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Paperback. Condition: Very Good. Vanderhaeghe is] the best all-round novelist at work in Canada today. . . A Good Man is the kind of impeccably crafted, Dickensian charmer we have come to expect from Vanderhaeghe. . . . Remarkable . . . Deeply satisfying . . . Vanderhaeghe's descriptions of the natural world are] often as striking as Cormac McCarthy's. . . . A towering achievement worthy of celebration as loud as our humble voices can declare.--The Globe and Mail Best-selling author Guy Vanderhaeghe's final installment in his frontier trilogy is at once a riveting account of personal and historic revenge, and the endearing story of an unlikely love affair. Wesley Case, a former soldier and the son of a Canadian lumber baron, sets out into the untamed borderlands between Canada and the United States to escape a dark secret from his past. He settles in Montana where he hopes to buy a cattle ranch, and where he begins work as a liaison between the American and Canadian militaries in an effort to contain the Native Americans' unresolved anger in the wake of the Civil War. Amid the brutal violence that erupts between the Sioux warriors and U.S. forces, Case's plan for a quiet ranch life is further compromised by an unexpected dilemma: he falls in love with the beautiful, outspoken, and recently widowed Ada Tarr. It's a budding romance that soon inflames the jealousy of Ada's quiet and deeply disturbed admirer, Michael Dunne. When the American government unleashes its final assault on the Indians, Dunne commences his own vicious plan for vengeance in one last feverish attempt to claim Ada as his own. Vanderhaeghe expertly weaves a gritty account of the end of the Wild West with an intimate tale of love, retribution, and rebirth. Beautifully imagined and deeply moving, A Good Man is Vanderhaeghe's triumphant conclusion to his venerated turn-of-the-century epic.…

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Paperback. Condition: Good. National bestseller and a Globe and Mail Best Book A fascinating, larger-than-life character, Davies left a treasure trove of stories about him when he died in 1995 -- expertly arranged here into a revealing portrait. From his student days onward, Robertson Davies made a huge impression on those around him. He was so clearly bound for a glorious future that some young friends even carefully preserved his letters. And everyone remembered their encounters with him. Later in life, as a world-famous writer, perhaps Canada's pre-eminent man of letters (who "looked like Jehovah"), he attracted people eager to meet him, who also vividly remembered their meetings. So when Val Ross set out in search of people's memories, she was faced with a wonderful embarrassment of riches. The one hundred or so contributors here range very widely. There are family memories, of course, and memories from colleagues in the academic world who knew him as a professor and the founding master of Massey College at the University of Toronto. Predictably, there are other major writers like Margaret Atwood and John Irving. Less predictably, there are people from the world of Hollywood, such as Norman Jewison and David Cronenberg (who remembers Davies on-set, peering through a camera lens as he researched his newest novel). And we even hear from his barber, and from his gardener, Theo Henkenhaf. Some speakers contribute just a lively paragraph; others several pages. Yet all of them, through the magic of Val Ross's art, help to create an intriguing, full-colour portrait of a complex man beloved by millions of readers around the world.…

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