Analytical Psychology Notes Seminar (66 results)

Condition: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Condition: Very Good. First Paperback Edition. Minor wear to wraps & edges of text block. Text and images unmarked.

Hardcover. Condition: Fine. 1st Edition. Xvii, 179 Pp. Blue Cloth Stamped In Gilt And Silver. First Printing (1989). Fine, Small Owner's Symbol Stamped On Front Endpaper.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. dj in mylar;179 pages w/some marginalia and underlining; black c /gilt decorations/titles.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First American Edition. Xvi, 224 Pp. Black Cloth, Gilt. First American Printing (1968). Fine, Custom Modernist Bookplate Under Front Flap. Near Fine Dust Jacket Priced $6.95.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Publisher's gilt-titled cloth. Erasure to ffep else tight and unmarked. Slight corner wear. The DJ in mylar is slightly soiled. ; Jung Seminars; 6.5 X 0.75 X 9.5 inches; 179 pages.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Stated first Routledge edition, 1990. Green cloth boards in very good condition. Unclipped dust jacket is covered in removable mylar and has some light shelf-wear, otherwise clean and bright. Top edge dyed green. Binding tight and text clean.

Original document. Quarto (11 x 8 1/2"). Each with 1-3 preliminary leaves, 283, 275, 201, 163 (5), 249, 230, 133, 159, 178, 227, 190 leaves, 29 plates, (1) 36 leaves (index). All bound in original dark blue half cloth over marbled boards. Foreword to index volume by Carol Sawyer. The photostatic prints are pasted onto heavy paper, each numbered in ink by hand underneath the print, and loosely inserted into the folder. Volume 1 with handwritten dedication "Für Gerhard, August 31." Volumes 211 with "Gerhard Adler" inked to front free endpapers. This set is from the library of the important figure of Analytic Psychology, known for his translations of the "Collected Works" by Carl Jung into English. Set of thirteen volumes: eleven with multi graphed typescript copies from notes taken by the professional secretary Mary Foote during Carl Jung seminars held from 19301934. Seminars were also recorded by pupils of Carl Jung and edited by him. Volume twelve contains twenty-nine photographs of painting by Christiana Morgan, volume thirteen the index. These sets were issued in a very small number for the use of participants of the seminar only. The pupils were not authorized to lend them out, quote or publish any of the material without the explicit authorization of Dr. Jung. A small white paper label pasted to inside front covers of volumes 14 reading: "This report is strictly for the use of members of the Seminar, with the understanding that it is not to be circulated." The other volumes contain this information printed on the "Restricted Usage" page. The topic of these seminars was the analysis of dreams and artwork by the American artist Christiana Morgan, a patient of Carl Jung, and the ultimate "femme inspiratrice" or the manifestation of the perfect feminine, as Jung referred to her after their first meeting. Morgan was said to produce artwork in a semi-hypnotic state creating mythic visions. She was also a writer and lay psychoanalyst at Harvard known for co-authoring the Thematic Apperception Test, a widely used projective psychological test. Having received a few requests to lecture on Morgan's paintings a vote was taken on Jung's suggestion among the participants of the Vision Seminar to decide whether to continue with the regular series of dream interpretations or lectures about unconscious pictures by Morgan instead. The class voted for the "picture method." "I must explain to you that the lectures are about the development, one could say, of the transcendent function of dreams, and the actual representation of those images which ultimately serve in the synthesis of the individual, - the reconciliation of the pairs of opposites and the whole process of symbol formation (from Jung's opening address to the students in the seminar)." The seminars have to be seen in the context of Jung's work and research on what he had termed the "collective unconsciousness" in 1916, this being another attempt to gather conclusive evidence for what was to become his "Concept of the Collective Unconscious." The term "collective unconsciousness" first appeared in Jung's 1916 essay "The Structure of the Unconscious," distinguishing between the "personal" (Freudian) and the "collective" unconscious." (Jung collected works.) In 1929 in "The Significance of Constitution and Heredity in Psychology" Jung wrote: "And the essential thing, psychologically, is that in dreams, fantasies, and other exceptional states of mind the most far-fetched mythological motifs and symbols can appear autochthonously at any time, often, apparently, as the result of particular influences, traditions, and excitations working on the individual, but more often without any sign of them. These "primordial images" or "archetypes," as I have called them, belong to the basic stock of the unconscious psyche and cannot be explained as personal acquisitions. Together they make up that psychic stratum which has been called the collective unconscious." (Jung collected works.). And in 1936 he delivered.

3 Bll., 159 SS. auf 159 Bll. Marmorierter Halbleinenband der Zeit. 4to. Seminartyposkript, "strictly for the use of members of the Seminar with the understanding that it shall not be circulated".