To The Realistic Tendencies Of The 1940S But Without The Pictorial Ideology Of Mexican Muralism . As Of 1964, He Alternated His Mexican Residence With Stays In Altea (Alicante) . He Died In Mexico In 1980 . Four Years After His Death, The Palacio De Bellas Artes De México Dedicated A Monographic Exhibition To Him. In Spain It Was Rediscovered As A Result Of The Exhibition Of Drawings By Exiled Spanish Artists, Brought Together By Javier Tusell , A Protagonist Of That Exodus. From His Mexican Period, Most Of His Work Was Kept In The Collection Of His Daughter, Isabel Climent, And Other Private Collections, Such As The Portrait Of Juan Gil-Albert (1940) Kept In The Alicante Provincial Council. His Work Is In The National Museum Of Art Center Reina Sofía , As Part Of The Collection Of The Spanish Museum Of Contemporary Art (Meac).

Hardcover. Condition: Sehr gut. 1. Auflage. W : 24 x 29 cm, 420 Seiten, 350 Abbildungen in Farbe - Die Frau als Göttin, Teufelin, Puppe, Fetisch, Kindfrau oder Traumwesen war das vorherrschende Thema der männlichen Surrealisten. Die Künstlerinnen des Surrealismus hingegen waren auf der Suche nach einer neuen weiblichen Identität und entdeckten so ihre eigene Formensprache. Hinzu kam die Auseinandersetzung mit politischen Themen, Literatur oder fremden Mythen. Malerei, Zeichnung, Objekte, Fotografien und Filme ergänzen sich zu einem Gesamtbild des surrealen und fantastischen Schaffens von avantgardistischen Künstlerinnen aus aller Welt. Künstlerinnenliste: EILEEN AGAR | LOLA ÁLVAREZ BRAVO | RACHEL BAES | LOUISE BOURGEOIS | EMMY BRIDGWATER | CLAUDE CAHUN | LEONORA CARRINGTON | ITHELL COLQUHOUN | MAYA DEREN | GERMAINE DULAC | NUSCH ÉLUARD | LEONOR FINI | JANE GRAVEROL | VALENTINE HUGO | FRIDA KAHLO | RITA KERNNLARSEN | GRETA KNUTSON | JACQUELINE LAMBA | SHEILA LEGGE | DORA MAAR | EMILA MEDKOVÁ | LEE MILLER | SUZANNE MUZARD | MERET OPPENHEIM | VALENTINE PENROSE | ALICE RAHON | EDITH RIMMINGTON | KAY SAGE | SOPHIE TAEUBER-ARP | JEANNETTE TANGUY | DOROTHEA TANNING | ELSA THORESEN | BRIDGET TICHENOR | TOYEN | REMEDIOS VARO | UNICA ZÜRN.

Softcover. Condition: Sehr gut. 1. Auflage. B : 24 x 28 cm, 195 pages - Catálogo de la exposición celebrada en el CAAM (Centro Atlántico de Arte Moderno) de Las Palmas de Gran Canaria en enero y febrero de 1994 Exposición centrada en esta actividad artística de Óscar Domínguez, incluyendo obra de otros artistas surrealistas que practicaron esta técnica: Hans Bellmer, Max Bucaille, Dalí, Enricoi Donati, Max Ernst, Jacques Herold, Georges Hugnet, Marcel Jean, Conroy Madox, Malespine, Roland Penrose, Jules Perahim, Max Rusca, Suzo Takiguchi, Remedios Varo, Frantisek Vobecky. Textos de Emmanuel Guigon, Jean -Luc Mercié y Louis Ucciani en castellano y traducidos al inglés. 195 pp Catálogo de la exposición celebrada en el CAAM (Centro Atlántico de Arte Moderno) de Las Palmas de Gran Canaria en enero y febrero de 1994 Exposición centrada en esta actividad artística de Óscar Domínguez, incluyendo obra de otros artistas surrealistas que practicaron esta técnica: Hans Bellmer, Max Bucaille, Dalí, Enricoi Donati, Max Ernst, Jacques Herold, Georges Hugnet, Marcel Jean, Conroy Madox, Malespine, Roland Penrose, Jules Perahim, Max Rusca, Suzo Takiguchi, Remedios Varo, Frantisek Vobecky. Textos de Emmanuel Guigon, Jean -Luc Mercié y Louis Ucciani en castellano y traducidos al inglés.

4to. 286pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; a couple of slight internal marks, a very good copy. First edition. Scarce and important.