Amstel Sluis (19 results)

Condition: Guter Zustand. ***Ansichtskarte Amsterdam, Paleis van Volksvlijt, Hooge Sluis, De Amstel*** gelaufen 1907, guter Zustand | Preis: 6.00 EUR | Keine MwSt.-Ausweisung, differenzbesteuert gem.§25a UStG | Versandkosten: Kostenloser Versand | Ausland > Europa > Niederlande > Niederlande Nordholland / Noord-Holland > Stadt Amsterdam > Stadt Amsterdam.…

Condition: Guter Zustand. ***Ansichtskarte Amsterdam, Amstel-Hotel met Hooge Sluis*** gelaufen 1914, guter Zustand | Preis: 6.00 EUR | Keine MwSt.-Ausweisung, differenzbesteuert gem.§25a UStG | Versandkosten: Kostenloser Versand | Ausland > Europa > Niederlande > Niederlande Nordholland / Noord-Holland > Stadt Amsterdam > Stadt Amsterdam. …

Postkarte Carte Postale Amsterdam_Niederlande Amstel van af de Hooge Sluis Schiff Amstel van af de Hooge Sluis Schiff Alte Ansichtskarte Postkarte.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 14 cm X 9 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 5 cm X 3 cm.

Condition: guter Zustand. Zustand siehe Scan, ungelaufen - ca 14 cm X 9 cm.

Condition: Gebrauchsspuren. ***Ansichtskarte Amsterdam, Hooge Sluis met Amstel-Hotel, Strassenbahn*** gelaufen 1930, Stempelspur, guter Zustand | Preis: 7.00 EUR | Keine MwSt.-Ausweisung, differenzbesteuert gem.§25a UStG | Versandkosten: Kostenloser Versand | Motive / Thematik > Verkehr > Strassenbahnen > Strassenbahnen Niederlande > Amsterdam.…

Loose Leaf. Condition: New. Reproduction. Original title: View of the Hoge Sluis in Amsterdam seen from the Amstel German: Blick auf den Hoge Sluis in Amsterdam von der Amstel aus gesehen French: Vue du Hoge Sluis à Amsterdam vue de l'Amstel Spanish: Vista del Hoge Sluis en Amsterdam vista desde el Amstel High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1827). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

c.1790. Kopergravure. 17 x 23 - Papier 22,5 x 26,5 cm. Uit: Vaderlandsche gezichten of afbeeldingen, behoorende tot den Tegenwoordigen staat der Vereenigde Nederlanden getekend door J.Bulthuis. In het koper gedruckt door K.F.Bendorp. [162462].

A fine eighteenth century view of the Kolveniersburgwal Engraving with etching on two sheets joined. View of the Kolveniersburgwal, taken from the Bushuissluis looking towards the Amstel river. A key in Dutch and French lists seven places of interest these include among others the 'Bosjes Sluis', the bridge spanning the canal; the impressive Zuiderkerk tower; the Oost-Indisch Huis, or East India Company House; and the tower of the Koveniersdoelen, from whence the canal gained its name. The Kloveniersdoelen ("musketeers' shooting range") was a complex of buildings in Amsterdam which served as headquarters and shooting range for the local schutterij (civic guard). The companies of kloveniers were armed with an early type of musket known as an arquebus, known in Dutch klover, hence the name kloveniers. The print depicts a bustling city with gentlemen and women rubbbing shoulders with street vendors and beggars. To the right of the view a large barge is shown off-loading its wears next to East India House. To the left women are shown unloading crockery for sale in the local market. Further down the canal more boats ply their trade and in the distance the one can just pick out the Amstel river. A later state of the print with a new impressive building constructed on the left hand side of the print, partially blocking out the Zuiderkerk. Bastiaen Stoopendaal (1636-1707) etcher, engraver, painter, and draftsman lived and worked in Amsterdam, he was father of the artist Daniel Stoopendaal, and his most famous pupil was Jan Kip. R.W.P. de Vries, auction, 1925: 281. …

A view of the Muntplien with the Munttoren and the Englese Huizen Etching with engraving, on two sheets joined. A view of the Schapenplien (Muntplien) with the Munttoren (The Mint Tower), the Englese Huizen (English Houses), and the Doelensluis. The Muntplein is named after the Munttoren (or simply Munt) tower which stands on this square. This tower was once part of the three main medieval city gates. In the seventeenth century, it temporarily served as a mint, hence the name. The square was originally named Schapenplein and in the seventeenth century was enclosed by the Englese Huizen, shown in the centre. The buildings were constructed in 1624, and would be demolished in the late nineteenth century for the widening of the bridge over the Singel, as a result of which the enclosed Schapenplein disappeared. The new square was given the name Sophiaplein, after the deceased first wife of King William III, but was soon called the Muntplein or in short, the Munt. Andries de Leth (1662-1731) and Hendrik de Leth (1692-1759) were engravers, publishers, and mapmakers working in Amsterdam during the first half of the eighteenth century. R.W.P. de Vries, auction, 1925: 277.…

A fine eighteenth century view of the Kolveniersburgwal Engraving with etching, on two sheets joined. View of the Kolveniersburgwal, taken from the Bushuissluis looking towards the Amstel river. A key in Dutch and French lists seven places of interest these include among others the 'Bosjes Sluis', the bridge spanning the canal; the impressive Zuiderkerk tower; the Oost-Indisch Huis, or East India Company House; and the tower of the Koveniersdoelen, from whence the canal gained its name. The Kloveniersdoelen ("musketeers' shooting range") was a complex of buildings in Amsterdam which served as headquarters and shooting range for the local schutterij (civic guard). The companies of kloveniers were armed with an early type of musket known as an arquebus, known in Dutch klover, hence the name kloveniers. The print depicts a bustling city with gentlemen and women rubbbing shoulders with street vendors and beggars. To the right of the view a large barge is shown off-loading its wears next to East India House. To the left women are shown unloading crockery for sale in the local market. Further down the canal more boats ply their trade and in the distance the one can just pick out the Amstel river. Bastiaen Stoopendaal (1636-1707) etcher, engraver, painter, and draftsman lived and worked in Amsterdam, he was father of the artist Daniel Stoopendaal, and his most famous pupil was Jan Kip. R.W.P. de Vries, auction, 1925: 281. …

No binding. Condition: Very Good. Engraving and etching on laid paper. Total size: 185 x 230 mm, platemark 145 x 185 mm.Print in good condition. Wide margins.[NL] Ets en gravure van de Weteringschans, het Buiten Amstel gebied. Gemaakt door Nicolaas ten Hoorn. Afkomstig uit: Wegwijzer door Amsterdam van Nicolaas ten Hoorn 1713. Gezicht vanaf de Sarphatistraat brug. Aan de linkerzijde is nu het Amstel HOtel.…

No Binding. Condition: Fine. Gezicht op de Amstel met de Hogesluis en molen De Groen. Aquatint door A. Lutz. Tekenaar: Cornelis de Kruyff. Uitgegeven te Amsterdam door Frans Buffa omstreeks 1825. Afmetingen (afbeelding): 16 x 18 cm.

No Binding. Condition: Fine. Kopergravure, uitgegeven te Amsterdam omstreeks 1708 door Pieter Schenk in "Afbeeldinge der voornaamste gebouwen van Amsterdam," Pieter Schenk. Afmetingen (afbeelding): 15 x 19 cm.

No Binding. Condition: Fine. Titel in handschrift onder de prent. Zeldzame, tevens anonieme antieke prent van de Amstelsluis. Kopergravure uit de tweede helft van de achttiende eeuw. Afmetingen (afbeelding): 10 x 18 cm.

Amsterdam View of the Hoge Sluis and Amstel, 19th Century Colored Lithograph This charming 19th-century hand-colored lithograph titled *De Hooge Sluis van den Buiten-Amstel Gezien* depicts a scenic and historically important view of the Hoge Sluis (High Sluice) in Amsterdam, as seen from the outer Amstel River. This romantic and atmospheric cityscape is part of a mid-19th-century Amsterdam topographical series created by Dutch artist W. L. Andriessen (signed as W. L. Andreae), lithographed by P. W. M. Trap, and published by J. C. Loman Jr. The scene captures a picturesque moment along the Amstel, with rowing boats gently drifting across the foreground. The architecture of the sluice with its classic arches, the surrounding greenery, and the small houses lining the quay convey the harmony between water management and urban life in the Dutch capital. A windmill towers in the background, further emphasizing the quintessential Dutch character of the view. This type of lithographic city view was highly popular during the 19th century as a means of documenting important landmarks and cityscapes while appealing to the growing urban middle class. The print not only provides a rare look at the engineering and architecture of the historic sluice but also captures the everyday life along Amsterdam's waterways. The hand-coloring is soft yet vibrant, with pastel skies and crisp architectural detailing that bring the scene to life. A valuable addition to collections of Dutch topographical art, Amsterdam history, or 19th-century lithography, this print also works beautifully as a decorative piece for interiors with classic, nautical, or historical themes. Condition report: Excellent condition. Clean sheet with vibrant original hand-coloring. Only minor edge toning and faint spots in margin. No tears, repairs, or folds. Image area is sharp, well-inked. Framing tips: Frame with light oak, gold, or black wood to enhance the vintage palette. Use an ivory or soft pastel mat to highlight the delicate coloring. UV-protective glass is advised to maintain color and paper integrity over time.…