Search preferences
Skip to main search results

Search filters

Product Type

  • All Product Types 
  • Books (1)
  • Magazines & Periodicals (No further results match this refinement)
  • Comics (No further results match this refinement)
  • Sheet Music (No further results match this refinement)
  • Art, Prints & Posters (No further results match this refinement)
  • Photographs (No further results match this refinement)
  • Maps (No further results match this refinement)
  • Manuscripts & Paper Collectibles (No further results match this refinement)

Condition Learn more

  • New (No further results match this refinement)
  • As New, Fine or Near Fine (No further results match this refinement)
  • Very Good or Good (No further results match this refinement)
  • Fair or Poor (No further results match this refinement)
  • As Described (1)

Binding

  • All Bindings 
  • Hardcover (No further results match this refinement)
  • Softcover (No further results match this refinement)

Collectible Attributes

Language (1)

Price

  • Any Price 
  • Under US$ 25 (No further results match this refinement)
  • US$ 25 to US$ 50 (No further results match this refinement)
  • Over US$ 50 
Custom price range (US$)

Free Shipping

  • Free Shipping to U.S.A. (No further results match this refinement)

Seller Location

  • Seller image for S. Anthonius [Saint Anthony] tormented by demons. [After Martin Schongauer and Raphaël De Mey]. for sale by Antiquariaat Schierenberg

    US$ 2,391.34

    US$ 58.04 shipping
    Ships from Netherlands to U.S.A.

    Quantity: 1 available

    Add to basket

    Central Europe, possibly Germany, ca. 1730. Printed leaf (31.1 x 22.8 cm). Mounted. = A beautiful copy of a fine rendering of the famous Temptanion of Saint Anthony, after Martin Schongauer (d. 1491), in the edition of Raphaël de Mey (d. 1630) with a monogram of Albrecht Dürer added. This work by Schongauer - perhaps his best - inspired many contemporary and later artists, including the great Renaissance artist Michaelangelo, who even reproduced it in oil, and De Mey, who, in ca. 1590, added a more elaborate landscape, giving the illustration more depth. The addition of Albrecht Dürer's monogram is, as often, just a 15th-16th century "quality sign". Indeed, the extraordinary craftmanship and evocative strength of this work certainly are on par with Dürer's best, but Dürer himself had nothing to do with it. Also, with a monogram AT and date 1530 [in mirror view, as is the image itself]. Monogrammist AT is listed in Hollstein, under Schongauer, as an 18th century copyist, whose work is present in Museums in Bremen, London, Madrid (Biblioteca Nacional), Oxford, Zürich (Eidgenössische Technische Hochschule), and Oslo (Nasjonalmuseet). His rendering, however, is not merely a copy of De Mey's, but more subtle in detail and much closer to the Schongauer original. Trimmed to plate border and caption, otherwise very good, clean. Hollstein, German Engravings, Etchings and Woodcuts 1400-1700 Vol. XLIX, pp. 130-133 (Schongauer's original version); Idem, Vol. XXVII, pp. 32-33 (Raphaël de Mey version).