Appearances by Blau Herbert (49 results)

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condition: Used - Very Good. VG paperback. First Edition. Owner's initials on first page, otherwise a bright, clean copy in firm binding.

Soft cover. Condition: Near Fine. 1st Edition. Trade paperback in near fine to fine condition.

Paperback. Condition: Good. Book is in nice condition, pages are tight. Some pages have underlining.

Softcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Gebrauchsspuren. This is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author's concerns - which include the social meaning of illusion and the cultural manifestation of power - take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor's theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles. This book should be of interest to undergraduates, postgraduates and academics of theatre and cultural studies.…

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 223 pp, index. Very light corner wear. Previous owner's name half-title page.

Condition: New.

Paperback or Softback. Condition: New. To All Appearances: Ideology and Performance. Book.

Condition: New.

Condition: New.

Soft cover. Condition: Very Good. Dust Jacket Condition: Pictorial soft covers. 1st Edition. This is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. A brilliant and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is a book for the 21st century. A good clean and tight copy.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 240 pages. 6.14x0.51x9.21 inches. In Stock.

Condition: New.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New. Herbert Blau was the most influential theater theorist, practitioner, and educator of his generation. He was Distinguished Professor of English and Comparative Literature at the University of Wisconsin-Milwaukee. After many years in the theater, w.

Taschenbuch. Condition: Neu. Neuware - First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author's concerns-which include the social meaning of illusion and the cultural manifestation of power-take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor's theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.A brilliant, uncontainable, and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is undoubtedly a book for the twenty-first century. It returns us, through all appearances, to the unavoidable question in art, in politics, in the society of the spectacle: what, after all, is the future of illusion.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.