idemitsu (265 results)

Soft cover. Condition: Very Good. Softcover in excellent, near-pristine condition: slightest handling, slightest age-yellowing of the exterior, slightest pencil erasure on the first page, otherwise unmarked. 174 pages. [15oz]. Book.

Hardcover. Condition: Very Good. Very good hardcover in a very good dust wrapper. Book is clean and tight.

Soft Cover. Condition: Very Good. Text is in Japanese. Top corner of inside front cover has a small red heart stamp; tight, text clean. 44 p., illustrated. [otob nr mnk] Size: 11 3/4 x 8 1/4 inches.

Soft Cover. Condition: Very Good. Text in Japanese. Top corner of inside front cover has a small red heart stamp, which rubbed off slightly on the top margin opposite; tight, text clean. 39, [5] p., illustrated. [otob nr mnk] Size: 11 3/4 x 8 1/4 inches.

Soft cover. Condition: Very Good. Text in Japanese. Tight, text clean. 32, 22 p., illustrated. [b 143].

Condition: Good. Light wear to boards. Content is clean and bright. Good DJ.

Hardcover. Condition: Very Good. Minor shelf wear. No jacket. Pages/boards clean.

Text in French and Japanese. Near fine and bright large size glossy stiff wraps with strong spine and clean text throughout. With color prints throughout with darker sketches and drawings. A nice showpiece.

Paperback. Condition: Very Good. Rubbing and light smudges on covers, bottom of corner of front cover slightly bent, light wear on other corners. otherwise a nice copy with bright, clean pages, free of tears, pencil markings or highlighting, and a strong binding.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. Unknown publishing date, estimate 1976. Book has moderate rubbing, smudging, and surface scratches to covers and gentle rubbing to edges and corners. Otherwise, the book is in good condition with strong binding and clean, bright, unmarked pages with detailed photographs throughout.

Paperback. Condition: Very Good. Japanese language text. Profusely illustrated.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, xvi+188pp, printed wrappers. An earnest work on national identity by Japanese petroleum magnate Sazo Idemitsu. Compliments slip laid in. Unmarked copy, minor wear. Not Signed.

Soft cover. Condition: Very good. No jacket. Bilingual English-Turkish text. Sticker on bottom of spine. Mild scuffing on cover. Spine is slightly faded and has some wrinkles from use. Inside pages are clean and unmarked.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:

Paperback. Condition: Very Good. Softcover. Good binding and cover. Shelf wear. Blind stamp to front end page. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Paperback. Condition: Very Good. Softcover. Good binding and cover. Clean, unmarked pages. Light wear. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Paperback. Condition: Very Good. Japanese language text. Profusely illustrated.

Paperback. Condition: Very good. 7 x 10 in. Paper wraps. B&W plates. No date stated. Condition is VERY GOOD ; covers clean with mild wear. Binding tight, text unmarked. Art. Stax.

Paperback. Condition: As New. First Edition. Pictorial stiff wraps. First edition . Scholarly text in Japanese. Book is in fine, As New, gift-giving condition, crisp and clean, with tight binding and sharp corners. Broad, dramatic full-color reproductions throughout. Includes four exquisite transparent color overlays. 4to. 66 pp.

Soft cover. Condition: Fine. IDEMUTSU MUSEUM OF ARTS Japan masterpieces from the Idemitsu Collection = Japonya sanat sergisi. Idemitsu koleksiyonu. Japan: Idemitsu Museum of Arts, 1986. 4to., 110, [2] p., color ills. In Turkish and English. Paperback. Fine ISBN: CATALOG: Painting & Sculpture KEYWORDS: Japanese Art Exhibition Painting Object Ceramics History of art.

Hardcover. Condition: Very Good. Japanese language text. Profusely illustrated.

Paperback. Condition: Very Good. Japanese language text. Profusely illustrated.

Soft Cover. Condition: Very Good+. Illustrated by Sengai (illustrator). Exhibition Catalogue Series; B&W Illustrations; 7 1/4 x 10 1/4; Unpaginated pages; Soft cover has rubbing/scuffing, shelf wear, light bumping. Pages not numbered, ca. 60 pages. No date. Pages are clean and tight. Illustrated with 60 b/w drawings by the Zen Master. Sengai Gibon (1750 - 1837) was a Japanese monk of the Rinzai school (one of three main schools of Zen Buddhism in Japan, the others being the Soto school and the much smaller Obaku school. ). He was known for his controversial teachings and writings, as well as for his lighthearted sumi-e paintings. After spending half of his life in Nagata near Yokohama, he secluded himself in Sho-fukuji (located in Fukuoka) , the first Zen Temple in Japan, where he spent the rest of his life. Though the Rinzai sect is particularly known for its hard-to-understand teachings, Sengai tried to make them accessible to the public. One of his famous paintings shows a circle, a square and a triangle. Sengai left the painting without a title or inscription (save for his signature) , however the painting is often called "The Universe" when referred to in English. "My play with brush and ink is not calligraphy nor painting; yet unknowing people mistakenly think: this is calligraphy, this is painting." Sengai Gibon (17501837).

Soft cover. Condition: Near Fine. 1st Edition. Text in English. First edition, 1988. 12 x 8.5 inches. Bound in full-color, fully-illustrated glossy wrappers, with crisp black lettering. Generally unbumped spine head and tail, and with fairly sharp corners. Very clean binding. Text block firmly bound in and still tight. With 95 numbered pages of text, including extensive commentary and bibliography, and illustration. All illustrations in vibrant color, some full page. Also with map of Southern Japan including kiln sites. Near Fine copy. 1 lb. This is a catalogue of an exhibition held at the Queensland Art Gallery, the Art Gallery of New South Wales, and the Art Gallery of South Australia, spanning July 1988 to April 1989. This publication organized by the Queensland Art Gallery in association with the Idemitsu Museum of Arts, Tokyo.

Softcover. Condition: Very Good. First edition. Very good plus paperback. First edition. Text in French and Japanese. Pages clean. Illustrated in color. Light rubbing to cover. Corners rubbed.

[262]p., colored and b/w illus., original stiff wrappers in oblong quarto format. Added t.p. and introduction in Japanese. Captions and descriptions in French and Japanese.

Hardcover. First Edition; First Printing. Book condition is Very Good+ in boards. Text is clean and unmarked, illustrated throughout. ; Small 4to 9" - 11" tall.

Paperback. Condition: Very Good. Japanese language text. Profusely illustrated.

Soft cover. Condition: Very Good. 1st Edition. Tokyo: Idemitsu Bijutsukan, 1998. 8vo, 129 p., original wraps. First edition of this profusely illustrated catalogue, with introductory note in English and remainder of text in Japanese. Lower corner of book lightly curled, else VG+.