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Published by D.A.P./San Francisco Museum of Modern Art, 2018
ISBN 10: 1942884230ISBN 13: 9781942884231
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
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Published by D.A.P./San Francisco Museum of Modern Art (edition ), 2016
ISBN 10: 194288401XISBN 13: 9781942884019
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book
Hardcover. Condition: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Published by D.A.P./San Francisco Museum of Modern Art, 2004
ISBN 10: 1891024833ISBN 13: 9781891024832
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by D.A.P./San Francisco Museum of Modern Art, 2016
ISBN 10: 194288401XISBN 13: 9781942884019
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book First Edition
Condition: Used - Like New. 2016. 01st Edition. Hardcover. Dust Jacket is Like New. Cloth, dj. Folio. 280 pp. Profusely illustrated. In publisher's shrinkwrap. Fine.
Published by D.A.P./San Francisco Museum of Modern Art, 2016
ISBN 10: 194288401XISBN 13: 9781942884019
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book First Edition
Condition: Used - Very Good. 2016. 01st Edition. Hardcover. Very Good.
Published by San Francisco Museum Of Modern Art/ Wexner Center For The Arts/d.a.p. 01-Sep-2, 2009
ISBN 10: 1933045981ISBN 13: 9781933045986
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Book
Hardcover. Condition: fine/fine. Quarto. 228pp Exhibition catalogue. A beautiful copy in dust jacket. In a brodart protective wrapper.
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Published by San Francisco Museum of Modern Art in association with D.A.P., New York o.J.
Seller: Versandantiquariat Wolfgang Petry, Hannover, Germany
279 Seiten, zahlreiche Abbildungen, 4°, großformatiger Orig.-Leinenband mit Schutzumschlag (sehr gutes Exemplar).
Published by San Francisco Museum of Modern Art in association with D.A.P./ Distributed Art Publishers, Inc, San Francisco, CA & New York, 2005
ISBN 10: 0918471753ISBN 13: 9780918471758
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. 385 pages. Thick catalog for a major traveling exhibition that began in San Francisco and went on to New York, Des Moines, Dallas, Chicago and Los Angeles. Edited by Madelein Grynsztejn. Features an essays by Cornelia H. Butler, Richard Shiff, Katy Siegel, and Robert Storr. Includes numerous color and black and white illustrations, a checklist, list of previous exhibitions, selected bibliography, and an index. A tight near fine copy in French style wrappers with some slight toning to the spine and edges.
Published by D.A.P./San Francisco Museum of Modern Art, 1999
ISBN 10: 0918471508ISBN 13: 9780918471505
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
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Published by San Francisco Museum of Modern Art in association with D.A.P., San Francisco, Calif.; New York, 2005
ISBN 10: 0918471753ISBN 13: 9780918471758
Seller: BIBLIOPE by Calvello Books, Oakland, CA, U.S.A.
Book
Paperback. Condition: near fine. Large square folio in white stiff paper wraps; 385 pages : illustrations (some color) ; 32 cm; bibliographical references (pages 376-379). Catalog of an exhibition held at the San Francisco Museum of Modern Art and five other institutions between July 2, 2005 and June 25, 2007. / "Over the past four decades, Richard Tuttle has thrown into question nearly every conceivable artistic convention and critical category to create an enormously inventive body of abstract work - one that embraces and intermingles drawing, painting, collage, book-making, sculpture, and design. From his spare yet enigmatic forms of the 1960s to his complex, multifaceted assemblages and installations of more recent years, Tuttle's primary impetus throughout has been to craft unique objects, using everyday, often ephemeral materials, that demand to be confronted on their own terms. The relentless individuality of his aesthetic vision has earned him standing as one of the most provocative and influential artists of his day." "This richly illustrated and strikingly designed catalogue, the most authoritative volume ever published on this prolific artist, presents nearly four hundred reproductions of artworks from across his oeuvre and documentary photographs of his creative process. Essays by a distinguished group of writers trace the arc of Tuttle's career from its inception in the 1960s to the present day, addressing topics such as the philosophical underpinnings of his artistic method; his sensitive handling of diverse materials; his lifelong engagement with drawing and its expansion into three-dimensional space; his groundbreaking solo exhibitions and their critical reception in the United States and Europe; his complex play with the conventions of language; and his innovative artist's books, many of which are collaborations with poets."--BOOK JACKET. Contents: A universe of small truths /; Madeleine Grynsztejn --; Touching down lightly /; Robert Storr --; Kinesthetic drawing /; Cornelia H. Butler --; Exhibition at the Dallas Museum of Fine Arts /; Charles Wylie --; 1975 exhibition at the Whitney Museum of American Art /; Adam D. Weinberg --; It shows /; Richard Shiff --; As far as language goes /; Katy Siegel --; Framed drawings /; Tara McDowell --; Design projects /; Elizabeth A.T. Smith --; Something is happening /; Richard Tuttle. Catalogues d'exposition. // **A large, heavy book. Weighs 5 lbs 2 oz before packing. Dimensions: 12 x 11 x 1.5 inches. Extra shipping charges may apply for international & expedited orders. Please inquire.**. Minor soiling and toning to exterior else tight clean and overall about near fine. Please refer to photos.
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Published by San Francisco Museum of Modern Art in association with D.A.P. / Distributed Art Publishers Inc, San Francisco, CA and New York, 2016
ISBN 10: 194288401XISBN 13: 9781942884019
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
First edition and first printing. Oblong hardcover. 279 pages. Published in conjunction a retrospective exhibition that ran September 24, 2016 through January 1, 2017 at San Francisco Museum of Modern Art. Edited by Erin O'Toole who also contributes text as does Robert Adams, Ralph Rugoff, Lewis Baltz and Hernandez. Includes some black and white and numerous color images from throughout Hernandez' long career as well as a checklist. A clean very near fine copy in cloth boards in a very near fine dust jacket. Signed by Hernandez on the title page. A very fresh copy and uncommon signed.
Published by D.A.P./San Francisco Museum of Modern Art, 2005
ISBN 10: 1933045000ISBN 13: 9781933045009
Seller: Weather Rock Book Company, San Francisco, CA, U.S.A.
Book
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Beautiful copy of the cloth-bound hardback edition. The hardback edition is slightly larger than the paperback and only the hardback includes the endsheets designed by Richard Tuttle.
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Published by San Francisco, Museum of Modern Art/D.A.P., Inc., 2005
ISBN 10: 1933045000ISBN 13: 9781933045009
Book First Edition
4°. 31,5 x 29,5 cm. 385 (3) Seiten. Original-Leinenband mit Original-Schutzumschlag. 1. Auflage. Englischsprachige Ausgabe. Katalog anlässlich der Ausstellung im San Francisco Museum of Modern Art, 02.07. - 16.10.2005, im Whitney Museum of American Art, New York, 10.11.2005 - 05.02.2006 u.a. Mit zahlreichen Abbildungen. Neuwertiges Exemplar. First edition. English language edition. Exhibition catalogue. With many illustrations. Original cloth binding with dust jacket. Mint copy. Sprache: englisch.
Published by San Francisco Museum of Modern Art and the Wexner Center for the Arts, in association with D.A.P./Distributed Art Publishers, Inc, San Francisco and Minneapolis, Minnesota, 2009
ISBN 10: 1933045981ISBN 13: 9781933045986
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Tuymans. Hardcover. Fine gray cloth-covered boards with title debossed on cover and spine; with photographically illustrated dust jacket. Paintings by Luc Tuymans. Edited by Madeleine Grynsztejn and Helen Molesworth. Essays by Helen Molesworth, Joseph Leo Koerner, Ralph Rugoff and Bill Horrigan. Additional contributions by Alison Gass, Prudence Peiffer, Joshua Shirkey and Lanka Tattersall. Includes a catalogue of the exhibition, exhibition history and reviews and a selected bibliography. Designed by Takaaki Matsumoto, Matsumoto Incorporated, New York. 228 pp., with 75 four-color plates and numerous additional illustrations, finely printed in Germany by Cantz. 11-3/4 x 10 inches. Published on the occasion of a major exhibition organized by the San Francisco Museum of Modern Art and the Wexner Center for the Arts, and traveling to the Dallas Museum of Art, the Museum of Contemporary Art, Chicago, and the Centre for Fine Arts, Brussels. New in New dust jacket (opened only for signature). Luc Tuymans' paintings are more photographic than most photographs. His work is deeply rooted in the aesthetics of memory, the stream of media images in our culture, cinema and video, the "photographic" cues that we expect -- the way the edges of light look in an enlarged low-resolution image, the fragmentation in a snapshot, the "physicality" of a Polaroid -- and the apparent randomness of his wide-ranging subject matter (from the Holocaust to the specific pink color of the Financial Times). From the publisher: "Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development." Signed by Author.
Published by D.A.P./San Francisco Museum of Modern Art 2013-03-31, 2013
ISBN 10: 1935202669ISBN 13: 9781935202660
Seller: Lost Books, AUSTIN, TX, U.S.A.
Book First Edition
Hardcover. Condition: Good. First Edition. 1935202669.
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Published by San Francisco Museum of Modern Art/D.A.P. Distributed Art Publishers, San Francisco, 2011
Seller: Triolet Rare Books, ABAA, Los Angeles, CA, U.S.A.
First Edition
First edition. 224 pp. Full maroon cloth, lettered in blind on the front board and the spine, with the dust jacket. Published in conjunction with the major exhibition of Woodman's work at SFMOMA and the Guggenheim Museum. Essays by Jennifer Blessing and Julia Bryan-Wilson. Profusely illustrated. Slight rubbing to lower board edges, else a fine copy. Out of print.