Semiotext E (Over 4,000 results)

Paperback. Condition: Good. A stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Immunodemocracy offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing--and what its future political effects may be. In her own personal style, the author reconstructs the dramatic phases of what she calls "the breathing catastrophe." Coronavirus is a sovereign virus that skirts its way around the walls of patriotism and the sovereignists' imperious frontiers. And it reveals in all its terrible crudeness the immunitarian logic that excludes the weakest and hits the poorest. The Cordon sanitaire of disengagement risks expanding beyond all proportion. The disparity between the protected and the helpless--a challenge to any idea of justice--has never been so blatant. The virus has not introduced, but merely brought out into the open the ruthlessness of the capitalism that is now wrapping us in its devastating spiral, in its compulsive, asphyxial vortex. Is it our final warning? The violent global pandemic shows that it is impossible for us to survive if we don't help each other. We will need to protect ourselves from protection and the specter of absolute immunization. When breathing can no longer be taken for granted, we need to rethink a new way of living together.…

Paperback. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

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Paperback. Condition: Very Good. In a novel set against a transforming Berlin, an artist confronts a diagnosis of breast cancer. Going to openings and parties, setting up a studio and breaking up with her longtime boyfriend, Noora is living the post-art school life in Berlin when,in 2005, she's diagnosed with breast cancer. Vaguely restless, until now she's been neither happy nor unhappy, but her entry into what she calls "Cancerland" forces her to question the assumptions by which she lived her life so far.Uneasily, she realizes that the "relationships of the soul" she and her friends value over everythingelsemight not be as indelible as family, after all. In this sharp and picaresque first novel, conceptual artist Annette Weisser depicts the transformation of Berlin from the frontier city of the cold war to an international art hub as an analog and backdrop to the chaotic, corporeal transformation Noora undergoes through cancer and its treatments.Written in the casual, associative style of a female coming-of-age novel,Myceliumexamines German trauma, art school dramas, and the inevitable parsing into winners and losers that her generation undergoes as they enter their mid-thirties.…

Condition: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condition: Good. Bruise/tear to cover.

Paperback. Condition: Fair. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Condition: Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Condition: Very Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity. …

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Good.

paperback. Condition: Good. Crease/tear to cover.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Very Good. Light edge wear. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condition: Very Good. Semiotext. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condition: Good. A novel in essays that locates a "romance" within the mesh of electronic communication. So I didn't call you: instead I posted a new avatar of myself without my habitual dark glasses. I have learned: an image, any image, is a blind. All avatars give different information, illusions of contact called Telepresence, none of them the real thing. You texted me, 3 am, from some station . As though it made any difference. But it did. --from Break.up In this "novel in essays," Joanna Walsh simultaneously flees and pursues an ambiguous partner in an affair conducted mostly online. Traversing Europe, she awaits emails and texts and PMs, awash in her dreams, offering succinct meditations on connection and communication. If Marguerite Duras situated the telephone as the twentieth century's preferred hopeless form of connection, Walsh pinpoints the nodal points of a "romance" within today's mesh of electronic communication. As Deborah Levy observed recently, "Joanna Walsh is fast becoming one of our most important writers." Her 2015 book Hotel, an investigation of transience conducted through hotel reviews, was described by The Paris Review as "a slim, sharp meditation on hotels and desires. [Walsh is] funny throughout, even as she documents the dissolution of her marriage and the peculiar brand of alienation on offer in lavish places." Praise for Joanna Walsh "Walsh's writing has intellectual rigor and bags of formal bravery." --The Financial Times "Hotel feels like something you want to endlessly quote: sharp, knowing, casually erudite . there is power and an affecting gravitas in what Walsh does with detail." --Sydney Review of Books "Walsh is a sublimely elegant writer . artful and intelligent." --The New Statesman. …

Paperback. Condition: Very Good. A novel in essays that locates a "romance" within the mesh of electronic communication. So I didn't call you: instead I posted a new avatar of myself without my habitual dark glasses. I have learned: an image, any image, is a blind. All avatars give different information, illusions of contact called Telepresence, none of them the real thing. You texted me, 3 am, from some station . As though it made any difference. But it did. --from Break.up In this "novel in essays," Joanna Walsh simultaneously flees and pursues an ambiguous partner in an affair conducted mostly online. Traversing Europe, she awaits emails and texts and PMs, awash in her dreams, offering succinct meditations on connection and communication. If Marguerite Duras situated the telephone as the twentieth century's preferred hopeless form of connection, Walsh pinpoints the nodal points of a "romance" within today's mesh of electronic communication. As Deborah Levy observed recently, "Joanna Walsh is fast becoming one of our most important writers." Her 2015 book Hotel, an investigation of transience conducted through hotel reviews, was described by The Paris Review as "a slim, sharp meditation on hotels and desires. [Walsh is] funny throughout, even as she documents the dissolution of her marriage and the peculiar brand of alienation on offer in lavish places." Praise for Joanna Walsh "Walsh's writing has intellectual rigor and bags of formal bravery." --The Financial Times "Hotel feels like something you want to endlessly quote: sharp, knowing, casually erudite . there is power and an affecting gravitas in what Walsh does with detail." --Sydney Review of Books "Walsh is a sublimely elegant writer . artful and intelligent." --The New Statesman.…

Paperback. Condition: Good. A stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Immunodemocracy offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing--and what its future political effects may be. In her own personal style, the author reconstructs the dramatic phases of what she calls "the breathing catastrophe." Coronavirus is a sovereign virus that skirts its way around the walls of patriotism and the sovereignists' imperious frontiers. And it reveals in all its terrible crudeness the immunitarian logic that excludes the weakest and hits the poorest. The Cordon sanitaire of disengagement risks expanding beyond all proportion. The disparity between the protected and the helpless--a challenge to any idea of justice--has never been so blatant. The virus has not introduced, but merely brought out into the open the ruthlessness of the capitalism that is now wrapping us in its devastating spiral, in its compulsive, asphyxial vortex. Is it our final warning? The violent global pandemic shows that it is impossible for us to survive if we don't help each other. We will need to protect ourselves from protection and the specter of absolute immunization. When breathing can no longer be taken for granted, we need to rethink a new way of living together.…

Paperback. Condition: Good. An examination of the reactionary, individualist, cynical, and belligerent shift in global politics to the right, implemented both by the right and the establishment left. Systemic, euphemized, insidious and structural violence has increased. It is now objectively measurable by the gulf in revenues, by subjective malaise, or by the menace of ecological apocalypse, and also by their constant exacerbation. -from How the World Swung to the Right Despite a few zones of active resistance-the alter-globalization movement, the Chiapas uprisings, the Arab springs, and the recent resistance to racialized police brutality and environmental and genocidal warfare in the United States-the last half-century has been witness to an undeniable global shift to the right. How the World Swung to the Right provides a comprehensive overview of this reactionary, individualist, cynical, and belligerent shift, which often has been cloaked in the guise of entertainment and good intentions. The counterrevolutions began with a first phase of deregulation and ideological counter-attacks, and the fall of the so-called "real" communisms. The 1990s inaugurated a global biopolitical turn and the financialization of the economy; the 2000s hammered in neoliberal gains through the alliance of ultraliberalism with neoconservatism. These policies were implemented, surprisingly, not only by the right but often by the establishment left. Cusset argues that in the face of this betrayal, conflict is the one thing we can still salvage from the notion of the "left." What we need today, he contends, are new sites of conflict that multiply the causes of struggle and the sites of mobilization, linking socioeconomic struggle with questions of identity and the urgency of ecology.…

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Essays on and around art and art practices by the author of I Love Dick. A border isn't a metaphor. Knowing each other for over a decade makes us witnesses to each other's lives. My escape is his prison. We meet in a bar and smoke Marlboros. -from Social Practices Mixing biography, autobiography, fiction, criticism, and conversations among friends, with Social Practices Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary "Chance Event-Three Days in the Desert with Jean Baudrillard" (1996), and "Radical Localism," an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota. She considers the work of such major contemporary artists as Jason Rhoades, Channa Horowitz, Simon Denny, Yayoi Kusama, Henry Taylor, Julie Becker, Ryan McGinley, and Leigh Ledare. Although Kraus casts a skeptical eye at the genre that's come to be known as "social practice," her book is less a critique than a proposition as to how art might be read through desire and circumstance, delirium, gossip, coincidence, and revenge. All art, she implies, is a social practice.…