Anvers Exposition, First Edition (10 results)

First edition. Wrappers. 8vo, 32 pp. Fine copy. Exhibition catalogue of antique cinematographic instruments. Many black-and-white illustrations of magic lanterns, ciné cameras, projectors, etc. 118 items catalogued. Light item.

First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved; tight, bright, clean and sharp-cornered. ; 8vo 8" - 9" tall; 69 pages; Description: 69 p : ill. , facsim. Subjects: Art, Flemish--16th century--Exhibitions--Themes, motives 3 Kg.

First Edition. Near fine paperback copy. Slightest suggestion only of dust dulling to the spine bands and panel edges. Remains uncommonly well-preserved; tight, bright, clean and sharp-cornered. ; 8vo 8" - 9" tall; 69 pages; Description: 69 p : ill. , facsim. Subjects: Art, Flemish--16th century--Exhibitions--Themes, motives 1 Kg.

Condition: Good. First edition, complete in two softcover volumes. 4to (33cm by 25cm), 147pp; 195pp. 120 pages of plates. Original printed card wrappers. This set is in good to very good condition overall (some chipping to the spines). Each volume has a large number of handwritten signatures to a blank page at the front of the book. Text in French.

Couverture souple. Condition: Bon. Pas de jaquette. 1ère Édition. Librairie Plon, 1931 - In-8° broché, couv. cart. rempliée, 220 pp. + table, quelques rousseurs marginales sur tranche sinon bon état, non coupé. Edition originale, tirage limité à 30 exemplaires sur Hollande van Gelder, un des 10 hors-commerce (grandes marges).

Antwerp, Bellemans Frères, 1904. Original wrappers. (10), 208 p. Uncut. First edition. Cover tearing loose from book block. Backstrip spotted. Delicate paper a bit crumbling at the edges. Interesting panorama of the state of the art of modern books in the middle of Art Nouveau. Not illustrated. Classified by order of countries and printers.

Couverture rigide. Condition: Comme neuf. Edition originale. In-4° relié 295 pages.

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1898. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1898. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1898. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 25.

Anvers, Imprimerie J.-E. Buschmann, 1911.25,5 x 15 cm, X-115-[1 bl.-2] p., ff. de pl. Broché, couv. impr. d'éd. avec une vignette gravée typographique de Max Elskamp.Édition originale, peu courante, illustrée de 81 illustrations réparties en planches hors-texte dont : les Sept oeuvres de miséricorde de Max Elskamp, les couvertures des expositions 1900 et 1904, le Juge Rouge de James Ensor, affiche et composition d'Albéric Collin, affiches de Gisbert Combaz.Déchirure sans manque p. 75-76. La couverture est très usée, avec plusieurs déchirures, des manques au dos (entièrement décollé) et aux coiffes.De Sadeleer, Elskamp, n° 100. Livres.

Couverture souple. Condition: Bon. Edition originale. La Construction moderne - n°2 - 1930. avec notamment dix pages sur l'architecture à l'Exposition d'Anvers (Arch. Smolderen, Lutyens, Montarnal, Van Averbeke, .), nombreux plans et photographies en noir et blanc. 23,5 x 31 cm - 20 pages. bon état (agrafes absentes).