Alphabet Algorithm by Carpo Mario (11 results)

paperback. Condition: Used-Good. Illustrated. Pap. Minor wear to wraps. Infrequent pencil notes and marginalia in pencil, primarily at beginning of volume. Else a nice reader's copy.

Condition: As New. Unread book in perfect condition.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condition: New.

Paperback. Condition: new. Paperback. The rise and fall of identical copies- digital technologies and form-making from mass customization to mass collaboration.Digital technologies have changed architecture-the way it is taught, practiced, managed, and regulated. But if the digital has created a "paradigm shift" for architecture, which paradigm is shifting? In The Alphabet and the Algorithm, Mario Carpo points to one key practice of modernity- the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity- in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. In architecture, this means the end of notational limitations, of mechanical standardization, and of the Albertian, authorial way of building by design. Charting the rise and fall of the paradigm of identicality, Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship. The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780262515801.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780262515801.

Condition: Good. 8vo. Soft Covers. 169 pp. Very Good.

Paperback. Condition: Brand New. 1st edition. 169 pages. 8.50x5.75x0.50 inches. In Stock.

Paperback. Condition: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 184 pp. Englisch.

Paperback. Condition: new. Paperback. The rise and fall of identical copies- digital technologies and form-making from mass customization to mass collaboration.Digital technologies have changed architecture-the way it is taught, practiced, managed, and regulated. But if the digital has created a "paradigm shift" for architecture, which paradigm is shifting? In The Alphabet and the Algorithm, Mario Carpo points to one key practice of modernity- the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity- in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. In architecture, this means the end of notational limitations, of mechanical standardization, and of the Albertian, authorial way of building by design. Charting the rise and fall of the paradigm of identicality, Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship. The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.