Published by Liverpool: Gallery Press 1972., 1972
ISBN 10: 0900389141 ISBN 13: 9780900389146
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Liverpool University Press and Tate Gallery Liverpool, 1999
ISBN 10: 0853238138 ISBN 13: 9780853238133
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Like New. 1999. Paperback. Fine.
Published by The Gallery Press, United Kingdom, Liverpool, 1986
ISBN 10: 0900389257 ISBN 13: 9780900389252
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by The Gallery Press, United Kingdom, Liverpool, 1979
ISBN 10: 0900389184 ISBN 13: 9780900389184
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Published by The Gallery Press, Liverpool, 1986
ISBN 10: 0900389249 ISBN 13: 9780900389245
Seller: Booked Experiences Bookstore, Burlington, ON, Canada
Soft cover. Condition: Fine. pp.64 clean tight copy Size: 8vo - over 7¾" - 9¾" tall.
Published by Gallery Press, Liverpool, 1972
Seller: valley books, Holton, SUFFO, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Good+. First Edition. Jack Jones's copy with inscription to him and wife Evelyn. Dust jacket has edgewear. 160pp with many photographs. Heavy book extra overseas post. Some cuttings from artist son Mick laid in.
Published by Gallery Press Liverpool., 1971
ISBN 10: 0900389176 ISBN 13: 9780900389177
Seller: Neil Carver Books, SOUTHPORT, United Kingdom
239 pages with b / w. photos. Neat name to f.e.p. else near fine in like d / w. with one repair.
Published by Gallery Press, Liverpool
Seller: Lazy Letters Books, Market Rasen, United Kingdom
Map
Map. Condition: Very Good. Undated. Folded map with border information. Minimal wear.
Published by Gallery Press Liverpool., 1972
Seller: Neil Carver Books, SOUTHPORT, United Kingdom
Unpaginated large 4to. This is a very decent copy in complete, protected d / w. with minor rubbing to the extremities. Neat owner's name to f.e.p.
Published by The Gallery Press, Liverpool, 1972
ISBN 10: 0900389125 ISBN 13: 9780900389122
Seller: Castle Hill Books, Llandrindod Wells, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. not paginated, 101 illustrations, text on mustard coloured paper, bound in green cloth/gilt with sl rubbed dustwrapper; 4to 11" - 13" tall.
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Published by Published by The Gallery Press, Neston, South Wirral First Edition . Liverpool 1983., 1983
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
First edition in publisher's original illustrated stapled card wrap covers [softback]. Folio 12'' x 8¼''. Contains unpaginated printed pages of 32 sepia postcards. Some wear to the covers and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. LIVERPOOL.
Published by Gallery Press, Liverpool, UK, 1966
Seller: Antiquarius Booksellers, Falkland, BC, Canada
First Edition
Soft cover. Condition: About Fine. Alan Moscrop (illustrator). 1st Edition. Comic paperback of Scouse language, culture, customs and history. 'Scouse' refering to Liverpool in the U.K. 64pp, illustrated by Alan Moscrop. Very nearly a Fine copy - bright, clean and unmarked. Tight, square binding showing only very minor traces of wear. Ships via inexpensive Canada Post Lettermail within North America, or via the USPS Media ail, in card sleeve. Media Mail rates to not apply to Magazines. From $4.00 to $8.00 depending on exact weight etc. Those requiring Tracking in Canada will find postage considerably more. Tracking with all shipments to the USA. Image available if required. Overseas orders, Postage, at cost, determined by final weight and destination.
Published by Published by Gallery Press, Seel Street, Liverpool First Edition . 1971., 1971
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
First edition hard back binding in publisher's original burgundy paper covered boards, silver title and author lettering to the spine. 8vo. 8½'' x 6''. Contains 239 printed pages of text with monochrome archive photographs throughout. Minimal wear to the lower spine end, foxing to the page edges. Very Good condition book in Very Good condition dust wrapper with minor rubs, not price clipped. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0900389176 LIVERPOOL.
Published by The Gallery Press, Liverpool, U.K, 1968
ISBN 10: 0900389028 ISBN 13: 9780900389023
Seller: Doss-Haus Books, Redondo Beach, CA, U.S.A.
Hardcover. Condition: Very Good -. No Jacket. Hardcover 1968 edition. Ex-library book with stamps and labels attached. Binding firm. Pages unmarked and clean. Boards show various areas of fading. Bottom edge of spine bumped, affecting the bottom inner edge of the pages. 111p. 50 black and white Plates.
Published by The Gallery Press, Liverpool, 1968
Seller: Laura Books, Georgetown, SA, Australia
First Edition
Hard Cover. Condition: Fine. Dust Jacket Condition: Fair. First Edition. slight wear to cover edges, otherwise book clean and tight. DJ: edge wear and scuffing Size: 12mo - over 6¾" - 7¾" tall.
Published by Liverpool Univ. Press & Tate Gallery Liverpool, Liverpool, 1995
Seller: Caledonia Books, Glasgow, United Kingdom
Paperback. Condition: Very Good. Edges slightly yellowed. top edge slightly dust-stained. Size: 8vo - over 7¾" - 9¾" tall.
Published by Walker Art Gallery / Liverpool University Press, 1916
Seller: Acanthophyllum Books, Holywell, FLINT, United Kingdom
Association Member: PBFA
First Edition
Condition: Fine. No Jacket. 1st edition. Little used. Weight: 1 Language: English Paper covers, wrap-around flaps.
Published by The Gallery Press, Liverpool, 1974
ISBN 10: 0900389168 ISBN 13: 9780900389160
Seller: The Mill Bookshop, Gatehouse of Fleet, United Kingdom
Hardcover. Condition: Very Good. Publisher - Gallery Press, Liverpool, n.d. Very good condition, dust marks and browning to page edges, slight tanning to endpapers. Unclipped jacket with edge wear and sunned spine.
Published by Walker Art Gallery/Yale Center for British Art/Yale University Press, New Haven/London/Liverpool, 2007
ISBN 10: 0300117450 ISBN 13: 9780300117455
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. First edition. Quarto. 216pp. Illustrated from photographs. Rear board slightly bowed, near fine in a fine dust jacket. Booklet for the exhibition laid in. Issued on the occasion of an exhibition held on Nov. 17, 2007 - Feb. 24, 2008 at Walker Art Gallery, Liverpool and May 22 - Aug. 31, 2008 at Yale Center for British Art.
Published by New Haven & London: Yale University Press for Walker Art Gallery, Liverpool,, 2007
ISBN 10: 0300117450 ISBN 13: 9780300117455
Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Issued in connection with an exhibition held Nov. 17, 2007-Feb. 24, 2008, Walker Art Gallery, Liverpool and May 22-Aug. 30, 2008, Yale Center for British Art. Contents: The urban renaissance in Liverpool 1760-1800 / Jane Longmore -- The Liverpool art scene 1745-1770 / Alex Kidson -- Swallowing up all the business : Joseph Wright of Derby in Liverpool / Elizabeth E. Barker -- Printmaking and print collectors in the north west 1760-1800 / Martin Hopkinson -- A conversation of girls : Wright and the British visual culture of slavery 1760-1800 / Sarah Parsons. 285 x 245 mm. xii, 216 pp., illustrated throughout, mostly in colour. [ISBN: 978-0300117455] Hardbound. A fine bright copy free from ownership inscriptions in like dustwrapper.
Published by Liverpool University Press and Tate Gallery Liverpool, 1995
ISBN 10: 0853233497 ISBN 13: 9780853233497
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 214 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Published by Liverpool University Press :: Tate Gallery Liverpool, Liverpool, 1990
Paperback. viii, 214p., wraps; b&w photos., in very good condition. Tate Gallery Liverpool Critical Forum Series, Volume 2.
Published by Gallery Press, Liverpool, UK, 1968
Seller: SAVERY BOOKS, Brighton, East Sussex, United Kingdom
Soft cover. Condition: Very Good. Paperback 1968. 199 pages. Flat spine. Flat covers. Clean & tight. No inscriptions. Flat pages. Dispatched with TRACKING boxed in cardboard. ref F123.
Published by The Gallery Press, Liverpool, England, 1972
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Unpaginated. 101 illustrations. "This book, illustrated entirely by contemporary photographs, give a picture of Edwardian Liverpool and New Brighton at a time when the city streets, still largely the domain of the horse-drawn vehicle, were starting to see the advent of the early motor car and the electric tram." - from dust jacket. Handsome black and white photographic plates. Unmarked with moderate wear. Dust jacket preserved in Brodart cover. A quality copy.
Hardcover. Condition: Good+. Dust Jacket Condition: Fair. 1st Edition. Unpaginated (109pp?). Large format. Dustwrapper price clipped, creased at edges, with slight loss. Internally very clean.
Published by Liverpool University Press / Tate Gallery Liverpool, 1996
ISBN 10: 0853239118 ISBN 13: 9780853239116
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
Condition: Gut. Critical Forum Series, Volume 4. IX; 172 Seiten; Illustr.; 24 cm; kart. Gutes Ex.; der farb. Einband stw. geringfügig berieben; mit Aufkleber. - Englisch. - . Consistent with an important purpose of the Critical Forum series, it identifies aspects of Polke's work about which there is reasonable consensus besides those which stimulate profound disagreement, on the part of historians and critics who approach him from aesthetic, philosophical and socio-cultural standpoints. Some contributors ground Polke in Neo-Dada's great enterprise to reclaim contact with the historic German avant-garde, and see him as having strategically confused representation and abstraction identified as these idioms were with Cold War factions competing to subsume German (and European) cultural identity. Others regard him as an exponent of German Pop, reflecting not on conspicuous consumption in a plentiful economy (like American counterparts) so much as on 'ordinary' consumption in the subsistence economy which characterised Europe, and especially the two Germanies, during the long period of post-war recovery. Yet others argue that Polke is a Modernist who has missed the crucial moment when practising in an exclusively modernist idiom would have been significant, and see him as compulsively revisiting Pop, Op, Conceptualism, New Figuration and Post Painterly Abstraction. And still others regard this aspect of his work as indicating that significance today resides in synthetic achievement, and that Polke is thus a highly exemplary Postmodernist and perhaps also one of the most indicative of a truly European avant-garde culture during a time when American critiques and values have tended to dominate art historical thinking. (Verlagstext) // INHALT : CONTENTS ---- Introduction DAVID THISTLEWOOD ---- Sigmar Polke and the Critical Problem of Multiple 'Signature Styles' ---- DAVID CAMPBELL Plotting Polke ---- JOSEPH E. McHUGH ---- Connecting the Dots: Sigmar Polke's ---- Rasterbilder in their Sociopolitical Context ---- MARTIN HENTSCHEL ---- Plotting Polke's Showcase Piece: ---- Irony and Parody as Vehicles of ---- Criticism and Artistic Freedom ---- FIONA ELLIOTT Sigmar Polke and Romanticism ---- GERLINDE GABRIEL Sigmar Polke's Paganini ---- DONALD KUSPIT ---- At the Tomb of the Unknown Picture: ---- Sigmar Polke's Art ---- KEVIN POWER Polke's Postmodern Play ---- ROY HOLT ---- Polke's Work: Verbs Posing as Nouns ---- ANDREW BENJAMIN Polke at the End of Painting ---- BICE CURIGER ---- On Sigmar Polke's Photo-Piece Paris 1911 ---- ANNE MacPHEE Sigmar Polke: A Selected Bibliography ---- Index. ISBN 0853239118 Sprache: Deutsch Gewicht in Gramm: 650.
Published by Liverpool University Press & Tate Gallery Liverpool 1995, 1995
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Small quarto, illus white light card covers with black lettering, viii + 214pp, illus, VG (creasing to front cover lower corner, light soiling to covers, owner's name in ink to fep).