Published by Grizedale Arts, 2002
ISBN 10: 0954257715 ISBN 13: 9780954257712
Seller: Shadow Books, Norwich, United Kingdom
First Edition
Soft cover. Condition: As New. 1st Edition. Impeccable Catalogue.
Published by Grizedale Arts, Grizedale Forest, 2009
Seller: BookSmith, Canterbury, United Kingdom
Softcover in colour pictorial card covers; 208pp, profusely illustrated in both colour and black and white. No inscriptions or annotation. Overall a VG copy. ISBN: 9780954257798 (BS34).
Published by Grizedale Arts, Grizedale, Cumbria, UK, 2003
ISBN 10: 0954257766 ISBN 13: 9780954257767
Seller: High Park Books, Kitchener, ON, Canada
Illustrated Wraps. Condition: USED_NEARFINE. Catalogue from an arts show that took artworks, artists and curators on tour to rural venues across the country. Produced in association with FLATPACK001 & Gallery in the Trees and Real institute. Texts by Adam Sutherland, Mark and Stephen Beasley, Dan Fox and Bedwyr Williams. 79 pages illustrated in colour and B&W. 8vo - over 7¾ - 9¾" tall. Slight edgewear to covers. Internals fine. Uncommon.
Published by Rob Kesseler, Grizedale Arts And The Wordsworth Trust Cumbria, 2001
ISBN 10: 0952545039 ISBN 13: 9780952545033
Seller: Any Amount of Books, London, United Kingdom
First Edition
Landscape 8vo. Pp: 96. First edition. Green and purple illustrated paper covers. Copiously illustrated throughout in colour. Inscribed by the author at first free end paper.ISBN: 0952545039 A very good plus copy in very good plus paper covers, with light surface marks to front and rear.
Published by Grizedale Arts, UK, 2015
Seller: Marcus Campbell Art Books, London, United Kingdom
Paperback. Condition: Near fine in wraps. Second Edition. 19 x 19cm 50pp near fine exhibition catalogue. Title derived from cover text. Unusually presented, with cover design upside down. Published in a second edition of 100 by Grizedale Arts for the exhibition 'The Politics of Craft: After Ford 151'.? Illustrated throughout with line drawings of crafts, utensils, robotics, furniture, etc.? The exhibition tells the story of the failure of the political ambitions of craft and design: "utopian ambitions mixed with an uncomfortable relationship between machine, hand and economics".? The title of the project references Aldous Huxley's 'Brave New World' which imagines a utopian future that defines itself through the machine age and dates itself to the birth of Henry Ford the inventor of the mechanised production line.